Theaters of the Everyday. Aesthetic Democracy on the American Stage,
Автор: Posey Sean T. Название: Historic Theaters of Youngstown and the Mahoning Valley ISBN: 1540225631 ISBN-13(EAN): 9781540225634 Издательство: Неизвестно Цена: 4413.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Meyler, Bernadette Название: Theaters of pardoning ISBN: 1501739344 ISBN-13(EAN): 9781501739347 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4634.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.
Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice.
Weekly News from That Nerd Show for February 21st 2021. Featured Article: The Survival of Movie Theaters and Why They Need to Survive. Film and TV News, Gaming News, Nerd Advice, Storytellers, Cosplay: Featured Cosplayers - Isley Cosplay. Movie, Gaming, and TV Reviews.
Автор: Dutka Alan F. Название: Historic Movie Theaters of Downtown Cleveland ISBN: 1540203549 ISBN-13(EAN): 9781540203540 Издательство: Неизвестно Цена: 4964.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Ogden, Tom Название: Haunted theaters ISBN: 0762749490 ISBN-13(EAN): 9780762749492 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 2532.00 р. Наличие на складе: Поставка под заказ.
Описание: This practical guide explains how to analyse a script of libretto, show how to develop a character building on material in the score, and gives the singing performer the tools to act believably. More than just a how to acting book, however, Acting for Singers addresses the problems of concenration, trust, and projection, among others, and includes concrete examples from opera and musical theatre.
Автор: Bernadette Meyler Название: Theaters of Pardoning ISBN: 1501739336 ISBN-13(EAN): 9781501739330 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 16302.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.
Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice.
Автор: Headley Robert K. Название: Maryland`s Motion Picture Theaters ISBN: 1531633951 ISBN-13(EAN): 9781531633950 Издательство: Неизвестно Цена: 4413.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Justice Performed: Courtroom TV Shows and the Theaters of Popular Law is the first study of the reality TV genre to trace its theatrical legacy, connecting the phenomenon of the daytime TV shows to a long history of theatrical trials staged to educate audiences in pedagogies of citizenship. It examines how judge TV fulfills part of law's performative function: that of providing a participatory spectacle the public can recognize as justice. Since it debuted in 1981 with The People's Court, which made famous its star jurist, Judge Joseph A. Wapner, dozens of judges have made the move to television. Unlike the demographics in actual courts, most TV judges are non-white men and women hailing from diverse cultural and racial backgrounds. These judges charge their decisions with personal preferences and cultural innuendos, painting a very different picture of what justice looks like. Drawing on interviews with TV judges, producers and production staff, as well as the author's experience as a studio audience member, the book scrutinizes the performativity of the genre, the needs it meets and the inherent ideological biases about race, gender and civic instruction.
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