Breaking the Fourth Wall: Direct Address in the Cinema, Tom Brown
Новое издание
Автор: Brown, Tom Название: Breaking the fourth wall ISBN: 0748683070 ISBN-13(EAN): 9780748683079 Издательство: Bloomsbury Academic Цена: 4750.00 р. Наличие на складе: Есть у поставщикаПоставка под заказ. Описание: Film characters are not supposed to look at the camera, so what happens when they do acknowledge our presence as spectators? This book revaluates these and other fundamental assumptions about the medium by demonstrating that direct address is compatible with - and is in some cases a convention of - various traditions of filmmaking.
Автор: Kouvaros, George (Author) Название: Where Does It Happen: John Cassavetes and Cinema at the Breaking Point ISBN: 081664330X ISBN-13(EAN): 9780816643301 Издательство: NBN International Рейтинг: Цена: 6948.00 р. 9926.00-30% Наличие на складе: Есть (1 шт.) Описание: A major reassessment of the filmmaker as a formal experimenter, Where Does It Happen? gives Cassavetes his due as a filmmaker whose critical place in the modern cinema is only now becoming clear.
Автор: Skakov Nariman Название: Cinema of Tarkovsky ISBN: 184885630X ISBN-13(EAN): 9781848856301 Издательство: I B Tauris Рейтинг: Цена: 3299.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the phenomenon of spatio-temporal lapse in Tarkovsky`s cinema - from Ivan`s Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity.
Автор: Brown, Tom Название: Breaking the fourth wall ISBN: 0748683070 ISBN-13(EAN): 9780748683079 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Film characters are not supposed to look at the camera, so what happens when they do acknowledge our presence as spectators? This book revaluates these and other fundamental assumptions about the medium by demonstrating that direct address is compatible with - and is in some cases a convention of - various traditions of filmmaking.
