Автор: Donatella Maraschin Название: Pasolini: Cinema e antropologia ISBN: 303430255X ISBN-13(EAN): 9783034302555 Издательство: Peter Lang Цена: 10742.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Questo e il primo libro che esplora sistematicamente le strategie discorsive e le metodologie antropologiche adottate da Pier Paolo Pasolini nei suoi film. L’analisi delle intersezioni tra discorso antropologico, documentario e finzione rivela i modi attraverso cui il cinema di Pasolini sia profondamente correlato all’antropologia visuale, nei modi concettualizzati negli anni Ottanta dalla New Ethnography, sia in termini di pratica che di ricerca teorica. Una delle tesi del libro e che i film di Pasolini contengano ricorsi antropologici che emergono da una discorsivita percettiva che li avvicina a uno dei piu interessanti indirizzi dell’antropologia visuale anglosassone, quello dell’antropologia dei sensi, rendendo manifesto il loro valore pionieristico e visionario. L’analisi delle categorie corporali, topografiche, ritualistiche e identitarie presenti nei film di Pasolini svela inoltre istanze discorsive che si spingono oltre le ideologie coloniali e moderne spesso attribuitegli dalla critica tradizionale.
Автор: Donatella Barbieri Название: Costume in Performance: Materiality, Culture, and the Body ISBN: 0857855107 ISBN-13(EAN): 9780857855107 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Нет в наличии.
Описание: This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the ‘fashion plays’ to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume’s ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK
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