The Impossible Clinic: A Critical Sociology of Evidence-Based Medicine, Ariane Hanemaayer
Автор: Van Hoof, Ariane Название: Four flames ISBN: 1848978200 ISBN-13(EAN): 9781848978201 Издательство: Неизвестно Рейтинг: Цена: 3274.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The eve before Athena turns seventeen, she learns that the old couple that had looked after her for the past thirteen years, had saved her from a brutal revolt that had happened in the Four Flames. The novel follows Athena's journey there. The soldier she meets early on, Malo, helps her through all the dangerous encounters they come across including the Seven Hundred Army and Greliks, who are magnificent yet ruthless creatures. As they struggle to overcome obstacles along the way, they finally find Athena's family. However, will they all survive the War to come?
Автор: Hanemaayer, Ariane Название: Impossible clinic ISBN: 0774862076 ISBN-13(EAN): 9780774862073 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11280.00 р. Наличие на складе: Нет в наличии.
Описание: The Impossible Clinic explores the conundrum of evidence-based medicine’s (EBM) attempt to translate evidence from medical research into recommendations for practice. Ironically, when medical institutions combine disciplinary regulations with EBM to produce clinical practice guidelines, the outcomes are antithetical to the aim. Such guidelines fail to increase individual physicians’ capacity to judge – as EBM promises – because they externalize judgment while imposing disciplinary control. The Impossible Clinic is the first book to interrogate the history, practice, and pitfalls of EBM and how it persists due to intersecting relationships between professional medical regulation and liberal governance strategies.
Описание: The authors analyse timely topics, including bias and language processing, responsibility and machine learning, COVID-19 and AI in health technologies, bio-AI and nanotechnology, digital ethics, AI and the gig economy, representations of AI in literature and culture, and many more.
Have you always wanted to learn music theory but felt it was too overwhelming a task? Perhaps all the books seem to be geared toward pianists or classical players? Do you know lots of songs, but don't know how the chords are put together or how they work with the melody? If so, this is the book for you Starting with intervals as music's basic building blocks, you will explore scales and their modes, chords and the basics of harmony. Packed with fretboard diagrams, musical examples and exercises, more than 180 pages of vital information are peppered with mind-bending quizzes, effective mnemonics, and compelling learning approaches. Extensive and detailed photo demonstrations show why relaxed posture and optimized fingering are vital for good tone, timing and chops. You can even work your way through the book without being able to read music Music Theory for the Bass Player is a comprehensive and immediately applicable guide to making you a well-grounded groover, informed bandmate and all-around more creative musician. This is the definitive resource for the enthusiastic bassist
Описание: In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both 'at home' and 'on the front line'. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of 'home' and 'front', where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with 'the real', Ariane de Waal argues that these plays navigate the complexities of the discourse - rather than the historical or social realities - of war and terrorism. British 'theatre on terror' negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities.
Автор: D`Artagnan Ariane Название: The Magicists ISBN: 1712922831 ISBN-13(EAN): 9781712922835 Издательство: Неизвестно Цена: 2757.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Sherine, Ariane,Conrad, David Название: How to Live to 100 ISBN: 1472143884 ISBN-13(EAN): 9781472143884 Издательство: Little Brown Рейтинг: Цена: 2275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: When newspapers give daily contradictory advice on how to live longer, and on what foods will either help you or kill you, how do we know who to trust and what to do to genuinely reach a ripe old age? Public Health Consultant David Conrad presents the evidence, interpreted through the amusing questions of Ariane Sherine.
Автор: De Waal Ariane Название: Theatre on Terror ISBN: 3110635240 ISBN-13(EAN): 9783110635249 Издательство: Walter de Gruyter Цена: 4827.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both 'at home' and 'on the front line'. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of 'home' and 'front', where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with 'the real', Ariane de Waal argues that these plays navigate the complexities of the discourse - rather than the historical or social realities - of war and terrorism. British 'theatre on terror' negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities.
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