Film Semiotics, Metz, and Leone`s Trilogy, Lane Roth

Автор: Marcus, Alan S. (university Of Connecticut, Usa) Metzger, Scott Alan (pennsylvania State University, Usa) Paxton, Richard J. (pacific University, Usa)
Название: Teaching history with film
ISBN: 0815352972 ISBN-13(EAN): 9780815352976
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: Using cases of experienced teachers to illustrate accomplished history teaching through movies, this text provides ideas for implementing film-based lessons and offers an understanding of issues involved in using film to teach. The new edition is completely revised including two new case studies and a new chapter focusing on international film.

Автор: Roth Lane
Название: Film Semiotics, Metz, and Leone`s Trilogy
ISBN: 113896977X ISBN-13(EAN): 9781138969773
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: Semiotics offers a systematic approach to analysing the stylistic structure of film. When this study was originally published in 1983 this was a recent addition to the methods of film study and it presents an explanation of film semiotics with direct application to comparative film research. It takes as its representative subject one trilogy of films and applies semiology, with careful textual analysis. The book begins with a basic introduction to semiotics and the ideas of Christian Metz on cinesemiotics. It then presents a syntagmatic analysis of each of the three Dollars films, with an outline of autonomous segments for each and a discussion of the findings before undertaking a wider analysis of the trilogy as a whole with commentary on the stylistic unity of the director’s work. This book, an enduring detailed study of these three films, also outlines clearly this method of classifying the formal structuring codes of film communication.

Автор: Metz Christian
Название: Impersonal Enunciation, or the Place of Film
ISBN: 0231173660 ISBN-13(EAN): 9780231173667
Издательство: Wiley
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Цена: 13939.00 р.
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Описание: Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In this book, he uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in--and forces him to reassess--his work on authorship, film language, and the position of the spectator. He draws surprising conclusions that presage current writings on digital media. His analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz`s findings and nascent digital-media theory, emphasizing Metz`s keen anticipation of the methodological and philosophical concerns we wrestle with today.

Автор: Metz Christian
Название: Impersonal Enunciation, or the Place of Film
ISBN: 0231173679 ISBN-13(EAN): 9780231173674
Издательство: Wiley
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Цена: 4435.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In this book, he uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in--and forces him to reassess--his work on authorship, film language, and the position of the spectator. He draws surprising conclusions that presage current writings on digital media. His analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz`s findings and nascent digital-media theory, emphasizing Metz`s keen anticipation of the methodological and philosophical concerns we wrestle with today.