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The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan), 



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Название:  The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan)
Перевод названия: Фильмы Ленни Абрахамсона. Кинопроизводство философии (Барри Монахан)
ISBN: 9781501362231
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 1501362232
Обложка/Формат: Paperback
Страницы: 248
Вес: 0.383 кг.
Дата издания: 20.02.2020
Серия: Arts
Язык: English
Иллюстрации: 38 bw illus
Размер: 229 x 152 x 14
Читательская аудитория: College/higher education
Ключевые слова: Film theory & criticism,Films, cinema,Individual film directors, film-makers, PERFORMING ARTS / Film & Video / Direction & Production,PERFORMING ARTS / Film & Video / General,PERFORMING ARTS / Film & Video / History & Criticism
Подзаголовок: A filmmaking of philosophy
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Поставляется из: Англии
Описание: The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns in the better known work of this dynamic and profoundly original Irish filmmaker, it also looks at his short film – 3 Joes – and his little-seen student film Mendel. As the first sustained study of Abrahamson’s engaging and cinematically rich work, Barry Monahan’s book sheds light on the aesthetic wealth of the artist and connects his stylistic innovations to the context of his projects’ socio-cultural background, to his own influences in modern cinema – going beyond Irish film, to reflect upon the works of auteurs such as Bergman, Tarkovsky, Kubrick, and Kaurismaki among others – and to a broader reflection on what his canon has to contribute to the philosophy of cinema, art, and questions about human existence in the 21st century.



Cinematics Storyboard Workshop: Filmmaking Essentials for the Entry-Level Storyboard Artist

Автор: Davidson Gregg
Название: Cinematics Storyboard Workshop: Filmmaking Essentials for the Entry-Level Storyboard Artist
ISBN: 1624650414 ISBN-13(EAN): 9781624650413
Издательство: Неизвестно
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Цена: 2814 р.
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Описание: Cinematics Storyboard Workshop is for any artist who wants to learn how to create professional, production-ready storyboards for film, animation, television, and video game cinematics. Modeled on the Cinematics course by artist and educator Gregg Davidson, this must-have guidebook is a concise, in-depth guide to the fundamentals: from storyboard mechanics and camera angles, to shot progression and staging, as well as current digital storyboarding and previsualization practices. Founder of The Animation Academy, Charles Zembillas, called Cinematics Storyboard Workshop "one of the best books on learning how to storyboard."

Stop Motion Filmmaking: The Complete Guide to Fabrication and Animation

Автор: Walsh Christopher
Название: Stop Motion Filmmaking: The Complete Guide to Fabrication and Animation
ISBN: 1474268048 ISBN-13(EAN): 9781474268042
Издательство: Bloomsbury Academic
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Цена: 6334 р.
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Описание:

Based on a world-class curriculum and cutting-edge industry practices, Stop Motion Filmmaking offers step-by-step instruction in everything from puppet making and studio set-up to animation and filmmaking. Reflecting exciting advancements in the medium, animator and educator Christopher Walsh focuses closely on digital filmmaking techniques, and offers specific instruction for creating 3D designed and printed puppet components as well as hand-crafted elements. The book is enriched by exclusive online content in the form of detailed tutorials and examples, and by dynamic sidebars and inserts.

Further accented by interviews with leading professionals from both the independent and major studio worlds, Stop Motion Filmmaking is designed for dedicated students of the art form, and provides invaluable training for any serious artist who is driven to bring frame-by-frame worlds to life through puppet animation.

Fake Love Letters, Forged Telegrams, and Prison Escape Maps: Designing Graphic Props for Filmmaking

Автор: Atkins Annie
Название: Fake Love Letters, Forged Telegrams, and Prison Escape Maps: Designing Graphic Props for Filmmaking
ISBN: 071487938X ISBN-13(EAN): 9780714879383
Издательство: Phaidon Press Ltd.
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Цена: 4744 р.
Наличие на складе: Невозможна поставка.

Описание: A behind-the-scenes look at the extraordinary and meticulous design of graphic objects for film sets

Автор: Hilton Penny
Название: Design in Motion: Applying Design Principles to Filmmaking
ISBN: 1350025518 ISBN-13(EAN): 9781350025516
Издательство: Bloomsbury Academic
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Цена: 5859 р.
Наличие на складе: Ожидается поступление.

Описание:

With an abundance of information on how to create motion graphics already available, Design in Motion focuses on the why of moving image and less about the how. By unpacking the reasons behind screen designer's production choices, each chapter deconstructs examples of motion graphics by drawing on case studies of both familiar examples from contemporary cinema and unseen work from postgraduate motion graphic designers. It examines the value of image, text, motion, camera and transitions, explaining in detail why some methods work, while others fail.

Whether you work in info-graphics, documentary or design, this book is structured to follow the production process and, together with its multimedia companion website, will be a by-your-side companion to guide you through your next project.

Ironic Filmmaking of Stephen Frears

Автор: Brill Lesley
Название: Ironic Filmmaking of Stephen Frears
ISBN: 1501340166 ISBN-13(EAN): 9781501340161
Издательство: Bloomsbury Academic
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Цена: 5542 р.
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Описание: Stephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.

The Rise of Spanish-Language Filmmaking: Out from Hollywood`s Shadow, 1929-1939

Автор: Jarvinen Lisa
Название: The Rise of Spanish-Language Filmmaking: Out from Hollywood`s Shadow, 1929-1939
ISBN: 0813552850 ISBN-13(EAN): 9780813552859
Издательство: Eurospan
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Цена: 15362 р.
Наличие на складе: Поставка под заказ.

Описание: Silent film was universally understood and could be exported anywhere. But when “talkies” arrived, the industry began experimenting with dubbing, subtitling, and dual track productions in more than one language. The costs were high and the results not terribly satisfying to audiences. Where language fractured the European film market, for Spanish-speaking countries and communities, it created new opportunities. In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States.With the arrival of sound, Hollywood studios initially trained cadres of Spanish-speaking film professionals, created networks among them, and demonstrated the viability of a broadly conceived, transnational, Spanish-speaking film market in an attempt to forestall the competition from other national film industries. By the late 1930s, these efforts led to unintended consequences and helped to foster the growth of remarkably robust film industries in Mexico, Spain, and Argentina. Using studio records from Warner Bros., Fox Films, and United Artists, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. With case studies based on archival research in the United States, Spain, and Mexico, she shows how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.

The Ironic Filmmaking of Stephen Frears

Автор: Lesley Brill
Название: The Ironic Filmmaking of Stephen Frears
ISBN: 1501320335 ISBN-13(EAN): 9781501320330
Издательство: Bloomsbury Academic
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Цена: 17424 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Stephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.

Atenco Lives!: Filmmaking and Popular Struggle in Mexico

Автор: Livia K. Stone
Название: Atenco Lives!: Filmmaking and Popular Struggle in Mexico
ISBN: 0826522238 ISBN-13(EAN): 9780826522238
Издательство: Eurospan
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Цена: 13421 р.
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Описание: The People`s Front in Defense of Land of Atenco (the "Frente") is an emblematic force in contemporary Mexican politics and in anti-capitalist, anti-neoliberal networks throughout the world. Documentary filmmaking has been one aspect of the Frente and its allies` efforts. This book highlights the importance of this aspect of the Frente`s work.

Accessible Filmmaking

Автор: Romero-Fresco
Название: Accessible Filmmaking
ISBN: 1138493015 ISBN-13(EAN): 9781138493018
Издательство: Taylor&Francis
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Цена: 5081 р.
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Описание: Translation, accessibility and the viewing experience of foreign, deaf and blind audiences has long been a neglected area of research within film studies.

The Films of Lenny Abrahamson: A Filmmaking of Philosophy

Автор: Barry Monahan
Название: The Films of Lenny Abrahamson: A Filmmaking of Philosophy
ISBN: 1501316117 ISBN-13(EAN): 9781501316111
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 19008 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns in the better known work of this dynamic and profoundly original Irish filmmaker, it also looks at his short film - 3 Joes - and his little-seen student film Mendel.

As the first sustained study of Abrahamson's engaging and cinematically rich work, Barry Monahan's book sheds light on the aesthetic wealth of the artist and connects his stylistic innovations to the context of his projects' socio-cultural background, to his own influences in modern cinema - going beyond Irish film, to reflect upon the works of auteurs such as Bergman, Tarkovsky, Kubrick, and Kaurism ki among others - and to a broader reflection on what his canon has to contribute to the philosophy of cinema, art, and questions about human existence in the 21st century.

3D Filmmaking

Автор: Tricart Celine
Название: 3D Filmmaking
ISBN: 1138847895 ISBN-13(EAN): 9781138847897
Издательство: Taylor&Francis
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Цена: 6823 р.
Наличие на складе: Поставка под заказ.

Описание:

A visual book for the visual artist, 3D Filmmaking: Techniques and Best Practices for Stereoscopic Filmmakers provides a comprehensive overview of the theory, language, and methods behind stereoscopic 3D filmmaking, all in one package. Celebrated 3D filmmaker Celine Tricart explores every facet of the art, from the technical to the practical, including:

  • 3D vision
  • History of 3D cinema
  • Stereoscopic basics and techniques
  • How to shoot in 3D
  • 3D VFXs, animation in 3D, and 2D to 3D conversion
  • Live broadcast in 3D
  • 3D viewing and projection
  • 3D as a storytelling tool
  • Screenwriting for 3D
  • Working with a stereographer
  • 3D storyboarding and previz
  • 3D postproduction
  • Sound design in-depth

A must-read for any 3D filmmaker, producer, writer, or technician interested in the third dimension, 3D Filmmaking covers the history of the form, defines key 3D terms and places them into context, and offers lessons on using the medium as a visual storytelling tool, creating a perfect blend of concepts, practice, and history. Full color throughout, the book also includes a pair of 3D glasses for you to view the 3D images within, and each chapter features detailed color diagrams and examples in anaglyph 3D, as well as interviews with 3D visionaries like Jean Pierre Jeunet (Director, Amelie, Alien 4), Chris Sanders (Director, How to Train Your Dragon, The Croods), Demetri Portelli (Stereographer, Hugo), Phil McNally (Stereoscopic Supervisor, How to Train Your Dragon, Madagascar 4), Tim Webber (VFX supervisor, Gravity), Scott Farrar (VFX supervisor, the Transformers franchise), and Victoria Alonso (Stereoscopic Supervisor, Marvel Studios).

A companion website (www.routledge.com/cw/tricart) features links to useful resources and footage from 3D films.

Remediating Transcultural Memory: Documentary Filmmaking as Archival Intervention

Автор: Dagmar Brunow
Название: Remediating Transcultural Memory: Documentary Filmmaking as Archival Intervention
ISBN: 3110437627 ISBN-13(EAN): 9783110437621
Издательство: Walter de Gruyter
Цена: 18586 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Im Kontext der kulturwissenschaftlichen Gedachtnisforschung widmet sich diese interdisziplinar ausgerichtete Reihe dem Verhaltnis von Medien und kultureller Erinnerung. Die hier vorgestellten Studien behandeln die ganze Bandbreite der durch Medien konstruierten, tradierten und verbreiteten Erinnerung. Schrift und Bild, das Kino und die ‘neuen’ digitalen Medien, Intermedialitat, Transmedialitat und Remediation sowie die sozialen, zunehmend transnationalen und transkulturellen, Kontexte der mediatisierten Erinnerung gehoren zu denForschungsinteressen der Reihe. Ziel ist es, eine internationale Plattform fur die interdisziplinare Medien- und Gedachtnisforschung zu schaffen. Eingereichte Manuskripte werden im peer review Verfahren durch externe Experten begutachtet. Den Herausgebern, Astrid Erll (Goethe-Universitat Frankfurt am Main) und Ansgar Nunning (Justus-Liebig-Universitat Gie?en) ist ein internationaler Beirat aus renommierten Wissenschaftlern assoziiert: Aleida Assmann (Universitat Konstanz) Mieke Bal (University of Amsterdam) Vita Fortunati (University of Bologna) Richard Grusin (University of Wisconsin-Milwaukee) Udo Hebel (Universitat Regensburg) Andrew Hoskins (University of Glasgow) Wulf Kansteiner (Binghamton University) Alison Landsberg (George Mason University) Claus Leggewie (Kulturwissenschaftliches Institut Essen) Jeffrey Olick (University of Virginia) Susannah Radstone (University of South Australia) Ann Rigney (Utrecht University) Michael Rothberg (University of Illinois) Werner Sollors (Harvard University) Frederic Tygstrup (University of Copenhagen) Harald Welzer (Kulturwissenschaftliches Institut Essen)


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