Contemporary Art and Memory: Images of Recollection and Remembrance, Joan Gibbons
Автор: A. Colley Название: Nostalgia and Recollection in Victorian Culture ISBN: 0333728130 ISBN-13(EAN): 9780333728130 Издательство: Springer Рейтинг: Цена: 20962.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is about a group of Victorian British writers and artists (Darwin, Stevenson, Gaskell, Ruskin, Pater, Brown and Turner) whose work emerges from recollection and whose texts embody the experience of nostalgia.
Автор: A. Colley Название: Nostalgia and Recollection in Victorian Culture ISBN: 1349406201 ISBN-13(EAN): 9781349406203 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is about a group of Victorian British writers and artists (Darwin, Stevenson, Gaskell, Ruskin, Pater, Brown and Turner) whose work emerges from recollection and whose texts embody the experience of nostalgia.
1. Introduction; Eleonora Narvselius and Gelinada Grinchenko.- I. Military formations and combatants in "formulas of betrayal".- 2. Monuments for deserters!? The changing image of Wehrmacht deserters in Germany and their gradual entry into Germany's memory culture; Marco DRДGER.- 3. From Traitors to Role Models: Rehabilitation and Memorialization of Wehrmacht Deserters in Austria; Peter PIRKER and Johannes KRAMER.- 4. Reinventing Collaboration: The Vlasov Movement in the Postwar Russian Emigration; Benjamin TROMLY.- II. Intellectuals elites as betrayers, the betrayed and masterminds behind "formulas of betrayal".- 5. Taking an Intellectual Stance between Communist Resistance and Fascist Collaboration: Jean Paulhan and the Йpuration Process in France at the end of WWII; Caroline PERRET.- 6. Intellectuals in Times of Troubles: Between Empowerment and Disenchantment during the Orange Revolution and Euromaidan; Yuliya YURCHUK and Alla MARCHENKO.- 7. Discussing wartime collaboration in a transnational digital space: Framing of the UPA and Latvian Legion on Wikipedia; Mārtiņs KAPRĀNS and Mykola MAKHORTYKH.- 8. In the Ninth Circle: Intellectuals as Traitors in the Russo-Ukrainian War; Tanya ZAHARCHENKO.- III. Collaboration in the conditions of WWII: crime, punishment, memory.- 9. Collaboration and the Genocide of Roma in Poland; Slawomir KAPRALSKI.- 10. The Soviet punishment of an all-European crime, "horizontal collaboration"; Vanessa VOISIN.- 11. "Organized bestial gangs"- The Second World War and Images of Betrayal in Yugoslav Socialist Cinema; Tea SINDB K ANDERSEN.- 12. Collaboration and Collaborators in Ukraine during the Second World War: Between Myth and Memory; Mykola BOROVYK.- IV. "Formulas of betrayal" as a political ascription and public response.- 13. "...And upon my silken braids a German's iron boot will trample..." Creating images of female Soviet Ostarbeiter as a betrayer and the betrayed; Gelinada GRINCHENKO and Eleonora NARVSELIUS.- 14. Betrayal of memory in Hungarian public memorials of the 20th century; Melinda HARLOV.- 15. Betrayal and Public Memory: 'Myroslav Irchan Affair' in Diaspora-Homeland Disjuncture; Natalia KHANENKO FRIESEN.- 16. Post-war and post-communist Poland and European knightly myths of loyalty and betrayal: Pasikowski's acquis mythologique communautaire; Piotr TOCZYSKI.
Автор: Wijermars, Marielle (university Of Helsinki, Finland) Название: Memory politics in contemporary russia ISBN: 1138543195 ISBN-13(EAN): 9781138543195 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book critically examines the role of cinema and television in shaping and spreading narratives of memory politics in contemporary Russia to provide a better understanding both of the various ways the Russian government practices memory politics, and the existence of alternative and critical voices and criticism.
Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, including memorials, drawings, theater, film, songs, painted wooden retablos (three-dimensional boxes), and fiction, including an acclaimed graphic novel, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity.
Contributors. Ricardo Caro Cárdenas, Jesús Cossio, Ponciano del Pino, Cynthia M. Garza, Edilberto Jímenez Quispe, Cynthia E. Milton, Jonathan Ritter, Luis Rossell, Steve J. Stern, María Eugenia Ulfe, Víctor Vich, Alfredo Villar
Описание: Im Kontext der kulturwissenschaftlichen Gedachtnisforschung widmet sich diese interdisziplinar ausgerichtete Reihe dem Verhaltnis von Medien und kultureller Erinnerung. Die hier vorgestellten Studien behandeln die ganze Bandbreite der durch Medien konstruierten, tradierten und verbreiteten Erinnerung. Schrift und Bild, das Kino und die ‘neuen’ digitalen Medien, Intermedialitat, Transmedialitat und Remediation sowie die sozialen, zunehmend transnationalen und transkulturellen, Kontexte der mediatisierten Erinnerung gehoren zu denForschungsinteressen der Reihe. Ziel ist es, eine internationale Plattform fur die interdisziplinare Medien- und Gedachtnisforschung zu schaffen. Eingereichte Manuskripte werden im peer review Verfahren durch externe Experten begutachtet. Den Herausgebern, Astrid Erll (Goethe-Universitat Frankfurt am Main) und Ansgar Nunning (Justus-Liebig-Universitat Gie?en) ist ein internationaler Beirat aus renommierten Wissenschaftlern assoziiert: Aleida Assmann (Universitat Konstanz) Mieke Bal (University of Amsterdam) Vita Fortunati (University of Bologna) Richard Grusin (University of Wisconsin-Milwaukee) Udo Hebel (Universitat Regensburg) Andrew Hoskins (University of Glasgow) Wulf Kansteiner (Binghamton University) Alison Landsberg (George Mason University) Claus Leggewie (Kulturwissenschaftliches Institut Essen) Jeffrey Olick (University of Virginia) Susannah Radstone (University of South Australia) Ann Rigney (Utrecht University) Michael Rothberg (University of Illinois) Werner Sollors (Harvard University) Frederic Tygstrup (University of Copenhagen) Harald Welzer (Kulturwissenschaftliches Institut Essen)
Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, including memorials, drawings, theater, film, songs, painted wooden retablos (three-dimensional boxes), and fiction, including an acclaimed graphic novel, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity.
Contributors. Ricardo Caro Cárdenas, Jesús Cossio, Ponciano del Pino, Cynthia M. Garza, Edilberto Jímenez Quispe, Cynthia E. Milton, Jonathan Ritter, Luis Rossell, Steve J. Stern, María Eugenia Ulfe, Víctor Vich, Alfredo Villar
Описание: Im Kontext der kulturwissenschaftlichen Gedachtnisforschung widmet sich diese interdisziplinar ausgerichtete Reihe dem Verhaltnis von Medien und kultureller Erinnerung. Die hier vorgestellten Studien behandeln die ganze Bandbreite der durch Medien konstruierten, tradierten und verbreiteten Erinnerung. Schrift und Bild, das Kino und die ‘neuen’ digitalen Medien, Intermedialitat, Transmedialitat und Remediation sowie die sozialen, zunehmend transnationalen und transkulturellen, Kontexte der mediatisierten Erinnerung gehoren zu denForschungsinteressen der Reihe. Ziel ist es, eine internationale Plattform fur die interdisziplinare Medien- und Gedachtnisforschung zu schaffen. Eingereichte Manuskripte werden im peer review Verfahren durch externe Experten begutachtet. Den Herausgebern, Astrid Erll (Goethe-Universitat Frankfurt am Main) und Ansgar Nunning (Justus-Liebig-Universitat Gie?en) ist ein internationaler Beirat aus renommierten Wissenschaftlern assoziiert: Aleida Assmann (Universitat Konstanz) Mieke Bal (University of Amsterdam) Vita Fortunati (University of Bologna) Richard Grusin (University of Wisconsin-Milwaukee) Udo Hebel (Universitat Regensburg) Andrew Hoskins (University of Glasgow) Wulf Kansteiner (Binghamton University) Alison Landsberg (George Mason University) Claus Leggewie (Kulturwissenschaftliches Institut Essen) Jeffrey Olick (University of Virginia) Susannah Radstone (University of South Australia) Ann Rigney (Utrecht University) Michael Rothberg (University of Illinois) Werner Sollors (Harvard University) Frederic Tygstrup (University of Copenhagen) Harald Welzer (Kulturwissenschaftliches Institut Essen)
Описание: Why do certain places and not others symbolically capture the past and freeze time? Likewise, why does the process of memory, as a fluid and changing activity, seem to prevent its own solidification? Memory and Representation in Contemporary Europe reflects not only on the persistence of the past as a theme linked to modernity, media and time, but also discusses the politics of memory within a changing Europe. Drawing on the theoretical work of Hannah Arendt, Isaiah Berlin and Zygmunt Bauman, Siobhan Kattago uses examples from both Germany and Estonia in order to address the multiple layers of Europe's totalitarian past. Through reflecting on the legacy of totalitarianism and the revolutions of 1989, it becomes clear that the issue is less of whether one should remember, but rather how to internalize the various lessons of the past for the future of Europe. Memory and Representation in Contemporary Europe thus offers the reader occasions upon which to take stock of different but overlapping contours of past and present in contemporary Europe.
Описание: Why do certain places and not others symbolically capture the past and freeze time? This book reflects not only on the persistence of the past as a theme linked to modernity, media and time, but also discusses the politics of memory within a changing Europe.
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