Описание: In April 1994, two as-yet-unreleased letters by Sartre and one by Merleau-Ponty were published in the "Magazine Littéraire". Their publication sparked new interpretative hypotheses on the political and philosophical motivations behind the break of the relationship of mutual esteem, friendship, and fruitful intellectual collaboration between Merleau-Ponty and Sartre. The bright tone of their personal contrasts testified the profound theoretical differences between the two thinkers, both at philosophical level and political praxis. This volume covers the period between the launch of the magazine "Les Temps Moderns" in 1945 and Sartre's decision to no longer accept Merleau-Ponty's contributions in 1953, offering a detailed analysis of the respective position of the two philosophers and of an irreducible intellectual distance between them.
Описание: This original study recovers the `militant` dimension of Merleau-Ponty`s thought and sheds new light on his work. It does so in a way that challenges some of the basic parameters of existing Merleau-Ponty scholarship by illuminating the intrinsic normativity of his existential phenomenology.
Описание: This volume of the collected writings of John Sallis presents a two-semester lecture course on Maurice Merleau-Ponty given at Duquesne University from 1970 to 1971. Devoted primarily to a close reading of the French philosopher's magnum opus, Phenomenology of Perception, the course begins with a detailed analysis of The Structure of Behavior. The central topics considered in the lectures include the functions of the phenomenological body; beyond realism and idealism; the structures of the lived world; spatiality, temporality, language, sexuality; and perception and knowledge. Sallis illuminates Merleau-Ponty's first two works and offers a thread to follow through developments in his later essays. Merleau-Ponty's notion of the primacy of perception and his claim that "the end of a philosophy is the account of its beginning" are woven throughout the lectures. For Sallis's part, these lectures are foundational for his extended engagement with Merleau-Ponty's The Visible and the Invisible, which was published in Sallis's Phenomenology and the Return to Beginnings.
Описание: Applying Merleau-Ponty`s figured philosophy to discussions the work of Paul Klee and Cy Twombly, Kaushik offers an original view of artwork. As the first sustained treatment into the relationship between art and language, this is an important contribution to Meleau-Ponty`s philosophy and scholars of aesthetics.
Название: Merleau-ponty in contemporary perspectives ISBN: 9401047685 ISBN-13(EAN): 9789401047685 Издательство: Springer Рейтинг: Цена: 29768.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Merleau-Ponty in contemporary perspective: this was the theme of the conference at the Institute of Philosophy, Katholieke Universiteit Leuven (K.
Автор: Donald A. Landes Название: Merleau-Ponty and the Paradoxes of Expression ISBN: 1441111743 ISBN-13(EAN): 9781441111746 Издательство: Bloomsbury Academic Рейтинг: Цена: 6334.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Merleau-Ponty and the Paradoxes of Expression offers a comprehensive reading of the philosophical work of Maurice Merleau-Ponty, a central figure in 20th-century continental philosophy. By establishing that the paradoxical logic of expression is Merleau-Ponty's fundamental philosophical gesture, this book ties together his diverse work on perception, language, aesthetics, politics and history in order to establish the ontological position he was developing at the time of his sudden death in 1961. Donald A. Landes explores the paradoxical logic of expression as it appears in both Merleau-Ponty’s explicit reflections on expression and his non-explicit uses of this logic in his philosophical reflection on other topics, and thus establishes a continuity and a trajectory of his thought that allows for his work to be placed into conversation with contemporary developments in continental philosophy. The book offers the reader a key to understanding Merleau-Ponty's subtle methodology and highlights the urgency and relevance of his research into the ontological significance of expression for today's work in art and cultural theory.
Автор: Daly Название: Merleau-Ponty and the Ethics of Intersubjectivity ISBN: 1137527439 ISBN-13(EAN): 9781137527431 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book draws on Merleau-Ponty’s phenomenology, psychology, neuroscience and Buddhist philosophy to explicate Merleau-Ponty’s unwritten ethics. Daly contends that though Merleau-Ponty never developed an ethics per se, there is significant textual evidence that clearly indicates he had the intention to do so. This book highlights the explicit references to ethics that he offers and proposes that these, allied to his ontological commitments, provide the basis for the development of an ethics.
In this work Daly shows how Merleau-Ponty’s relational ontology, in which the interdependence of self, other and world is affirmed, offers an entirely new approach to ethics. In contrast to the ‘top-down’ ethics of norms, obligations and prescriptions, Daly maintains that Merleau-Ponty’s ethics is a ‘bottom-up’ ethics which depends on direct insight into our own intersubjective natures, the ‘I’ within the ‘we’ and the ‘we’ within the ‘I’; insight into the real nature of our relation to others and the particularities of the given situation.
Merleau-Ponty and the Ethics of Intersubjectivity is an important contribution to the scholarship on the later Merleau-Ponty which will be of interest to graduate students and scholars. Daly offers informed readings of Merleau-Ponty’s texts and the overall approach is both scholarly and innovative.
Описание: This study uses new arguments to reinvestigate the relation between aesthetics and politics in the contemporary debates on democratic theory and radical democracy. First, Carl Schmitt and Claude Lefort help delineate the contours of an aesthetico-political understanding of democracy, which is developed further by studying Merleau-Ponty, Ranciere, and Arendt. The ideas of Merleau-Ponty serve to establish a general "ontological" framework that aims to contest the dominant currents in contemporary democratic theory. It is argued that Merleau-Ponty, Arendt, and Ranciere share a general understanding of the political as the contingently contested spaces and times of appearances. However, the articulation of their thought leads to reconsider and explore under-theorized as well as controversial dimensions of their work. This search for new connections between the political and the aesthetic thought of Arendt and Merleau-Ponty on one hand and the current widespread interest in Ranciere's aesthetic politics on the other make this book a unique study that will appeal to anyone who is interested in political theory and contemporary continental philosophy.
Описание: Applying Merleau-Ponty`s figured philosophy to discussions the work of Paul Klee and Cy Twombly, Kaushik offers an original view of artwork. As the first sustained treatment into the relationship between art and language, this is an important contribution to Meleau-Ponty`s philosophy and scholars of aesthetics.
Описание: Addressing Merleau-Ponty’s work Phenomenology of Perception in dialogue with The Visible and the Invisible, his lectures at the Coll?ge de France, and his reading of Proust, this book argues that at play in his thought is a philosophy of “ontological lateness”. This describes the manner in which philosophical reflection is fated to lag behind its objects and, therefore, an absolute grasp on being remains beyond its reach. This lateness is due to the extent to which reflection finds itself in the grip of a deflagration and splitting open of sense, a deflagration articulated through the unfurling of temporal flux. Insofar as temporality by its very nature never achieves the density of completed being, it constitutes not only the delay of reflection behind its object but also ontological lateness, the lateness of expressivity to being. Merleau-Ponty articulates this philosophy against the backdrop of what he calls “cruel thought”, a style of reflecting that seeks resolution by limiting, circumscribing, and arresting its object. By contrast, the philosophy of ontological lateness seeks no such final unveiling—no apocalypsis—but is characterized by its ability to accept the veiling—the calypsis—of being and its own constitutive lack of punctuality. To this extent, his thinking inaugurates a new relation to the becoming of sense that overcomes cruel thought. Philia-sophia, loving wisdom, is no longer understood as possession of anything—not of knowledge, truth, the other, or even of oneself. Rather, Merleau-Ponty’s work gives voice to a wisdom of dispossession that allows for the withdrawal of being. Never before has anyone engaged with the theme of Merleau-Ponty’s own understanding of philosophy in such a sustained way as Whitmoyer does in this volume.
Автор: Jorella Andrews Название: The Question of Painting: Re-thinking Thought with Merleau-Ponty ISBN: 1472574281 ISBN-13(EAN): 9781472574282 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since the latter half of the 20th century, committed art has been associated with conceptual, critical and activist practices. Painting, by contrast-despite its significance as a site for continued artistic experimentation-has all too often been dismissed as an outmoded, reactionary, market-led venture; an ineffectual medium from the perspective of social and political engagement. How can painting change the world today?
The question of painting, in particular, fuelled the investigations of a major 20th-century philosopher: the French phenomenologist, Maurice Merleau-Ponty (1908-61). Merleau-Ponty was at the forefront of attempts to place philosophy on a new footing by contravening the authority of Cartesian dualism and objectivist thought-an authority that continues to limit present-day intellectual, imaginative, ethical, and indeed scientific possibilities. Taking an approach that moves between the fields of philosophical and visual culture research, The Question of Painting is organized around a closely focused, chronological account of Merleau-Ponty's unfolding project and its relationship with art, clarifying how painting, as a paradigmatically embodied and situated mode of investigation, helped him to access the fundamentally "intercorporeal+? basis of reality as he saw it, and articulate its lived implications-implications that have a, productive bearing on the personal, ethical and political challenges facing us today.
With an exclusive and extended conversation about the contemporary virtues of painting with New York based artist Leah Durner, for whom the work of Merleau-Ponty is an important source of inspiration, The Question of Painting brings today's much debated concerns about the socio-cultural and political potential of painting into contact with the question of painting in philosophy.
Addressing Merleau-Ponty's work Phenomenology of Perception, in dialogue with The Visible and the Invisible, his lectures at the Coll ge de France, and his reading of Proust, this book argues that at play in his thought is a philosophy of "ontological lateness". This describes the manner in which philosophical reflection is fated to lag behind its objects; therefore an absolute grasp on being remains beyond its reach.
Merleau-Ponty articulates this philosophy against the backdrop of what he calls "cruel thought", a style of reflecting that seeks resolution by limiting, circumscribing, and arresting its object. By contrast, the philosophy of ontological lateness seeks no such finality-no apocalypsis or unveiling-but is characterized by its ability to accept the veiling of being and its own constitutive lack of punctuality. To this extent, his thinking inaugurates a new relation to the becoming of sense that overcomes cruel thought. Merleau-Ponty's work gives voice to a wisdom of dispossession that allows for the withdrawal of being.
Never before has anyone engaged with the theme of Merleau-Ponty's own understanding of philosophy in such a sustained way as Whitmoyer does in this volume.
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