Автор: Holmes Thom Название: Electronic and Experimental Music ISBN: 113879273X ISBN-13(EAN): 9781138792739 Издательство: Taylor&Francis Цена: 7501.00 р. Наличие на складе: Поставка под заказ. Описание:
Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts.
New to this edition:
A companion website, featuring key examples of electronic music, both historical and contemporary.
Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music.
A new chapter Contemporary Practices in Composing Electronic Music.
Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally.
An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock.
Additional accounts of the vastly under-reported contributions of women composers in the field.
More photos, scores, and illustrations throughout.
The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes."
Автор: Holmes Thom Название: Electronic and Experimental Music ISBN: 113879273X ISBN-13(EAN): 9781138792739 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Поставка под заказ.
Описание:
Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts.
New to this edition:
A companion website, featuring key examples of electronic music, both historical and contemporary.
Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music.
A new chapter Contemporary Practices in Composing Electronic Music.
Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally.
An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock.
Additional accounts of the vastly under-reported contributions of women composers in the field.
More photos, scores, and illustrations throughout.
The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes."
Описание: At the end of his life, Pierre Schaeffer commented that his musical and sound experiments had attempted to go beyond 'do-re-mi'. This had a direct bearing on Einst 1/4rzende Neubauten's musical philosophy and work, with the musicians always striving to extend the boundaries of music in sound, instrumentation and purpose. The group are one of the few examples of 'rock-based' artists who have been able to sustain a breadth and depth of work in a variety of media over a number of years while remaining experimental and open to development. Jennifer Shryane provides a much-needed analysis of the group's important place in popular/experimental music history. She illustrates their innovations with found- and self-constructed instrumentation, their Artaudian performance strategies and textual concerns, as well as their methods of independence. Einst 1/4rzende Neubauten have also made a consistent and unique contribution to the development of the independent German Language Contemporary Music scene, which although often acknowledged as influential, is still rarely examined.
Автор: Jennie Gottschalk Название: Experimental Music Since 1970 ISBN: 1628922486 ISBN-13(EAN): 9781628922486 Издательство: Bloomsbury Academic Рейтинг: Цена: 22176.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What is experimental music today? This book offers an up to date survey of this field for anyone with an interest, from seasoned practitioners to curious readers. This book takes the stance that experimental music is not a limited historical event, but is a proliferation of approaches to sound that reveals much about present-day experience. An experimental work is not identifiable by its sound alone, but by the nature of the questions it poses and its openness to the sounding event.
Experimentation is a way of working. It pushes past that which is known to discover what lies beyond it, finding new knowledge, forms, and relationships, or accepting a state of uncertainty. For each of these composers and sound artists, craft is developed and transformed in response to the questions they bring to their work. Scientific, perceptual, or social phenomena become catalysts in the operation of the work.
These practices are not presented according to a chronology, a set of techniques, or social groupings. Instead, they are organized according to the content areas that are their subjects, including resonance, harmony, objects, shapes, perception, language, interaction, sites, and histories. Musical materials may be subject, among other treatments, to systemization, observation, examination, magnification, fragmentation, translation, or destabilization. These restless and exploratory modes of engagement have continued to develop over recent decades, expanding the scope of both musical practice and listening.
Автор: Ian Bourland Название: Massive Attack`s Blue Lines ISBN: 1501339699 ISBN-13(EAN): 9781501339691 Издательство: Bloomsbury Academic Рейтинг: Цена: 1582.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In 1991, three producers released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group's signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky.
Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release. As Blue Lines's iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.
Описание: Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious concept. The book frames recent experimental composition as a deviant kind of sound art whose affective and formal elements reflect on current issues in contemporary culture, and offers analyses of musical works and performance practices that are rarely heard, let alone considered as significant cultural phenomena - showing the role that obscurity and the esoteric have in articulating current cultural realities. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music.
Автор: Berry, John Название: Gigging, busking and bending the dots ISBN: 3034309627 ISBN-13(EAN): 9783034309622 Издательство: Peter Lang Рейтинг: Цена: 10930.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing on first-person accounts, this study traces the historical development of the jazz community in Bristol, UK from 1945 to 2012. The learning experiences of jazz musicians are discussed against the changing backdrop of their economic, cultural and educational circumstances, from the post-war years to the current national school curriculum.
Автор: Nyman Michael Название: Experimental Music: Cage and Beyond ISBN: 0521653835 ISBN-13(EAN): 9780521653831 Издательство: Cambridge Academ Рейтинг: Цена: 3643.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Composer Michael Nyman`s classic 1974 account of the postwar experimental tradition in music.
Автор: Richard Glover, Bryn Harrison Название: Being Time: Exploring Temporalities in Experimental Music ISBN: 1623568951 ISBN-13(EAN): 9781623568955 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
There are few texts which delve beyond a superficial examination of how we experience temporality in experimental music, even though it is precisely this area of music which provides such radically unique temporal experiences for listeners. In a highly accessible format using case studies, Being Time employs an ongoing dialogue to examine in depth how various compositional concerns within experimental and minimal musics affect our sense of time and duration. Various theoretical viewpoints inform the dialogue, but the phenomenological lineage from Husserl, through Merleau-Ponty to Clifton infuses the discussion to provide experiential arguments, rather than abstracted hypotheses.
An introductory chapter on experimental music is followed by studies of individual composers and artists such as Morton Feldman, Manfred Werder, Bernhardt G nter, Richard Chartier, La Monte Young and Toshiya Tsunoda which are embedded in the continuing discourse, along with issues of perception and memory in experimental music.
Being Time promotes deep, considered thought on the radical natures of our personal experience of temporality when listening to contemporary experimental approaches to composition and performance, and consequently promoting the participatory qualities of the listener in the act of music-making.
Автор: Richard Glover, Bryn Harrison Название: Being Time: Exploring Temporalities in Experimental Music ISBN: 1623564948 ISBN-13(EAN): 9781623564940 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
There are few texts which delve beyond a superficial examination of how we experience temporality in experimental music, even though it is precisely this area of music which provides such radically unique temporal experiences for listeners. In a highly accessible format using case studies, Being Time employs an ongoing dialogue to examine in depth how various compositional concerns within experimental and minimal musics affect our sense of time and duration. Various theoretical viewpoints inform the dialogue, but the phenomenological lineage from Husserl, through Merleau-Ponty to Clifton infuses the discussion to provide experiential arguments, rather than abstracted hypotheses.
An introductory chapter on experimental music is followed by studies of individual composers and artists such as Morton Feldman, Manfred Werder, Bernhardt G nter, Richard Chartier, La Monte Young and Toshiya Tsunoda which are embedded in the continuing discourse, along with issues of perception and memory in experimental music.
Being Time promotes deep, considered thought on the radical natures of our personal experience of temporality when listening to contemporary experimental approaches to composition and performance, and consequently promoting the participatory qualities of the listener in the act of music-making.
Название: Music and sound of experimental film ISBN: 0190469900 ISBN-13(EAN): 9780190469900 Издательство: Oxford Academ Рейтинг: Цена: 7602.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the role of music and sound in experimental film from the earliest work of pioneers such as Walther Ruttmann to latter-day experiments with new and digital media. Chapters examine issues relating to the avant-garde, abstraction, animation, found footage, queer film, visual music and VJing.
Описание: The Einsturzende Neubauten`s group is one of the few examples of `rock-based` artists who have been able to sustain a breadth and depth of work in a variety of media over a number of years while remaining experimental and open to development. This title provides an analysis of the group`s important place in popular/experimental music history.
Автор: Nick Collins, Julio d`Escrivan Название: The Cambridge Companion to Electronic Music ISBN: 1107133556 ISBN-13(EAN): 9781107133556 Издательство: Cambridge Academ Рейтинг: Цена: 13462.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An expanded and updated edition, this Companion will appeal to students and practitioners of electronic music. Including four new chapters and new artists` statements, this book explores the history, theory, creation and analysis of a wide range of styles across the worldwide electronic music scene.
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