Описание: A critical examination of efforts by social media companies--including Facebook, Twitter, Snapchat, and Instagram--to rein in cyberbullying by young users.
High-profile cyberbullying cases often trigger exaggerated public concern about children's use of social media. Large companies like Facebook respond by pointing to their existing anti-bullying mechanisms or coordinate with nongovernmental organizations to organize anti-cyberbullying efforts. Do these attempts at self-regulation work? In this book, Tijana Milosevic examines the effectiveness of efforts by social media companies--including Facebook, Twitter, YouTube, Snapchat, and Instagram--to rein in cyberbullying by young users. Milosevic analyzes the anti-bullying policies of fourteen major social media companies, as recorded in companies' corporate documents, draws on interviews with company representatives and e-safety experts, and details the roles of nongovernmental organizations examining their ability to provide critical independent advice. She draws attention to lack of transparency in how companies handle bullying cases, emphasizing the need for a continuous independent evaluation of effectiveness of companies' mechanisms, especially from children's perspective. Milosevic argues that cyberbullying should be viewed in the context of children's rights and as part of the larger social problem of the culture of humiliation.
Milosevic looks into five digital bullying cases related to suicides, examining the pressures on the social media companies involved, the nature of the public discussion, and subsequent government regulation that did not necessarily address the problem in a way that benefits children. She emphasizes the need not only for protection but also for participation and empowerment--for finding a way to protect the vulnerable while ensuring the child's right to participate in digital spaces.
Описание: The Multilingual Screen is the first edited volume to offer a wide-ranging exploration of the place of multilingualism in cinema, investigating the ways in which linguistic difference and exchange have shaped, and continue to shape, the medium's history. Moving across a vast array of geographical, historical, and theoretical contexts-from Japanese colonial filmmaking to the French New Wave to contemporary artists' moving image-the essays collected here address the aesthetic, political, and industrial significance of multilingualism in film production and reception. In grouping these works together, The Multilingual Screen discerns and emphasizes the areas of study most crucial to forging a renewed understanding of the relationship between cinema and language diversity. In particular, it reassesses the methodologies and frameworks that have influenced the study of filmic multilingualism to propose that its force is also, and perhaps counterintuitively, a silent one. While most studies of the subject have explored linguistic difference as a largely audible phenomenon-manifested through polyglot dialogues, or through the translation of monolingual dialogues for international audiences-The Multilingual Screen traces some of its unheard histories, contributing to a new field of inquiry based on an attentiveness to multilingualism's work beyond the soundtrack.
Cinema and Language Loss provides the first sustained exploration of the relationship between linguistic displacement and visuality in the filmic realm, examining in depth both its formal expressions and theoretical implications.
Combining insights from psychoanalysis, philosophy and film theory, the author argues that the move from one linguistic environment to another profoundly destabilizes the subject's relation to both language and reality, resulting in the search for a substitute for language in vision itself - a reversal, as it were, of speaking into seeing. The dynamics of this shift are particularly evident in the works of many displaced filmmakers, which often manifest a conflicted interaction between language and vision, and through this question the signifying potential, and the perceptual ambiguities, of cinema itself.
In tracing the encounter between cinema and language loss across a wide range of films - from Billy Wilder's Sunset Boulevard to Chantal Akerman's News from Home to Michael Haneke's Cach - Mamula reevaluates the role of displacement in postwar Western film and makes an original contribution to film theory and philosophy based on a reconsideration of the place of language in our experience and understanding of cinema.
Описание: The Multilingual Screen is the first edited volume to offer a wide-ranging exploration of the place of multilingualism in cinema, investigating the ways in which linguistic difference and exchange have shaped, and continue to shape, the medium’s history. Moving across a vast array of geographical, historical, and theoretical contexts—from Japanese colonial filmmaking to the French New Wave to contemporary artists’ moving image—the essays collected here address the aesthetic, political, and industrial significance of multilingualism in film production and reception. In grouping these works together, The Multilingual Screen discerns and emphasizes the areas of study most crucial to forging a renewed understanding of the relationship between cinema and language diversity. In particular, it reassesses the methodologies and frameworks that have influenced the study of filmic multilingualism to propose that its force is also, and perhaps counterintuitively, a silent one. While most studies of the subject have explored linguistic difference as a largely audible phenomenon—manifested through polyglot dialogues, or through the translation of monolingual dialogues for international audiences—The Multilingual Screen traces some of its unheard histories, contributing to a new field of inquiry based on an attentiveness to multilingualism’s work beyond the soundtrack.
This book explores how Ottoman Muslims and Christians understood the phenomenon of conversion to Islam from the 15th to the 17th centuries. The Ottomans ruled over a large non-Muslim population and conversion to Islam was a contentious subject for all communities, especially Muslims themselves. Ottoman Muslim and Christian authors sought to define the boundaries and membership of their communities while promoting their own religious and political agendas. Tijana Krsti? argues that the production and circulation of narratives about conversion to Islam was central to the articulation of Ottoman imperial identity and Sunni Muslim "orthodoxy" in the long 16th century.
Placing the evolution of Ottoman attitudes toward conversion and converts in the broader context of Mediterranean-wide religious trends and the Ottoman rivalry with the Habsburgs and Safavids, Contested Conversions to Islam draws on a variety of sources, including first-person conversion narratives and Orthodox Christian neomartyologies, to reveal the interplay of individual, (inter)communal, local, and imperial initiatives that influenced the process of conversion.
This book explores how Ottoman Muslims and Christians understood the phenomenon of conversion to Islam from the 15th to the 17th centuries. The Ottomans ruled over a large non-Muslim population and conversion to Islam was a contentious subject for all communities, especially Muslims themselves. Ottoman Muslim and Christian authors sought to define the boundaries and membership of their communities while promoting their own religious and political agendas. Tijana Krsti? argues that the production and circulation of narratives about conversion to Islam was central to the articulation of Ottoman imperial identity and Sunni Muslim "orthodoxy" in the long 16th century.
Placing the evolution of Ottoman attitudes toward conversion and converts in the broader context of Mediterranean-wide religious trends and the Ottoman rivalry with the Habsburgs and Safavids, Contested Conversions to Islam draws on a variety of sources, including first-person conversion narratives and Orthodox Christian neomartyologies, to reveal the interplay of individual, (inter)communal, local, and imperial initiatives that influenced the process of conversion.
Автор: Rakic Tijana Название: Travel, Tourism and Art ISBN: 1472410394 ISBN-13(EAN): 9781472410399 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Art, in its many forms, has long played an important role in people’s imagination, experience and remembrance of places, cultures and travels as well as in their motivation to travel. Travel and tourism, on the other hand, have also inspired numerous artists and featured in many artworks. The fascinating relationships between travel, tourism and art encompass a wide range of phenomena from historical ’Grand Tours’ during which a number of travellers experienced or produced artwork, to present-day travel inspired by art, artworks produced by contemporary travellers or artworks produced by locals for tourist consumption. Focusing on the representations of ’touristic’ places, locals, travellers and tourists in artworks; the role of travel and tourism in inspiring artists; as well as the role of art and artwork in imagining, experiencing and remembering places and motivating travel and tourism; this edited volume provides a space for an exploration of both historical and contemporary relationships between travel, tourism and art. Bringing together scholars from a wide range of disciplines and fields of study including geography, anthropology, history, philosophy, and urban, cultural, tourism, art and leisure studies, this volume discusses a range of case studies across different art forms and locales.
Автор: Rakic Tijana Название: Narratives of Travel and Tourism ISBN: 1409439747 ISBN-13(EAN): 9781409439745 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Travel and tourism stories have been told and recorded within every culture, in every period of oral and written history, and across the fact/fiction continuum. This title discusses historical and contemporary, as well as real-life and fictional, narratives contained within travel writing, travel and tourism stories and different types of media.
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