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Prokofiev`s Soviet Operas, Nathan Seinen


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Автор: Nathan Seinen
Название:  Prokofiev`s Soviet Operas
ISBN: 9781107088788
Издательство: Cambridge Academ
Классификация:



ISBN-10: 110708878X
Обложка/Формат: Hardback
Страницы: 270
Вес: 0.71 кг.
Дата издания: 05.09.2019
Серия: Music since 1900
Язык: English
Иллюстрации: 39 printed music items; 1 halftones, black and white
Размер: 181 x 254 x 15
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: European history,20th century & contemporary classical music,Opera,Individual composers & musicians, specific bands & groups, MUSIC / General
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Prokofiev`s last four operas are major works of his career in the Soviet Union, yet the original versions remain unfamiliar since they exist only in manuscript form. This book offers bold new interpretations, draws on a wide range of primary and secondary sources, and includes comparisons with works of literature, film, and theatre.


The Operas of Maurice Ravel

Автор: Kilpatrick
Название: The Operas of Maurice Ravel
ISBN: 1107118123 ISBN-13(EAN): 9781107118126
Издательство: Cambridge Academ
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Описание: In this comprehensive study, Emily Kilpatrick unites musical, literary, documentary and cultural perspectives to shed new light on Ravel`s two operas, his working life and his compositional practice. The first study devoted to Ravel`s operas, this book will be an invaluable resource for anyone who is interested in French music.

Prokofiev`s Ballets for Diaghilev

Автор: Press, Stephen D.
Название: Prokofiev`s Ballets for Diaghilev
ISBN: 0754604020 ISBN-13(EAN): 9780754604020
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Описание: Although Western scholars have examined the operas, symphonies and piano pieces of Prokofiev little has been written on his ballets. Stephen Press`s study explores Prokofiev`s work in collaboration with Diaghilev for the Ballet Russe.

Prokofiev`s ballets for diaghilev

Автор: Press, Stephen D.
Название: Prokofiev`s ballets for diaghilev
ISBN: 1138253316 ISBN-13(EAN): 9781138253315
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: Ballet impresario Sergey Pavlovich Diaghilev and composer Sergey Sergeyevich Prokofiev are eminent figures in twentieth-century cultural history, yet this is the first detailed account of their fifteen-year collaboration. The beginning was not trouble-free, but despite two false starts (Ala i Lolli and the first version of its successor, Chout) Diaghilev maintained his confidence in the composer. With his guidance and encouragement Prokofiev established his mature balletic style. After some years of estrangement during which Prokofiev wrote for choreographer Boris Romanov and conductor/publisher Serge Koussevitsky, Diaghilev came to the composer's rescue at a low point in his Western career. The impresario encouraged Prokofiev's turn towards 'a new simplicity' and offered him a great opportunity for career renewal with a topical ballet on Soviet life (Le Pas d'acier). Even as late as 1928-29 Diaghilev compelled Prokofiev to achieve new heights of expressivity in his characterizations (L'Enfant prodigue). Although Western scholars have investigated Prokofiev's operas, piano works, and symphonies, little attention has been paid to his early ballets written for Diaghilev's Ballets Russes. Despite Prokofiev's devotion to opera, it was his ballets for Diaghilev as much as his concertos and solo piano works that earned his renown in Western Europe in the 1920s. Stephen D. Press discusses the genesis of each ballet, including the important contributions of the scenic designers (Mikhail Larionov, Georgy Yakulov and Georges Rouault) and the choreographer/dancers (Leonid Massine, Serge Lifar and George Balanchine), and the special relationship between the ballets' progenitors.

Gr?try`s Operas and the French Public

Автор: Arnold
Название: Gr?try`s Operas and the French Public
ISBN: 1472438507 ISBN-13(EAN): 9781472438508
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of Andre Ernest Modeste Gretry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Gretry’searliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Gretry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Gretry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Gretry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.

Janacek`s Operas: A Documentary Account

Автор: Tyrrell John
Название: Janacek`s Operas: A Documentary Account
ISBN: 0691631131 ISBN-13(EAN): 9780691631134
Издательство: Wiley
Цена: 24552.00 р.
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Описание:

One of the most original and engaging composers of the twentieth century, Leos Jan ek is now regarded as one of its major musical dramatists. His operas have become a regular part of the repertory, but a full understanding of their diverse subjects and backgrounds has been hampered by the lack of source materials in English. John Tyrrell has here selected and translated the chief literary documents relating to the genesis and early performances of each of the composer's nine operas and presented them in the form of a compelling documentary narrative. Jan ek was a vigorous letter-writer and kept every letter he received. A vast quantity of material on his life has survived, providing a unique insight into his working methods and attitudes toward his operas. Scrupulously translated and annotated, the sources in this volume have not previously been brought together in this way. Some have appeared in scattered and often inaccessible publications in Czech, and others, such as the sequence of daily letters that Jan ek wrote to his wife during the rehearsals for the Prague premiere of Jenufa, or his instructions to his librettist for Fate, have never been published before. The book is complemented by a chronology of Jan ek's operas keyed to the numbered documents in each chapter, a bibliography, and a list of sources. Drawing on twenty-five years of work at the Jan ek archive in Brno, this work is a classic of music documentary scholarship.

Originally published in 1992.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Sergei Prokofiev`s Alexander Nevsky

Автор: Bartig Kevin
Название: Sergei Prokofiev`s Alexander Nevsky
ISBN: 019026957X ISBN-13(EAN): 9780190269579
Издательство: Oxford Academ
Цена: 2770.00 р.
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Описание: Audiences have long enjoyed Sergei Prokofiev's musical score for Sergei Eisenstein's 1938 film Alexander Nevsky. The historical epic cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering.
Prokofiev's and Eisenstein's work proved an enormous success, both as a collaboration of two of the twentieth century's most prominent artists and as a means to bolster patriotism and national pride among Soviet audiences. Arranged as a cantata for concert performance, Prokofiev's music for
Alexander Nevsky music proved malleable, its meaning reconfigured to suit different circumstances and times. Author Kevin Bartig draws on previously unexamined archival materials to follow Prokofiev's Alexander Nevsky from its inception through the present day. He considers the music's genesis as
well as the surprisingly different ways it has engaged listeners over the past eighty years, from its beginnings as state propaganda in the 1930s to showpiece for high-fidelity recording in the 1950s to open-air concert favorite in the post-Soviet 1990s.

Musical symbolism in the operas of debussy and bartok

Автор: Antokoletz, Elliott
Название: Musical symbolism in the operas of debussy and bartok
ISBN: 0195365828 ISBN-13(EAN): 9780195365825
Издательство: Oxford Academ
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Описание: Musical Symbolism in the Operas of Debussy and Bart�k explores the means by which two early 20th century operas - Debussy's Pell�as et M�lisande (1902) and Bart�k's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, B�la Bal�zs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.

Performing Operas for Mozart

Автор: Woodfield
Название: Performing Operas for Mozart
ISBN: 1316632423 ISBN-13(EAN): 9781316632420
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: Ian Woodfield discusses the central role played by the Prague Italian opera company in performing Mozart`s works in late eighteenth-century Bohemia and Saxony. The book focuses on the organisation of the company, its annual schedules, recruitment networks, casting policies and repertoire selections.


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