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World Cinema and the Essay Film: Transnational Perspectives on a Global Practice, Brenda Hollweg, Igor Krsti?


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Автор: Brenda Hollweg, Igor Krsti?
Название:  World Cinema and the Essay Film: Transnational Perspectives on a Global Practice
ISBN: 9781474429245
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 1474429246
Обложка/Формат: Hardback
Страницы: 264
Вес: 0.55 кг.
Дата издания: 06.06.2019
Серия: Arts
Язык: English
Иллюстрации: 40 b/w illustrations
Размер: 243 x 164 x 16
Читательская аудитория: Professional and scholarly
Ключевые слова: Film theory & criticism,Film: styles & genres,Documentary films
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Поставляется из: Англии
Описание:

World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calverts work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.




Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice

Автор: William Verrone
Название: Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice
ISBN: 1623562880 ISBN-13(EAN): 9781623562885
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material. Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources.

Cinematic Homecomings: Exile and Return in Transnational Cinema

Автор: Rebecca Prime
Название: Cinematic Homecomings: Exile and Return in Transnational Cinema
ISBN: 1501319957 ISBN-13(EAN): 9781501319952
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: The history of cinema charts multiple histories of exile. From the German emigres in 1930s Hollywood to today's Iranian filmmakers in Europe and the United States, these histories continue to exert a profound influence on the evolution of cinematic narratives and aesthetics. But while the effect of exile and diaspora on film practice has been fruitfully explored from both historical and contemporary perspectives, the issues raised by return, whether literal or metaphorical, have yet to be fully considered. Cinematic Homecomings expands upon existing studies of transnational cinema by addressing the questions raised by reverse migration and the return home in a variety of historical and national contexts, from postcolonialism to post-Communism. By looking beyond exile, the contributors offer a multidirectional perspective on the relationship between migration, mobility, and transnational cinema. 'Narratives of return' are among the most popular themes of the contemporary cinema of countries ranging from Morocco to Cuba to the Soviet Union. This speaks to both the sociocultural reality of reverse migration and to its significance on the imagination of the nation.

Transnational Horror Cinema

Автор: Sophia Siddique; Raphael Raphael
Название: Transnational Horror Cinema
ISBN: 1137584165 ISBN-13(EAN): 9781137584168
Издательство: Springer
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Цена: 15372.00 р.
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Описание: This vital theoretical intervention allows Transnational Horror Cinema to widen its scope to the social and cultural work of these global bodies of excess and the economy of their grotesque exchanges.

Transnational Cinema

Автор: Steven Rawle
Название: Transnational Cinema
ISBN: 113753012X ISBN-13(EAN): 9781137530127
Издательство: Springer
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Цена: 4191.00 р.
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Описание:

This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing films about migrant, cross-cultural and cross-border experience, Steven Rawle demonstrates how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel. This comprehensive introduction brings together the key concepts and theories of transnational cinema, including genre, remakes, diasporic and exilic cinema, and the limits of thinking about cinema as a particularly national cultural artefact.

It is an excellent course companion for undergraduate students of film, cinema, media and cultural studies studying transnational and global cinema, and provides both students and lovers of film alike with a strong grounding in this timely field of film studies.

Global Genres, Local Films: The Transnational Dimension of Spanish Cinema

Автор: Elena Oliete-Aldea, Beatriz Oria, Juan A. Taranc?n
Название: Global Genres, Local Films: The Transnational Dimension of Spanish Cinema
ISBN: 1501320165 ISBN-13(EAN): 9781501320163
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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The acute processes of globalisation at the turn of the century have generated an increased interest in exploring the interactions between the so-called global cultural products or trends and their specific local manifestations. Even though cross-cultural connections are becoming more patent in filmic productions in the last decades, cinema per se has always been characterized by its hybrid, transnational, border-crossing nature. From its own inception, Spanish film production was soon tied to the Hollywood film industry for its subsistence, but other film traditions such as those in the Soviet Union, France, Germany and, in particular, Italy also determined either directly or indirectly the development of Spanish cinema.

Global Genres, Local Films: The Transnational Dimension of Spanish Cinema reaches beyond the limits of the film text and analyses and contextualizes the impact of global film trends and genres on Spanish cinema in order to study how they helped articulate specific national challenges from the conflict between liberalism and tradition in the first decades of the 20th century to the management of the contemporary financial crisis. This collection provides the first comprehensive picture of the complex national and supranational forces that have shaped Spanish films, revealing the tensions and the intricate dialogue between cross-cultural aesthetic and narrative models on the one hand, and indigenous traditions on the other, as well as the political and historical contingencies these different expressions responded to.

The Berlin School and its Global Contexts: A Transnational Art Cinema

Автор: Marco Abel, Jaimey Fisher
Название: The Berlin School and its Global Contexts: A Transnational Art Cinema
ISBN: 0814344909 ISBN-13(EAN): 9780814344903
Издательство: Mare Nostrum (Eurospan)
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Цена: 10658.00 р.
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Описание: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that ""the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain."" In response to this ""transnational turn,"" editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School.The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices.The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema.

Cinema-monde: Decentred Perspectives on Global Filmmaking in French

Автор: Michael Gott, Thibaut Schilt
Название: Cinema-monde: Decentred Perspectives on Global Filmmaking in French
ISBN: 1474431844 ISBN-13(EAN): 9781474431842
Издательство: Bloomsbury Academic
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Цена: 4750.00 р.
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Описание: With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cinema-monde explores the porous borders around francophone spaces and the ways in which languages and identities `travel` in contemporary cinema.

Tourist Distractions: Traveling and Feeling in Transnational Hallyu Cinema

Автор: Youngmin Choe
Название: Tourist Distractions: Traveling and Feeling in Transnational Hallyu Cinema
ISBN: 0822361116 ISBN-13(EAN): 9780822361114
Издательство: Mare Nostrum (Eurospan)
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Цена: 14164.00 р.
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In Tourist Distractions Youngmin Choe uses hallyu (Korean-wave) cinema as a lens to examine the relationships among tourism and travel, economics, politics, and history in contemporary East Asia. Focusing on films born of transnational collaboration and its networks, Choe shows how the integration of the tourist imaginary into hallyu cinema points to the region's evolving transnational politics and the ways Korea negotiates its colonial and Cold War past with East Asia's neoliberal present. Hallyu cinema's popularity has inspired scores of international tourists to visit hallyu movie sets, filming sites, and theme parks. This tourism helps ease regional political differences; reimagine South Korea's relationships with North Korea, China, and Japan; and blur the lines between history, memory, affect, and consumerism. It also provides distractions from state-sponsored narratives and forges new emotional and economic bonds that foster community and cooperation throughout East Asia. By attending to the tourist imaginary at work in hallyu cinema, Choe helps us to better understand the complexities, anxieties, and tensions of East Asia's new affective economy as well as Korea's shifting culture industry, its relation to its past, and its role in a rapidly changing region. 
 
Migrant Anxieties: Italian Cinema in a Transnational Frame

Автор: O`Healy Aine
Название: Migrant Anxieties: Italian Cinema in a Transnational Frame
ISBN: 0253037182 ISBN-13(EAN): 9780253037183
Издательство: Mare Nostrum (Eurospan)
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Цена: 4013.00 р.
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Описание: During a period of heightened global concerns about the movement of immigrants and refugees across borders, Migrant Anxieties explores how filmmakers in Italy have probed the tensions accompanying the country's shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. ?ine O'Healy traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O'Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy's colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O'Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation's borderscape.

Migrant Anxieties: Italian Cinema in a Transnational Frame

Автор: O`Healy Aaine
Название: Migrant Anxieties: Italian Cinema in a Transnational Frame
ISBN: 0253037174 ISBN-13(EAN): 9780253037176
Издательство: Mare Nostrum (Eurospan)
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Цена: 10032.00 р.
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Описание: During a period of heightened global concerns about the movement of immigrants and refugees across borders, Migrant Anxieties explores how filmmakers in Italy have probed the tensions accompanying the country's shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. ?ine O'Healy traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O'Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy's colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O'Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation's borderscape.

French Blockbusters: Cultural Politics of a Transnational Cinema

Автор: Charlie Michael
Название: French Blockbusters: Cultural Politics of a Transnational Cinema
ISBN: 1474424236 ISBN-13(EAN): 9781474424233
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: Examines how changes to the French film industry have resulted in popular films which in turn are changing perspectives on French cinema.

Cinema in Service of the State: Perspectives on Film Culture in the Gdr and Czechoslovakia, 1945-1960

Автор: Karl Lars, Skopal Pavel
Название: Cinema in Service of the State: Perspectives on Film Culture in the Gdr and Czechoslovakia, 1945-1960
ISBN: 1785337386 ISBN-13(EAN): 9781785337383
Издательство: Berghahn
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Цена: 5483.00 р.
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The national cinemas of Czechoslovakia and East Germany were two of the most vital sites of filmmaking in the Eastern Bloc, and over the course of two decades, they contributed to and were shaped by such significant developments as Sovietization, de-Stalinization, and the conservative retrenchment of the late 1950s. This volume comprehensively explores the postwar film cultures of both nations, using a "stereoscopic" approach that traces their similarities and divergences to form a richly contextualized portrait. Ranging from features to children's cinema to film festivals, the studies gathered here provide new insights into the ideological, political, and economic dimensions of Cold War cultural production.


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