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A Fury in the Words: Love and Embarrassment in Shakespeare`s Venice, Harry Berger


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Автор: Harry Berger
Название:  A Fury in the Words: Love and Embarrassment in Shakespeare`s Venice
ISBN: 9780823241941
Издательство: Wiley EDC
Классификация:



ISBN-10: 0823241947
Обложка/Формат: Hardcover
Страницы: 240
Вес: 0.45 кг.
Дата издания: 14.11.2012
Язык: English
Размер: 229 x 152 x 18
Читательская аудитория: General (us: trade)
Ключевые слова: Literature: history & criticism,Literary studies: plays & playwrights, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / Shakespeare
Подзаголовок: Love and embarrassment in shakespeare`s venice
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Поставляется из: Англии
Описание:

Shakespeare’s two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term “embarrassment” didn’t enter the language until the late seventeenth century.
To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. “To embarrass” is literally to “embar”: to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled.
The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: “I saw Othello’s visage in his mind” (1.3.253). This suggests, among other things, that she didn’t see it in his face.




Resisting Allegory: Interpretive Delirium in Spenser`s Faerie Queene

Автор: Jr Harry Berger
Название: Resisting Allegory: Interpretive Delirium in Spenser`s Faerie Queene
ISBN: 0823285634 ISBN-13(EAN): 9780823285631
Издательство: Mare Nostrum (Eurospan)
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Spenser is a delirious poet. He can’t plough straight. What he builds is shiftier, twistier, than anything dreamed up or put down by M. C. Escher.
So begins Resisting Allegory, in which the leading Spenser critic of our time sums up a lifelong commitment to the theory and practice of textual interpretation. Spenser’s great poem provides the occasion for a searching and comprehensive interdisciplinary exploration of reading practices?those the author advocates as well as those he adapts or criticizes in entertaining a wide range of critical arguments with his celebrated combination of intellectual generosity and rigorous questioning.
Berger is interested in how details of the poem's language—phrases, images, figures on which we haven’t put enough interpretive pressure—disconcert traditional interpretations and big discourses that the poem has often been thought to serve. Central to this volume is an attention to the deployment of gender in conjunction with the Berger’s notion of narrative complicity.
Resisting Allegory offers a model of theoretically sophisticated criticism that never wavers in its close attention to the text. Berger offers a sustained and brilliantly articulated resistance not only to allegory, as the title indicates, but also to prevalent modes of cultural and historical criticism. As in all of Berger’s books, a lucid reflection on questions of method—based on a profound and richly theoretically informed understanding of the workings of language and of the historical situations of the people involved in it—are interwoven with an interpretive practice that serves as an exemplary pedagogical model. Berger attends to historical and political context while deeply respecting the ways in which text can never be reduced to context.
This distinctive and original book makes clear the scope and coherence of the critical vision elaborated Berger has elaborated in a lifetime of seminal and still-challenging critical arguments.

Figures of a Changing World

Автор: Berger Harry
Название: Figures of a Changing World
ISBN: 0823257479 ISBN-13(EAN): 9780823257478
Издательство: Mare Nostrum (Eurospan)
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Figures of a Changing World offers a dramatic new account of cultural change, an account based on the distinction between two familiar rhetorical figures, metonymy and metaphor. The book treats metonymy as the basic organizing trope of traditional culture and metaphor as the basic organizing trope of modern culture. On the one hand, metonymies present themselves as analogies that articulate or reaffirm preexisting states of affairs. They are guarantors of facticity, a term that can be translated or defined as fact-like-ness. On the other hand, metaphors challenge the similarity they claim to establish, in order to feature departures from preexisting states of affairs.
On the basis of this distinction, the author argues that metaphor and metonymy can be used as instruments both for the large-scale interpretation of tensions in cultural change and for the micro-interpretation of tensions within particular texts. In addressing the functioning of the two terms, the author draws upon and critiques the work of Friedrich Nietzsche, Roman Jakobson, Christian Metz, Paul Ricoeur, Umberto Eco, Edmund Leach, and Paul de Man.


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