Описание: In April 1994, two as-yet-unreleased letters by Sartre and one by Merleau-Ponty were published in the "Magazine Littéraire". Their publication sparked new interpretative hypotheses on the political and philosophical motivations behind the break of the relationship of mutual esteem, friendship, and fruitful intellectual collaboration between Merleau-Ponty and Sartre. The bright tone of their personal contrasts testified the profound theoretical differences between the two thinkers, both at philosophical level and political praxis. This volume covers the period between the launch of the magazine "Les Temps Moderns" in 1945 and Sartre's decision to no longer accept Merleau-Ponty's contributions in 1953, offering a detailed analysis of the respective position of the two philosophers and of an irreducible intellectual distance between them.
Автор: Graham Oppy Название: Ontological Arguments ISBN: 1107123631 ISBN-13(EAN): 9781107123632 Издательство: Cambridge Academ Рейтинг: Цена: 11880.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume provides a comprehensive discussion of ontological arguments, one of the main classes of arguments for the existence of God. Its chapters show clearly how these arguments emerged and developed, how we should think about them, and why they remain important today.
Автор: Morris David Название: Merleau-Ponty`s Developmental Ontology ISBN: 0810137925 ISBN-13(EAN): 9780810137929 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Merleau-Ponty's Developmental Ontology shows how the philosophy of Maurice Merleau-Ponty, from its very beginnings, seeks to find sense or meaning within nature, and how this quest calls for and develops into a radically new ontology. David Morris first gives an illuminating analysis of sense, showing how it requires understanding nature as engendering new norms. He then presents innovative studies of Merleau-Ponty's The Structure of Behavior and Phenomenology of Perception, revealing how these early works are oriented by the problem of sense and already lead to difficulties about nature, temporality, and ontology that preoccupy Merleau-Ponty's later work. Morris shows how resolving these difficulties requires seeking sense through its appearance in nature, prior to experience—ultimately leading to radically new concepts of nature, time, and philosophy.Merleau-Ponty's Developmental Ontology makes key issues in Merleau-Ponty's philosophy clear and accessible to a broad audience while also advancing original philosophical conclusions.
Автор: Carman Название: Merleau-Ponty ISBN: 1138689610 ISBN-13(EAN): 9781138689619 Издательство: Taylor&Francis Рейтинг: Цена: 3673.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This 2nd edition makes use of the new translation of Phenomenology of Perception, and engages with secondary literature published after the first edition. It also includes two new chapters: on Merleau-Ponty`s account of expression, language and thought and on his theories of temporality and freedom.
Автор: Carman Название: Merleau-Ponty ISBN: 1138689580 ISBN-13(EAN): 9781138689589 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This 2nd edition makes use of the new translation of Phenomenology of Perception, and engages with secondary literature published after the first edition. It also includes two new chapters: on Merleau-Ponty`s account of expression, language and thought and on his theories of temporality and freedom.
The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance.
Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.
Описание: Bringing to light the essential philosophical role of Marxism within Merleau-Ponty’s reinterpretation of transcendental phenomenology, this book shows that the realization of this project hinges methodologically upon a renewed conception of the proletariat qua universal class—specifically, that it rests upon a humanist myth of incarnation which, substantiated by Merleau-Ponty’s notion of ‘heroism’, locates an objective historical purposiveness in the habituated organism of the modern subject. Foregrounding the phenomenological priority of history over corporeality in this way, Smyth's analysis recovers the ‘militant’ character of Merleau-Ponty’s existential phenomenology. It thus sheds critical new light on his early thought, and challenges some of the main parameters of existing scholarship by disclosing the intrinsic normativity of his basic methodological commitments.
Humanness supposes innate and profound reflexivity. This volume approaches the concept of reflexivity on two different yet related analytical planes. Whether implicitly or explicitly, both planes of thought bear critically on reflexivity in relation to the nature of selfhood and the very idea of the autonomous individual, ethics, and humanness, science as such and social science, ontological dualism and fundamental ambiguity. On the one plane, a collection of original and innovative ethnographically based essays is offered, each of which is devoted to ways in which reflexivity plays a fundamental role in human social life and the study of it; on the other-anthropo-philosophical and developed in the volume's Preface, Introduction, and Postscript-it is argued that reflexivity distinguishes-definitively, albeit relatively-the being and becoming of the human.
Описание: Addressing Merleau-Ponty’s work Phenomenology of Perception in dialogue with The Visible and the Invisible, his lectures at the Coll?ge de France, and his reading of Proust, this book argues that at play in his thought is a philosophy of “ontological lateness”. This describes the manner in which philosophical reflection is fated to lag behind its objects and, therefore, an absolute grasp on being remains beyond its reach. This lateness is due to the extent to which reflection finds itself in the grip of a deflagration and splitting open of sense, a deflagration articulated through the unfurling of temporal flux. Insofar as temporality by its very nature never achieves the density of completed being, it constitutes not only the delay of reflection behind its object but also ontological lateness, the lateness of expressivity to being. Merleau-Ponty articulates this philosophy against the backdrop of what he calls “cruel thought”, a style of reflecting that seeks resolution by limiting, circumscribing, and arresting its object. By contrast, the philosophy of ontological lateness seeks no such final unveiling—no apocalypsis—but is characterized by its ability to accept the veiling—the calypsis—of being and its own constitutive lack of punctuality. To this extent, his thinking inaugurates a new relation to the becoming of sense that overcomes cruel thought. Philia-sophia, loving wisdom, is no longer understood as possession of anything—not of knowledge, truth, the other, or even of oneself. Rather, Merleau-Ponty’s work gives voice to a wisdom of dispossession that allows for the withdrawal of being. Never before has anyone engaged with the theme of Merleau-Ponty’s own understanding of philosophy in such a sustained way as Whitmoyer does in this volume.
Автор: Sonia Kruks Название: A Study of the Political Philosophy of Merleau-Ponty ISBN: 0367111020 ISBN-13(EAN): 9780367111021 Издательство: Taylor&Francis Рейтинг: Цена: 19906.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book, first published in 1987, is an extended examination of Merleau-Ponty`s political philosophy. It describes and critically elucidates the main political themes to be found in his writings, and shows how his political ideas are related to his general phenomenological philosophy.
Автор: Jorella Andrews Название: The Question of Painting: Re-thinking Thought with Merleau-Ponty ISBN: 1472574281 ISBN-13(EAN): 9781472574282 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since the latter half of the 20th century, committed art has been associated with conceptual, critical and activist practices. Painting, by contrast-despite its significance as a site for continued artistic experimentation-has all too often been dismissed as an outmoded, reactionary, market-led venture; an ineffectual medium from the perspective of social and political engagement. How can painting change the world today?
The question of painting, in particular, fuelled the investigations of a major 20th-century philosopher: the French phenomenologist, Maurice Merleau-Ponty (1908-61). Merleau-Ponty was at the forefront of attempts to place philosophy on a new footing by contravening the authority of Cartesian dualism and objectivist thought-an authority that continues to limit present-day intellectual, imaginative, ethical, and indeed scientific possibilities. Taking an approach that moves between the fields of philosophical and visual culture research, The Question of Painting is organized around a closely focused, chronological account of Merleau-Ponty's unfolding project and its relationship with art, clarifying how painting, as a paradigmatically embodied and situated mode of investigation, helped him to access the fundamentally "intercorporeal+? basis of reality as he saw it, and articulate its lived implications-implications that have a, productive bearing on the personal, ethical and political challenges facing us today.
With an exclusive and extended conversation about the contemporary virtues of painting with New York based artist Leah Durner, for whom the work of Merleau-Ponty is an important source of inspiration, The Question of Painting brings today's much debated concerns about the socio-cultural and political potential of painting into contact with the question of painting in philosophy.
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