Over the course of the German Empire the Social Democrats went from being a vilified and persecuted minority to becoming the largest party in the Reichstag, enjoying broad-based support. But this was not always the case. In the 1870s, government mouthpieces branded Social Democracy the "party of assassins and conspirators" and sought to excite popular fury against it. Over time, Social Democrats managed to refashion their public image in large part by contrasting themselves to anarchists, who came to represent a politics that went far beyond the boundaries of acceptable behavior. Social Democrats emphasized their overall commitment to peaceful change through parliamentary participation and a willingness to engage their political rivals. They condemned anarchist behavior—terrorism and other political violence specifically—and distanced themselves from the alleged anarchist personal characteristics of rashness, emotionalism, cowardice, and secrecy. Repeated public debate about the appropriate place of Socialism in German society, and its relationship to anarchist terrorism, helped Socialists and others, such as liberals, political Catholics, and national minorities, cement the principles of legal equality and a vigorous public sphere in German political culture.
Using a diverse array of primary sources from newspapers and political pamphlets to Reichstag speeches to police reports on anarchist and socialist activity, this book sets the history of Social Democracy within the context of public political debate about democracy, the rule of law, and the appropriate use of state power. Gabriel also places the history of German anarchism in the larger contexts of German history and the history of European socialism, where its importance has often been understated because of the movement's small size and failure to create a long-term mass movement.
Описание: This is the first study of mass media in Germany from a social and cultural-historical perspective. Beyond the conventional focus on organizational structures or aesthetic content, it investigates the impact the media has on German society under varying political systems, and how the media is shaped by wider social, political and cultural context.
The consumer revolution of the eighteenth century brought new and exotic commodities to Europe from abroad—coffee, tea, spices, and new textiles to name a few. Yet one of the most widely distributed luxury commodities in the period was not new at all, and was produced locally—the book. In Necessary Luxuries Matt Erlin considers books and the culture around books during this period, focusing specifically on Germany where literature, and the fine arts in general, were the subject of soul-searching debates over the legitimacy of luxury in the modern world.
Building on recent work done in the fields of consumption studies as well as the New Economic Criticism, Erlin combines intellectual-historical chapters (on luxury as a concept, luxury editions, and concerns about addictive reading) with contextualized close readings of novels by Campe, Wieland, Moritz, Novalis, and Goethe. As he demonstrates, artists in this period were deeply concerned with their status as luxury producers. The rhetorical strategies they developed to justify their activities evolved in dialogue with more general discussions regarding new forms of discretionary consumption. By emphasizing the fragile legitimacy of the fine arts in the period, Necessary Luxuries offers a fresh perspective on the broader trajectory of German literature in the late eighteenth and early nineteenth century, one that allows us to view the entire period in terms of a dynamic unity, rather than simply as a series of literary trends and countertrends.
The consumer revolution of the eighteenth century brought new and exotic commodities to Europe from abroad—coffee, tea, spices, and new textiles to name a few. Yet one of the most widely distributed luxury commodities in the period was not new at all, and was produced locally—the book. In Necessary Luxuries Matt Erlin considers books and the culture around books during this period, focusing specifically on Germany where literature, and the fine arts in general, were the subject of soul-searching debates over the legitimacy of luxury in the modern world.
Building on recent work done in the fields of consumption studies as well as the New Economic Criticism, Erlin combines intellectual-historical chapters (on luxury as a concept, luxury editions, and concerns about addictive reading) with contextualized close readings of novels by Campe, Wieland, Moritz, Novalis, and Goethe. As he demonstrates, artists in this period were deeply concerned with their status as luxury producers. The rhetorical strategies they developed to justify their activities evolved in dialogue with more general discussions regarding new forms of discretionary consumption. By emphasizing the fragile legitimacy of the fine arts in the period, Necessary Luxuries offers a fresh perspective on the broader trajectory of German literature in the late eighteenth and early nineteenth century, one that allows us to view the entire period in terms of a dynamic unity, rather than simply as a series of literary trends and countertrends.
Автор: Giloi Название: Monarchy, Myth, and Material Culture in Germany 1750–1950 ISBN: 1107675405 ISBN-13(EAN): 9781107675407 Издательство: Cambridge Academ Рейтинг: Цена: 6970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This fascinating study examines how ordinary German subjects incorporated the material culture of monarchy into their daily lives, through the consumption of relics and royal memorabilia. Providing an insight into attitudes to sovereign power, Giloi examines how people used these objects to articulate, validate or reject the state`s political myths.
Автор: Paul Fox Название: The Image of the Soldier in German Culture, 1871—1933 ISBN: 1474226140 ISBN-13(EAN): 9781474226141 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This study examines the force of tradition in conservative German visual culture. It explores thematic continuities in the post-conflict representation of battlefield identities, from the 25th anniversary of the Franco-Prussian War in 1895 to the demise of the Weimar Republic in 1933. Using 40 carefully chosen images taken from both high and low culture, Paul Fox discusses complex, interdependent responses in German visual culture to a wide spectrum of operational military experience, including regional conflict, total war, internal security operations and border skirmishes, during the period. The book demonstrates how conservative artists, illustrators, photographers, and sculptors engaged in representing this full spectrum of conflict were preoccupied with the inequalities of battlefield encounters and the consequential quest for moral advantage. They furnished material that exemplified everything positive the ideal German male could hope to be when at war – even when the outcome was defeat. Their construction of an imagined martial masculinity based on an aggressive moral superiority was so deeply rooted that the continuities taken forward eventually provided a basis for a programmatic imagining of how Germany might again exert its political presence as a great military power in Central Europe after 1918. The Image of the Soldier in German Culture, 1871—1933 is an important volume for any historian interested cultural history, the history of modern Germany or the First World War.
Описание: An examination of the obsession for new technology in Britain and Germany between 1890 and 1945. It explains how Germans and Britons nurtured a fascination for aviation, glamorous passenger liners and film as they lived through profound social transformations and two wars.
Описание: Lawmakers in Weimar Germany adopted two national censorship laws that regulated movies and pulp fiction. Supporters praised them as a form of social welfare. Critics warned of impending political censorship. This cultural and legal history uncovers these laws` origins and details their impact on the republic and German national identity.
Описание: Presents an exmination of printed representations of monstrous births in German-speaking Europe from the end of the fifteenth century and through the sixteenth century, beginning with a seminal series of broadsheets from the late 1490s by humanist Sebastian Brant, and including prints by Albrecht Durer and Hans Burgkmair.
Автор: Henderson Susan R Название: Building Culture ISBN: 143310587X ISBN-13(EAN): 9781433105876 Издательство: Peter Lang Рейтинг: Цена: 19275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is a history of the initiative, its projects and actors, notably the architect and planner Ernst May, and its achievements, set within the turbulent context of the Weimar decade.
Bach's St. Matthew Passion is universally acknowledged to be one of the world's supreme musical masterpieces, yet in the years after Bach's death it was forgotten by all but a small number of his pupils and admirers. The public rediscovered it in 1829, when Felix Mendelssohn conducted the work before a glittering audience of Berlin artists and intellectuals, Prussian royals, and civic notables. The concert soon became the stuff of legend, sparking a revival of interest in and performance of Bach that has continued to this day.Mendelssohn's performance gave rise to the notion that recovering and performing Bach's music was somehow "national work." In 1865 Wagner would claim that Bach embodied "the history of the German spirit's inmost life." That the man most responsible for the revival of a masterwork of German Protestant culture was himself a converted Jew struck contemporaries as less remarkable than it does us today—a statement that embraces both the great achievements and the disasters of 150 years of German history.In this book, Celia Applegate asks why this particular performance crystallized the hitherto inchoate notion that music was central to Germans' collective identity. She begins with a wonderfully readable reconstruction of the performance itself and then moves back in time to pull apart the various cultural strands that would come together that afternoon in the Singakademie. The author investigates the role played by intellectuals, journalists, and amateur musicians (she is one herself) in developing the notion that Germans were "the people of music." Applegate assesses the impact on music's cultural place of the renewal of German Protestantism, historicism, the mania for collecting and restoring, and romanticism. In her conclusion, she looks at the subsequent careers of her protagonists and the lasting reverberations of the 1829 performance itself.
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