Описание: The Politics of Gender and the Culture of Sexuality outlines theories of gender within the intellectual paradigm of the triple heritage: Islam, Africanity, and the West. In doing so, the author and editor present a multifaceted and dynamic theoretical discourse of gender.
Автор: Brent Pilkey, Rachael M. Scicluna, Ben Campkin, Ba Название: Sexuality and Gender at Home: Experience, Politics, Transgression ISBN: 1474239625 ISBN-13(EAN): 9781474239622 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Sexuality and Gender at Home is the first book to explore the meanings and experiences of home through the framework of sexuality.
Описание: This book on Syrian television drama manifests how gender roles are negotiated in the context of dominant Islamic and secular nationalist discourses, which at times overlap and challenge simple binaries of traditional versus secular approaches in new configurations of national identity.
Описание: As the situation in Israel/Palestine seems to become ever more intractable and protracted, the need for new ways of looking at recent developments and its historical roots is more pressing than ever.
After the creation of the State of Israel in 1948, Palestinian refugees fled over the border into Jordan, which in 1950 formally annexed the West Bank. In the wake of the 1967 War, another wave of Palestinians sought refuge in the Hashemite kingdom. Today, 42 per cent of registered Palestinian refugees live in Jordan. As a result of this historical context, one might expect Palestinian refugee camps to be highly politicised spaces. Yet Luigi Achilli argues in this book that there is in fact a relative absence of political activity. Instead, what is prevalent is a desire to live an 'ordinary life'. It is within the framework of the performing and creating everyday life - working, praying, relaxing, watching football matches, surfing the internet, or idling in barber shops - that Achilli examines nationalism and identity.
Palestinian refugees have been traditionally depicted by the Western media as inherently political beings, ready to fight and resist all attempts to quash their nationalist struggle. But except for occasional political demonstrations and events, neither the political turmoil in Gaza and the West Bank, nor the uprisings throughout the Middle East of 2011, have roused refugees out of what they described as the ordinary course of daily life in the camp. Achilli argues instead that refugee daily life in many ways revolves around the practice of suspending the political.
The performative and reiterative dimensions of ordinary activities have not, however, precluded refugees from feeling an affinity for many of the meanings, ideals, and values of Palestinian nationalism. Achilli holds that it is through the desire for an 'ordinary life' that these Palestinian refugees are able to assert their own meanings and understandings of national identity against the more inflexible interpretations provided by the political systems in Gaza and the West Bank. Examining the concepts of 'everyday' Islam as well as the construction of masculine identity in the camps, Achilli offers vital analysis of the complexities and ambiguities of camp-dwellers' experience of the political in ordinary times.
Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military's intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation.
The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women's issues and lives, in order to avoid the overtly political.
Women and Turkish Cinema provides a comprehensive view of cinema's approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.
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