Описание: Jean-Luc Godard and Anne-Marie Mieville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries. This book examines the way they expanded the possibilities of cinema by using cutting-edge video equipment in a constant search for a new kind of filmmaking.
Описание: Im Kontext der kulturwissenschaftlichen Gedachtnisforschung widmet sich diese interdisziplinar ausgerichtete Reihe dem Verhaltnis von Medien und kultureller Erinnerung. Die hier vorgestellten Studien behandeln die ganze Bandbreite der durch Medien konstruierten, tradierten und verbreiteten Erinnerung. Schrift und Bild, das Kino und die ‘neuen’ digitalen Medien, Intermedialitat, Transmedialitat und Remediation sowie die sozialen, zunehmend transnationalen und transkulturellen, Kontexte der mediatisierten Erinnerung gehoren zu denForschungsinteressen der Reihe. Ziel ist es, eine internationale Plattform fur die interdisziplinare Medien- und Gedachtnisforschung zu schaffen. Eingereichte Manuskripte werden im peer review Verfahren durch externe Experten begutachtet. Den Herausgebern, Astrid Erll (Goethe-Universitat Frankfurt am Main) und Ansgar Nunning (Justus-Liebig-Universitat Gie?en) ist ein internationaler Beirat aus renommierten Wissenschaftlern assoziiert: Aleida Assmann (Universitat Konstanz) Mieke Bal (University of Amsterdam) Vita Fortunati (University of Bologna) Richard Grusin (University of Wisconsin-Milwaukee) Udo Hebel (Universitat Regensburg) Andrew Hoskins (University of Glasgow) Wulf Kansteiner (Binghamton University) Alison Landsberg (George Mason University) Claus Leggewie (Kulturwissenschaftliches Institut Essen) Jeffrey Olick (University of Virginia) Susannah Radstone (University of South Australia) Ann Rigney (Utrecht University) Michael Rothberg (University of Illinois) Werner Sollors (Harvard University) Frederic Tygstrup (University of Copenhagen) Harald Welzer (Kulturwissenschaftliches Institut Essen)
Автор: Gunther, Lena-simone Название: War experience and trauma in american literature ISBN: 3631655118 ISBN-13(EAN): 9783631655115 Издательство: Peter Lang Рейтинг: Цена: 12422.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Walt Whitman wrote: «The real war will never get into the books.» To this day, however, American soldier-authors write about their war and translate traumatic experiences into language accessible to the reader. Veterans of the recent Iraq war do not differ here. Joining the post-draft American military, the selected soldier-authors are thrust into a conflict which soon exceeded governmental, military and public expectations. Focusing on core elements which link the selected military memoirs of Nathaniel Fick, Colby Buzzell, Clint Van Winkle, John Crawford and Matt Gallagher together, this book follows the soldier-authors’ process of soldierization, their loss of innocence, moral responsibility and, finally, coping mechanisms for traumatic experiences sustained in combat.
Описание: This book investigates the emergence of the cosmopolitan idea of literature and its impact on the democratic reconfiguration of the European and non-European cultural and political spaces. The birthplace of this idea is the traumatic experience of its designers among whom Voltaire, Kant, Herder, the Schlegel brothers and Goethe, resp. Russian Formalists, Bakhtin, Levinas, Blanchot, Derrida, Deleuze, Luhmann and Ranci re are closely investigated.
Автор: Thomas Elsaesser Название: German Cinema - Terror and Trauma: Cultural Memory Since 1945 ISBN: 0415709261 ISBN-13(EAN): 9780415709262 Издательство: Taylor&Francis Рейтинг: Цена: 31390.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In German Cinema - Terror and Trauma Since 1945, Thomas Elsaesser reevaluates the meaning of the Holocaust for postwar German films and culture, while offering a reconsideration of trauma theory today. Elsaesser argues that Germany's attempts at "mastering the past" can be seen as both a failure and an achievement, making it appropriate to speak of an ongoing 'guilt management' that includes not only Germany, but Europe as a whole. In a series of case studies, which consider the work of Konrad Wolf, Alexander Kluge, Rainer Werner Fassbinder, Herbert Achterbusch and Harun Farocki, as well as films made in the new century, Elsaesser tracks the different ways the Holocaust is present in German cinema from the 1950s onwards, even when it is absent, or referenced in oblique and hyperbolic ways. Its most emphatically "absent presence" might turn out to be the compulsive afterlife of the Red Army Faction, whose acts of terror in the 1970s were a response to--as well as a reminder of--Nazism's hold on the national imaginary. Since the end of the Cold War and 9/11, the terms of the debate around terror and trauma have shifted also in Germany, where generational memory now distributes the roles of historical agency and accountability differently. Against the background of universalized victimhood, a cinema of commemoration has, if anything, confirmed the violence that the past continues to exert on the present, in the form of missed encounters, retroactive incidents, unintended slippages and uncanny parallels, which Elsaesser--reviving the full meaning of Freud's Fehlleistung--calls the parapractic performativity of cultural memory.
Автор: Skakov Nariman Название: Cinema of Tarkovsky ISBN: 184885630X ISBN-13(EAN): 9781848856301 Издательство: I B Tauris Рейтинг: Цена: 3299.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the phenomenon of spatio-temporal lapse in Tarkovsky`s cinema - from Ivan`s Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity.
Описание: Culture and conflict unavoidably go together. The very idea of culture is marked by the notion of difference and creative, i.e. conflictual, interaction that inevitably support the key themes of the study of culture such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual and film studies, fostering a plural disciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning in modernity, how the representation of conflict works, how it relates to the past and projects the present and how it frames scholarship within the humanities. Editors:Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board:Arjun Appadurai, New York University,Claudia Benthien, Universitat Hamburg,Elisabeth Bronfen, Universitat Zurich,Bishnupriya Ghosh, University of California, Santa Barbara,Joyce Goggin, Universiteit van Amsterdam,Lawrence Grossberg, University of North Carolina at Chapel Hill,Andreas Huyssen, Columbia University,Ansgar Nunning, Universitat Gie?en,Naomi Segal, University of London, Birkbeck College,Marcio Seligmann-Silva, Universidade Estadual de Campinas,Antonio Sousa Ribeiro, Universidade de Coimbra,Roberto Vecchi, Universita di Bologna,Samuel Weber, Northwestern University,Liliane Weissberg, University of Pennsylvania,Christoph Wulf, FU Berlin,Longxi Zhang, City University of Hong Kong
Автор: Morse, Tal Название: Mourning news ISBN: 1433144638 ISBN-13(EAN): 9781433144639 Издательство: Peter Lang Рейтинг: Цена: 9364.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A conventional wisdom in media studies is that "when it bleeds it leads". The media love violence and from the newsroom perspective, negative news is good news. Violent death often makes it to the headlines, and mass violent death events often become media events that receive immediate continuous attention worldwide. However, reporting violent death is not only about sending information, but also about the maintenance of society. News about violent death functions as media rituals which elicit grief and inform a sense of care and belonging. Accordingly, this book takes a broader sociological and anthropological approach to considering the role of death and the media in organising social life in a global age. Based on literature on solidarity and social cohesion, death rituals, media rituals, and journalism studies, this book examines whether and how the performance of the media at the occurrence of mass violent death events informs solidarity and interconnectedness on a cosmopolitan level.
The book develops the analytics of grievability as an analytical framework that unpacks the ways in which news about death constructs grievable death and articulates relational ties between spectators and sufferers. The book employs the analytics of grievability in a comparative manner and analyses the coverage of three different case studies (terror attack, war and natural disaster) by two transnational news networks (BBC World News and Al-Jazeera English). This comparative analysis showcases the centrality of news media in selectively cultivating a sense of cosmopolitan solidarity in a global age.
Автор: Tal Morse Название: The Mourning News: Reporting Violent Death in a Global Age ISBN: 1433144646 ISBN-13(EAN): 9781433144646 Издательство: Peter Lang Рейтинг: Цена: 16701.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A conventional wisdom in media studies is that "when it bleeds it leads". The media love violence and from the newsroom perspective, negative news is good news. Violent death often makes it to the headlines, and mass violent death events often become media events that receive immediate continuous attention worldwide. However, reporting violent death is not only about sending information, but also about the maintenance of society. News about violent death functions as media rituals which elicit grief and inform a sense of care and belonging. Accordingly, this book takes a broader sociological and anthropological approach to considering the role of death and the media in organising social life in a global age. Based on literature on solidarity and social cohesion, death rituals, media rituals, and journalism studies, this book examines whether and how the performance of the media at the occurrence of mass violent death events informs solidarity and interconnectedness on a cosmopolitan level.
The book develops the analytics of grievability as an analytical framework that unpacks the ways in which news about death constructs grievable death and articulates relational ties between spectators and sufferers. The book employs the analytics of grievability in a comparative manner and analyses the coverage of three different case studies (terror attack, war and natural disaster) by two transnational news networks (BBC World News and Al-Jazeera English). This comparative analysis showcases the centrality of news media in selectively cultivating a sense of cosmopolitan solidarity in a global age.
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