Cinematic Poetics of Guilt: Audiovisual Accusation as a Mode of Commonality, Matthias Grotkopp
Автор: Richardson John Название: Oxford Handbook of New Audiovisual Aesthetics ISBN: 0190244593 ISBN-13(EAN): 9780190244590 Издательство: Oxford Academ Рейтинг: Цена: 6889.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones.
Описание: This pioneering study on fan translation focuses on Italian fansubbing as a concept, a vibrant cultural and social phenomenon which is described from its inception in 2005 to today. It explores far-reaching issues related to fansubbing and crowdsourcing, highlighting in particular the benefits and drawbacks of Web 2.0.
Описание: Focusing on six significant early film corporations in the United States and France--the Edison Company, American Mutoscope and Biograph, American Vitagraph, Georges Melies`s Star Films, Gaumont, and Pathe Freres--as well as the first producers in Southern California, Studios Before the System describes how filmmakers first envisioned the space they needed and sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world`s Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." Studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape.
Описание: «This little gem offers the reader an overview of the various practices that form part of the ever increasing field of audiovisual translation (AVT) and makes brave inroads into the less glamorous but definitely needed areas of theory and research. Covering a wide range of topics in research in AVT, and admittedly questioning «whether a universal methodology for audiovisual translation research is feasible», this volume theorises about the nature of AVT, helps to frame some of the current trends, and points to potentially new research avenues. The style is reader friendly and to the point; a most welcome addition to translation studies.» Jorge D?az Cintas, University College London
Название: Audiovisual translation in close-up ISBN: 3034311516 ISBN-13(EAN): 9783034311519 Издательство: Peter Lang Рейтинг: Цена: 12761.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Audiovisual Translation in Close-Up
Автор: Nagib Lucia Название: Realism and the Audiovisual Media ISBN: 1137306734 ISBN-13(EAN): 9781137306739 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection examines two recent phenomena: the return of realist tendencies and practices in world cinema and television, and the `rehabilitation` of realism in film and media theory. The contributors investigate these two phenomena in detail, querying their origins, relations, divergences and intersections from a variety of perspectives.
While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women’s attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women—in relation to both their environment and to various discourses of nation and patriarchy.
Through an astute analysis of such works as Sabiha Sumar’s Khamosh Pani (2003), Mehreen Jabbar’s Ramchand Pakistani (2008), Sorayya Khan’s Noor (2006), Uzma Aslam Khan’s Trespassing (2003), and Kamila Shamsie’s Burnt Shadows (2009), Rahman illuminates how Pakistani women’s creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman’s analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.
In 1896, Maxim Gorky declared cinema the Kingdom of Shadows. In its silent, ashen-grey world, he saw a land of spectral, and ever since then cinema has had a special relationship with the haunted and the ghostly. Cinematic Ghosts is the first collection devoted to this subject, including fourteen new essays, dedicated to exploring the many permutations of the movies' phantoms.
Cinematic Ghosts contains essays revisiting some classic ghost films within the genres of horror (The Haunting, 1963), romance (Portrait of Jennie, 1948), comedy (Beetlejuice, 1988) and the art film (Uncle Boonmee Who Can Recall His Past Lives, 2010), as well as essays dealing with a number of films from around the world, from Sweden to China. Cinematic Ghosts traces the archetype of the cinematic ghost from the silent era until today, offering analyses from a range of historical, aesthetic and theoretical dimensions.
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