Theatre Symposium, Volume 27: Theatre and Embodiment, Sarah McCarroll
Автор: Shevtsova Название: Robert Wilson ISBN: 1138599409 ISBN-13(EAN): 9781138599406 Издательство: Taylor&Francis Рейтинг: Цена: 15541.00 р. 22202.00-30% Наличие на складе: Есть (1 шт.) Описание:
Robert Wilson is an American-European director who is also a performer, installation artist, writer, designer of light and much more besides - a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines:
an analysis of his main productions, situated in their American and European socio-cultural and political contexts
a focused, detailed study of Wilson's pathbreaking Einstein on the Beach
a study of Pushkin's Fairy Tales as the foremost example of his folk-rock music theatre in the twenty-first century
an exploration of his 'visual book', workshop and rehearsal methods, and collaborative procedures
a study of his aesthetic principles and the elements of composition that distinguish his directorial approach
a series of practical exercises for students and practitioners highlighting Wilson's technique.
As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.
Название: Henry irving rle victorian world ISBN: 1138657956 ISBN-13(EAN): 9781138657953 Издательство: Taylor&Francis Рейтинг: Цена: 2893.00 р. 4133.00-30% Наличие на складе: Есть (1 шт.) Описание: First published in 2008, this collection of essays by leading theatre scholars explores each element of Irving`s art: his acting, his contribution to the plays he commissioned, his flair for the stage picture, and his ear for incidental music. This book will be of interest to those studying the history of theatre.
With over 80 scholarly articles, reviews, and critical interventions from the last 50 years, Bertolt Brecht: Critical and Primary Sources set covers the key periods of Brecht's life, from his time in Augsburg (1898-1918) through the Weimer Republic (1918-1933), exile (1933-1948) and the German Democratic Republic (1949-1956). It also explores his theories, fundamentally his belief in the theatre's ability to represent and change the world, core practices and relationships.
Alongside primary sources that include writings by Brecht published in English for the first time, such as his short but important reflection in 'originality' in theatre production, key featured scholars include Fredric Jameson and his essay 'Episch, or, the Third Person', and pieces on Brecht's collaborative working methods by Claus and Wera K chenmeister, and the director Egon Monk. Volume 1 covers Brecht's life and work, including essays on his famous Mother Courage and Her Children, production reviews, poetry, novels and short stories, with some thoughts on his journals. Volume 2 covers theory, containing essays and primary writings on Brechtian terminology, and some of the more enigmatic terms like 'Epic theatre', 'Verfremdung', 'Gestus' and 'Fabel', features a survey of important theoretical works, a section on Brecht on non-theatre media, his relationship to other major thinkers, ideas and sources and the reception of his ideas. Volume 3 covers practice, including Brecht's practice as documenter and director, beginning with his disastrous start in the Weimar Republic through to his later role as director as the Berliner Ensemble, his relationships with other practitioners and his own collaborators, reviews of important productions and global receptions. Each volume includes a contextualizing introduction surveying the topics covered and the development of scholarship on Brecht.
Автор: Campbell, Ali (queen Mary, University Of London, Uk) Название: Theatre of the oppressed in practice today ISBN: 1350031410 ISBN-13(EAN): 9781350031418 Издательство: Bloomsbury Academic Рейтинг: Цена: 3483.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
How has the work and legacy of Augusto Boal's Theatre of the Oppressed been interpreted and practised around the world? What does it look like in different working contexts? This book provides an accessible introduction to the political and artistic principles Boal's techniques are founded on, tracking exemplary practice from around the globe.
Using detailed contemporary case histories, theatre artist, scholar and activist Ali Campbell demonstrates how the underlying principles of Boal's practice are today enacted in the work of - among others - an urban network (Theatre of the Oppressed NYC); a rural and developmental theatre organisation (Jana Sanskriti, West Bengal); Boal's original company CTO Rio (Brazil); and a theatre-based group led by learning-disabled adults in the UK (The Lawnmowers Independent Theatre Company). The book concludes with a series of conversations between Campbell and international exponents of the work, envisioning futures for the Theatre of the Oppressed in the shifting political, educational and artistic contexts of the twenty-first century.
The Austrian composer Hanns Eisler was Bertolt Brecht's closest friend and most politically committed collaborator. In these conversations with Hans Bunge which took place over a period of four years, from 1958 until his death in 1962, Eisler offers a compelling and absorbing account of his and Brecht's period of exile in Europe and the USA between 1933 and 1947, and of the quality of artistic, social and intellectual life in post-war East Germany.
Brecht, Music and Culture includes a discussion of a number of Brecht's principal plays, including Life of Galileo and The Caucasian Chalk Circle, considers the place of music in Brecht's work and discusses the time that Brecht was brought before The House of Un-American Activities Committee. It includes lively accounts of Brecht's meetings with key cultural figures, including Arnold Sch nberg, Charlie Chaplin and Thomas Mann, and offers throughout a sustained response to the question of the purpose of art in a time of political turmoil.
Throughout the conversations, Eisler provides illuminating and original insights into Brecht's work and ideas and gives a highly entertaining first-hand account of his friend's personality and attitudes. First published in Germany in 1975, and now published in English for the first time, the conversations provide a fascinating account of the lives and work of two of the twentieth century's greatest artists.
Название: Rediscovering Stanislavsky (Maria Shevtsova) ISBN: 1107023394 ISBN-13(EAN): 9781107023390 Издательство: Cambridge Academ Рейтинг: Цена: 5702.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Konstantin Stanislavsky (1863-1938) was one of the most prominent and innovative directors of modern theatre, and his system and related practices continue to be studied and used in universities and in theatres. This book explores the extraordinary political contexts in which he resisted authoritarian pressures and developed his life`s work.
Описание: This unique and comprehensive study reviews the practice of leading American directors of Shakespeare from the late 19th to the end of the 20th century. Charles Ney examines rehearsal and production records, as well as evidence from diaries, letters, autobiographies, reviews and photographs to consider each director’s point of view when approaching Shakespeare and the differing directorial tools and techniques employed in significant productions in their careers. Directors covered include Augustin Daly, David Belasco, Arthur Hopkins, Orson Welles, Margaret Webster, B. Iden Payne, Angus Bowmer, Craig Noel, Jack O’Brien, Tyronne Guthrie, John Houseman, Allen Fletcher, Michael Kahn, Gerald Freedman, Joseph Papp, Stuart Vaughan, A. J. Antoon, JoAnne Akalaitis, Paul Barry, Tina Packer, Barbara Gaines, William Ball, Liviu Ciulei, Garland Wright, Mark Lamos, Ellis Rabb and Julie Taymor. Directing Shakespeare in America: Historical Perspectives offers readers an understanding of the context from which contemporary practitioners operate, the aesthetic philosophies to which they subscribe and a description of their rehearsal methods.
Автор: Robert J. Andreach Название: The Contemporary American Dramatic Trilogy: A Critical Study ISBN: 0786470976 ISBN-13(EAN): 9780786470976 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9148.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The dramatic trilogy has been flourishing for some time now in new works and revivals of older works by American, British, and European playwrights. This analyses recent American works by Caucasian, African American, Asian American, and Hispanic American men and women.
Название: Performances at Court in the Age of Shakespeare ISBN: 1108486673 ISBN-13(EAN): 9781108486675 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Поставка под заказ.
Описание: Shakespeare wrote most of his plays with a court audience in mind. This volume sheds fresh light on court entertainment and provides fascinating insights into what was then a multimedia phenomenon encompassing dance, music and performance. It will appeal to scholars and graduate students of early modern theatre.
Автор: Holdsworth Название: Joan Littlewood`s Theatre ISBN: 1107532043 ISBN-13(EAN): 9781107532045 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Joan Littlewood was one of the most visionary and influential theatre directors of the twentieth century. Drawing on extensive archival research and performance histories, and paying close attention to wider political and cultural forces, this study presents an examination of Littlewood`s theatre productions and her community-based projects and activism.
Автор: Banham Martin Название: African Theatre 13: Ngugi Wa Thiong`o and Wole Soyinka ISBN: 1847010989 ISBN-13(EAN): 9781847010988 Издательство: Boydell & Brewer Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Directors and collaborators assess and comment on the production of plays by West Africa`s Nobel Laureate Wole Soyinka and East Africa`s most influential author Ngugi wa Thiong`o.
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