Описание: Jordan Cofer examines the influence of the Bible upon Flannery O'Connor's fiction. While there are many studies exploring how her Catholicism affected her fiction, this book argues that O'Connor is heavily influenced by the Bible itself. Specifically, it explicates the largely undocumented ways in which she used the Bible as source material for her work. It also shows that, rhetorically, many of O'Connor's stories (and/or characters) are based upon biblical models. Furthermore, Cofer explains how O'Connor's stories engage their biblical analogues in unusual, unexpected, and sometimes grotesque ways, as her stories manage to convey essentially the same message as their biblical counterparts. Throughout O'Connor's work there are significant biblical allusions which have been neglected or previously undiscovered. This book acknowledges her biblical source material so readers can understand the impact it had on her fiction. Cofer argues that readers can better appreciate her work by examining how her stories are often grounded in specific biblical texts, which she similarly distorts, exaggerates, and subverts, in order to shock and teach readers. Simply put, O'Connor doesn't merely reference these biblical stories, she rewrites them.
Описание: Jordan Cofer examines the influence of the Bible upon Flannery O'Connor's fiction. While there are many studies exploring how her Catholicism affected her fiction, this book argues that O'Connor is heavily influenced by the Bible itself. Specifically, it explicates the largely undocumented ways in which she used the Bible as source material for her work. It also shows that, rhetorically, many of O'Connor's stories (and/or characters) are based upon biblical models. Furthermore, Cofer explains how O'Connor's stories engage their biblical analogues in unusual, unexpected, and sometimes grotesque ways, as her stories manage to convey essentially the same message as their biblical counterparts. Throughout O'Connor's work there are significant biblical allusions which have been neglected or previously undiscovered. This book acknowledges her biblical source material so readers can understand the impact it had on her fiction. Cofer argues that readers can better appreciate her work by examining how her stories are often grounded in specific biblical texts, which she similarly distorts, exaggerates, and subverts, in order to shock and teach readers. Simply put, O'Connor doesn't merely reference these biblical stories, she rewrites them.
Автор: Evans Robert C. Название: Critical Reception of Flannery O`Connor, 1952-2017 ISBN: 1571139435 ISBN-13(EAN): 9781571139436 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first chronological overview of O`Connor criticism from the publication of her first novel, Wise Blood, in 1952 to the present.
Описание: In this groundbreaking study, Gary Ciuba examines how four of the American South`s most probing writers of twentieth-century fiction - Katherine Anne Porter, Flannery O`Connor, Cormac McCarthy, and Walker Percy - expose the roots of violence in southern culture.
Описание: Flannery O`Connor may now be acknowledged as the "Great American Catholic Author", but this was not always the case. With Creating Flannery O`Connor Daniel Moran explains how O`Connor attained that status, and how she felt about it.
Автор: Michaels J. Ramsey Название: Passing by the Dragon: The Biblical Tales of Flannery O`Connor ISBN: 1620322234 ISBN-13(EAN): 9781620322239 Издательство: Неизвестно Рейтинг: Цена: 4138.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Lake Christina Bieber Название: Incarnational Art of Flannery O`Connor ISBN: 0881467065 ISBN-13(EAN): 9780881467062 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Incarnational Art Of Flannery O'Connor argues that O’Connor designed a unique asthetic to defy the Gnostic dualisms that characterize American intellectual and spiritual life. Focusing on stories with artist figures, objets d’art, child protagonists, and embodied images, Lake describes how O’Connor’s fiction actively resists romantic theories of the imagination and religious life by highlighting the epistemological necessity of the body. Ultimately O’Connor challenges the romantic and modern notion of the artist as a fire-stealing Prometheus and replaces it with a notion of the artist as a locally committed craftsman. Drawing upon M. M. Bakhtin’s early essays in Art and Answerability and Toward A Philosophy Of the Act, Lake illustrates O’Connor’s conviction that art deliberately assigns the highest value of transcendental beauty to those beings least valued by the modern world, and challenges us to do the same. The book culminates with an original reading of “Parker’s Back” that shows how in art, as in life, true knowledge comes to us through our own grotesque bodies and those of others. Unafraid of the mystery of being human, art can be the place where we encounter anew the world as more than what the intellect can unravel.
Описание: During the 1950s and early 1960s Flannery O`Connor wrote more than a hundred book reviews for two Catholic diocesan newspapers in Georgia. This collection reveals the unique voice of the artist that is one clear sign of genius and represents a significant body of primary materials from the O`Connor canon.
Автор: Wood, Ralph C. Название: Flannery o`connor and the christ-haunted south ISBN: 0802829996 ISBN-13(EAN): 9780802829993 Издательство: Неизвестно Рейтинг: Цена: 3931.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Full title: `Flannery O`Connor and the Christ-Haunted South`.
Описание: The good news of Jesus Christ is a subversive gospel, and following Jesus is a subversive act. Exploring the theological aesthetic of American author Flannery O`Connor, Michael Bruner argues that her fiction reveals what discipleship to Jesus Christ entails by subverting the traditional understandings of beauty, truth, and goodness.
Автор: Christine Flanagan Название: The Letters of Flannery O`Connor and Caroline Gordon ISBN: 0820354082 ISBN-13(EAN): 9780820354088 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection of letters and other documents offers the most complete portrait of the relationship between two of the American South`s most acclaimed twentieth-century writers: Flannery O`Connor and Caroline Gordon.
Автор: O`Donnell Angela Alaimo Название: Radical Ambivalence: Race in Flannery O`Connor ISBN: 0823287653 ISBN-13(EAN): 9780823287659 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4138.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Radical Ambivalence: Race in Flannery O'Connor is the first book-length study of O'Connor's attitude towards race in her fiction and correspondence. It is also the first study to include controversial material from unpublished letters that reveals the complex and troubling nature of O'Connor's thoughts on the subject. O'Connor lived and did most of her writing in her native Georgia during the tumultuous years of the Civil Rights movement. In one of her letters, O'Connor frankly expresses her double-mindedness regarding the social and political upheaval taking place in the U.S. with regard to race: "I hope that to be of two minds about some things is not to be neutral." Examination of her correspondence demonstrates that though O'Connor likely subscribed to the idea of racial equality, she was wary of desegregation, fearing the erosion of Southern culture and the disappearance of the code of manners that governed the relationships between African Americans and whites. This double-mindedness also manifests itself in O'Connor's fiction. Drawing on critical whiteness studies, Chapter 1 interrogates the concepts of race and whiteness O'Connor inherited and analyzes the ways in which O'Connor critiques the unjust racial practices of the South in her stories and other writings yet unconsciously upholds them. Chapter 2 explores O'Connor's ambivalence with regard to contemporary politics, analyzes her use of derogatory language to describe African Americans, and assesses the inconsistencies in her discussion of race in the stories and letters in light of speech act-theory. Chapter 3 considers the influence of theology and Catholicism on O'Connor's attitudes, demonstrating that O'Connor's radically theological vision and formation in a segregated Church shaped her ideas about race. Chapter Four takes its cue from Toni Morrison's Playing in the Dark and examines the complex role played by "Africanist" presence, represented by powerful black bodies, in the construction of white consciousness in O'Connor's stories. Chapter Five explores the theme of thwarted communion between the races that preoccupies O'Connor in her fiction and correspondence. The study concludes that O'Connor's race-haunted writing serves as the literary incarnation of her uncertainty about the great question of her era and of her urgent need, despite considerable reluctance, to address the fraught relationship between the races.
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