Women and Turkish Cinema: Gender Politics, Cultural Identity and Representation, Eylem Atakav
Автор: Skakov Nariman Название: Cinema of Tarkovsky ISBN: 184885630X ISBN-13(EAN): 9781848856301 Издательство: I B Tauris Рейтинг: Цена: 3299.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the phenomenon of spatio-temporal lapse in Tarkovsky`s cinema - from Ivan`s Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity.
Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military's intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation.
The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women's issues and lives, in order to avoid the overtly political.
Women and Turkish Cinema provides a comprehensive view of cinema's approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.
Singapore and Malaysia are rapidly modernising, globalising Asian states which, although being distinct nations since 1965, share common elements in the on-going struggle over the meaning of gender and sexuality in their societies. This is the first book to discuss a range of discourses around gender in these two countries.
Women and the Politics of Representation in Southeast Asia: Engendering Discourse in Singapore and Malaysia seeks to give an overview of how gender and representation come together in various configurations in the history and contemporary culture of both nations. It examines the discursive construction of gender, sexuality and representation in a variety of areas, including the politics of everyday life, education, popular culture, literature, film, theatre and photography. Chapters examine a range of tropes such as the Orientalist "Sarong Party Girl," the iconic "Singapore Girl" of Singapore Airlines, and the figure of pious Muslim femininity celebrated by Malaysian NGO IMAN, all of which play important roles in delineating limitations for gender roles. The collection also draws attention to resistance to these gender boundaries in theatre, film, blogs and social media, and pedagogy.
Bringing together research from a variety of humanistic and social science fields, such as film, material culture, semiotics, literature and pedagogy, the book is a comprehensive feminist survey that will be of use for students and scholars of Women's Studies and Asian Studies, as well as on courses on gender, media and popular culture in Asia.
Автор: Koh, Adeline (richard Stockton College, Usa) Balasingamchow, Yu-mei (independent Scholar) Название: Women and the politics of representation in southeast asia ISBN: 1138491535 ISBN-13(EAN): 9781138491533 Издательство: Taylor&Francis Рейтинг: Цена: 7348.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Singapore and Malaysia are rapidly modernising, globalising Asian states which, although being distinct nations since 1965, share common elements in the on-going struggle over the meaning of gender and sexuality in their societies. This is the first book to discuss a range of discourses around gender in these two countries.
Women and the Politics of Representation in Southeast Asia: Engendering Discourse in Singapore and Malaysia seeks to give an overview of how gender and representation come together in various configurations in the history and contemporary culture of both nations. It examines the discursive construction of gender, sexuality and representation in a variety of areas, including the politics of everyday life, education, popular culture, literature, film, theatre and photography. Chapters examine a range of tropes such as the Orientalist "Sarong Party Girl," the iconic "Singapore Girl" of Singapore Airlines, and the figure of pious Muslim femininity celebrated by Malaysian NGO IMAN, all of which play important roles in delineating limitations for gender roles. The collection also draws attention to resistance to these gender boundaries in theatre, film, blogs and social media, and pedagogy.
Bringing together research from a variety of humanistic and social science fields, such as film, material culture, semiotics, literature and pedagogy, the book is a comprehensive feminist survey that will be of use for students and scholars of Women's Studies and Asian Studies, as well as on courses on gender, media and popular culture in Asia.
Описание: A ground-breaking exploration of the women who through their construction of female identities, contest, resist, subvert or embrace the controversial issue of female circumcision in Egypt.
Women’s participation in parliaments, high courts, and executive offices worldwide has reached record high numbers, but this global increase in women’s representation masks significant variation among different democratic political systems. For example, in December of 2009, Rwanda’s legislature contained 56% women, while the U.S. Congress contained only about 17% and the Japanese Diet had only 11%. Since 2000, only twenty-seven women have achieved executive office worldwide. Contagious Representation is a comprehensive look at women’s participation in all aspects of public life in the main democratic political institutions—the executive, the judiciary, the legislature, and within political parties.
Moving beyond studies of single countries and institutions, Contagious Representation presents original data from 159 democratic countries spanning 50 years, providing a comprehensive understanding of women in democracies worldwide. The first volume to offer an analysis on all avenues for women’s participation for such a lengthy time period, Contagious Representation examines not only the causes of women’s representation in the main democratic political institutions but also how women’s representation in one institution affects the others. Each chapter contains case studies and examples of the change in women’s participation over time from around the world. Thames and Williams definitively explain the rise, decline, or stagnant levels of women’s political participation, considering how representation is contagious across political institutions and gaining a better understanding of what factors affect women’s political participation.
Women’s participation in parliaments, high courts, and executive offices worldwide has reached record high numbers, but this global increase in women’s representation masks significant variation among different democratic political systems. For example, in December of 2009, Rwanda’s legislature contained 56% women, while the U.S. Congress contained only about 17% and the Japanese Diet had only 11%. Since 2000, only twenty-seven women have achieved executive office worldwide. Contagious Representation is a comprehensive look at women’s participation in all aspects of public life in the main democratic political institutions—the executive, the judiciary, the legislature, and within political parties.
Moving beyond studies of single countries and institutions, Contagious Representation presents original data from 159 democratic countries spanning 50 years, providing a comprehensive understanding of women in democracies worldwide. The first volume to offer an analysis on all avenues for women’s participation for such a lengthy time period, Contagious Representation examines not only the causes of women’s representation in the main democratic political institutions but also how women’s representation in one institution affects the others. Each chapter contains case studies and examples of the change in women’s participation over time from around the world. Thames and Williams definitively explain the rise, decline, or stagnant levels of women’s political participation, considering how representation is contagious across political institutions and gaining a better understanding of what factors affect women’s political participation.
Can the way a word is used give legitimacy to a political movement? Feminism, Violence, and Representation in Modern Italy traces the use of the word "femminicidio" (or "femicide") as a tool to mobilize Italian feminists, particularly the Union of Women in Italy (UDI). Based on nearly two years of fieldwork among feminist activists, Giovanna Parmigiani takes a broad look at the many ways in which violence inflects the lives of women in Italy. From unchallenged gendered grammar rules to the representation of women as victims, Parmigiani examines the devaluing of women's contribution to their communities through the words and experiences of the women she interviews. She describes the first uses of the word "femminicidio" as a political term used by and within feminist circles and traces its spread to ultimate legitimization and national relevance. The word redefined women as a political subject by building an imagined community of potentially violated women. In doing so, it challenged Italians to consider the status of women in Italian society, and to make this status a matter of public debate. It also problematized the connection between women and tropes of women as objects of suffering and victimhood. Parmigiani considers this exchange within the context of Italian Catholic heritage, a precarious economy, and long-held notions of honor and shame. Parmigiani provides a careful and searing consideration of the ways in which representations of violence and the politics of this representation are shaping the future of women in Italy and beyond.
Can the way a word is used give legitimacy to a political movement? Feminism, Violence, and Representation in Modern Italy traces the use of the word "femminicidio" (or "femicide") as a tool to mobilize Italian feminists, particularly the Union of Women in Italy (UDI). Based on nearly two years of fieldwork among feminist activists, Giovanna Parmigiani takes a broad look at the many ways in which violence inflects the lives of women in Italy. From unchallenged gendered grammar rules to the representation of women as victims, Parmigiani examines the devaluing of women's contribution to their communities through the words and experiences of the women she interviews. She describes the first uses of the word "femminicidio" as a political term used by and within feminist circles and traces its spread to ultimate legitimization and national relevance. The word redefined women as a political subject by building an imagined community of potentially violated women. In doing so, it challenged Italians to consider the status of women in Italian society, and to make this status a matter of public debate. It also problematized the connection between women and tropes of women as objects of suffering and victimhood. Parmigiani considers this exchange within the context of Italian Catholic heritage, a precarious economy, and long-held notions of honor and shame. Parmigiani provides a careful and searing consideration of the ways in which representations of violence and the politics of this representation are shaping the future of women in Italy and beyond.
From an examination of the politically-laden spectacle of George IV's visit to Edinburgh in 1822 (as stage-managed by the celebrated novelist Sir Walter Scott), to an analyses of Google Earth's role in the construction of a new kind of political map (one that is no longer primarily structured by boundary lines and coloured territories, but instead through a politics of image resolution), the remarkable essays in this book present innovative ways of understanding visual phenomena in historical and contemporary culture. Writing on the Image brings together a series of Mark Dorrian's celebrated critical writings, developed over the last twelve years. Focusing on issues of elevated vision, spectacle, atmosphere and the limits of aesthetic experience, Dorrian explores the ideological effects of images, in their specific contexts, and the politics of representation. Seamlessly drawing together sources from architecture, art, literature, history, geography and film, the essays gathered here exemplify Mark Dorrian's pioneering 'post-disciplinary' approach to visual culture.Featuring a Foreword by Professor Paul Carter, and an Afterword by Dr Ella Chmielewska, Writing on the Image begins with a sequence of four historically-oriented chapters that lead onto the second half of the book, which deals with key events in architectural, urban and visual culture over the past decade. Whether it be an eighteenth-century engraving that depicts a magnified drop of tap water as an alien planet swarming with monstrous creatures; an artwork showing a car with the silhouette of a building mounted on its roof; the covering up of a tapestry in the UN before a televised news conference; or a large-scale satellite image that is affixed to the basement floor of a public building, vertiginously dissolving its solidity, Dorrian finds each artefact or event he examines to be eloquent in its ability to problematise a larger set of relations beyond itself.
Автор: Lombardo Название: The Symbolic Representation of Gender ISBN: 140943236X ISBN-13(EAN): 9781409432364 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Innovatively adopting a discursive approach, this book - the first full-length treatment of symbolic representation - focuses on gender issues to tackle important questions such as: What are women and men symbols of, and how is gender constructed in policy discourse.
Автор: Julia S. Jordan-Zachery Название: Shadow Bodies: Black Women, Ideology, Representation, and Politics ISBN: 0813593409 ISBN-13(EAN): 9780813593401 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 18810.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What does it mean for Black women to organize in a political context that has generally ignored them or been unresponsive although Black women have shown themselves an important voting bloc? How for example, does #sayhername translate into a political agenda that manifests itself in specific policies? Shadow Bodies focuses on the positionality of the Black woman’s body, which serves as a springboard for helping us think through political and cultural representations. It does so by asking: How do discursive practices, both speech and silences, support and maintain hegemonic understandings of Black womanhood thereby rendering some Black women as shadow bodies, unseen and unremarked upon? Grounded in Black feminist thought, Julia S. Jordan-Zachery looks at the functioning of scripts ascribed to Black women’s bodies in the framing of HIV/AIDS, domestic abuse, and mental illness and how such functioning renders some bodies invisible in Black politics in general and Black women’s politics specifically.
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