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Earthshine, Ayers Janis


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Автор: Ayers Janis
Название:  Earthshine
ISBN: 9781951193836
Издательство: Folioavenue Publishing Service
Классификация: ISBN-10: 1951193830
Обложка/Формат: Paperback
Страницы: 272
Вес: 0.37 кг.
Дата издания: 30.05.2020
Язык: English
Размер: 229 x 152 x 15
Поставляется из: США
Описание:

Earthshine takes up the story from the previous book starting with the travels of Strafaes young brother Jake. Although Strafae reconnects with Jake, it is Chala who saves Jakes life from an untimely death.







Beyond Given Knowledge: Investigation, Quest and Exploration in Modernism and the Avant-Gardes

Автор: Harri Veivo, Jean-Pierre Montier, Francoise Nicol, David Ayers, Benedikt Hjartarson, Sascha Bru
Название: Beyond Given Knowledge: Investigation, Quest and Exploration in Modernism and the Avant-Gardes
ISBN: 3110561875 ISBN-13(EAN): 9783110561876
Издательство: Walter de Gruyter
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Цена: 16169.00 р.
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Описание: Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europ ischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die K nste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europ ischen Forschungsinstitutionen und in den Lehrpl nen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der franz sischen und deutschen akademischen Welt bleibt der Sammelbegriff "modernism" weniger gel ufig - "die (klassische) Moderne" und "modernit " fungieren hier als nahe liegende quivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und r umliche Ko-Okkurenz k nstlerischer Ausdrucksformen und sthetischer Theorien namhaft gemacht werden kann, die ungef hr zwischen 1850 und 1950 angesiedelt werden kann. Auf hnliche Weise entfaltet die Bezeichnung "Avantgarde" eine Reihe h ufig widerspr chlicher Konnotationen. F r manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der K nste und Literaturen mit den Darstellungs- und Erz hlkonventionen des 19. Jahrhundert: Im fr hen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Str mungen, die als die "heroische" Phase der Avantgarde bezeichnet werden k nnen. F r andere geh rt die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den f nfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus.

Die Buchreihe Studien zur Europ ischen Avantgarde und Moderne m chte der Kompliziertheit der unterschiedlichen europ ischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweij hrlichen Sammlung von Beitr gen in englischer, franz sischer und deutscher Sprache m chte die Reihe nicht nur die franz sisch-, deutsch- und englischsprachigen, sondern auch die nord-, s d-, zentral- und osteurop ischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beitr ge zur Forschung und widmet sich der Erforschung der gesamten europ ischen Avantgarde und Moderne, ihrer Vorl ufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europ ischen Avantgarde und Moderne f rdern die interdisziplin re und intermediale Erforschung experimenteller sthetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenh ngen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beitr ge werden internationalen Experten zur anonymen Begutachtung vorgelegt.

Chefredakteure: Sascha Bru (Leuven University) und Peter Nicholls (New York University).

Redaktionsausschuss: Jan Baetens (Universit t Leuven), Hubert van den Berg (Universit t Groningen), Benedikt Hjartarson (University of Iceland) undTania rum (Universit t Kopenhagen).

Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universit t Osnabr ck), Karlheinz Barck (Zentrum f r Literatur- und Kulturforschung Berlin), Henri B har (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), G nter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universit luav di Venezia), Endre Bojt r (Central European University, Budapest), Christina von Braun (Humboldt Universit t zu Berlin), Peter B rger (Universit t Bremen), Matei Calinescu (University of Indiana), Claus Cl ver (University of Indiana), Antoine Compagnon (Coll ge de France), Maria Delaperri re (INALCO, Paris), Pascal Dethurens (Universit de Strasbourg), Eva For
Tea Time with God: Treasures of the Heart

Автор: Ayers Debi
Название: Tea Time with God: Treasures of the Heart
ISBN: 1973648695 ISBN-13(EAN): 9781973648697
Издательство: Неизвестно
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Цена: 3993.00 р.
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Описание:

How often do you take time to stop what you are doing and notice what God is doing in that moment? God's presence may be found in anything, such as in the stillness of the night, in the sound of water trickling in a brook, in the flutter of a butterfly's wings, or in the shared hug of a loved one. In all of these things, God is there with love, peace, and joy for us, His children.

Tea Time With God is about taking a moment to recognize God's hand at work in the unique experiences of our lives. If your situation is causing you to wonder where God is, then this book will help you define who He is and allow you to seek Him whether you are

Hurting
Grieving
Hopeless
Depressed
Anxious
Lonely

God's presence can offer us so much: it can heal a broken heart, vanish worry and concern, and remove the burdens that weigh us down. Author Debi Ayers encourages you to take this time and stay in His presence - because there is no better place to be. Be encouraged to look for God in the center of your lives, knowing He may be in the smallest detail of your day.

Автор: Moritz Ba?ler, Benedikt Hjartarson, Ursula Frohne, David Ayers, Sascha Bru
Название: Realisms of the Avant-Garde
ISBN: 3110637022 ISBN-13(EAN): 9783110637021
Издательство: Walter de Gruyter
Цена: 16169.00 р.
Наличие на складе: Нет в наличии.

Описание:

The avant-garde and modernism take centre-stage within European academia today. The experimental literatures and arts in Europe between ca. 1850 and 1950, and their aftermath, figure prominently on curricula, while modernism and avant-garde studies have come to form distinct yet interlocking disciplines within the humanities in recent years. These disciplines take on various guises on the continent. Within French and German academia, "modernism" remains a term rather alien – "die Moderne" and "modernite" coming perhaps the closest to what is meant by "modernism" within the English context. Here, indeed, modernism has acquired a firm place in research, signaling above all a period in modern poetics and aesthetics, roughly between 1850 and 1950, during which a revolt against prevalent traditions in art, literature and culture took shape. Similarly, the term "avant-garde" comes with an array of often conflicting connotations. For some, the avant-garde marks the most radically experimental arts and literatures in modernism from the nineteenth century onward – the early twentieth-century vanguard movements of Futurism, Expressionism, Dada and Surrealism, among others, coinciding with the avant-garde's most "heroic" phase. For others, the avant-garde belongs to a cultural or conceptual order differing altogether from that of modernism – the vanguard exploits from the 1950s onward marking that avant-garde arts and literatures can also perfectly abide outside modernism.

European Avant-Garde and Modernism Studies, far from aiming to reduce the complexity of various European research traditions, aspires to embrace the wide linguistic, terminological and methodological variety within both fields. Publishing an anthology of essays in English, French and German every two years, the series wishes to compare and relate French, German and British, but also Northern and Southern as well as Central and Eastern European findings in avant-garde and modernism studies. The series gathers the best and most thought-provoking recent research and devotes itself to the study of the European avant-garde and modernism throughout the nineteenth and twentieth centuries. European Avant-Garde and Modernism Studies promotes interdisciplinary and intermedial research on experimental aesthetics and poetics, and aims to encourage an interest in the cultural dimensions and contexts of the avant-garde and modernism in Europe. Essays accepted by the editorial board are subjected to blind peer-review by international experts.

Editors-in-chief: Sascha Bru (Leuven University) and Peter Nicholls (New York University).

Editorial Board: Jan Baetens (Leuven University), Hubert van den Berg (University of Groningen), Benedikt Hjartarson (University of Iceland) and Tania Orum (University of Copenhagen).

Advisory Board: Dawn Ades (University of Essex), Wolfgang Asholt (Universitat Osnabruck), Karlheinz Barck (Zentrum fur Literaturforschung Berlin), Henri Behar (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), Gunter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universita luav di Venezia), Endre Bojtar (Central European University, Budapest), Christina von Braun (Humboldt Universitat), Peter Burger (Universitat Bremen), Matei Calinescu (University of Indiana), Claus Cluver (University of Indiana), Antoine Compagnon (College de France), Maria Delaperriere (INALCO, Paris), Pascal Dethurens (Universite de Strasbourg), Eva Forgacs (College of Design, Pasadena), Hans Gunther (Bielefeld University), Cornelia Klinger (Eberhard-Karls Universitat Tubingen), Rudolf Kuenzli (University of Iowa), Bruno Latour (Institut d'Etudes Politiques de Paris), Paul Michael Lutzeler (Washington University of St. Louis), Laura Marcus (University of Edinburgh), Richard Murphy (University of Sussex), Francois Noudelmann (Universite de Paris VIII), Krisztina Passuth (University of Budapest), Marjorie Perloff (Stanford University/University of Southern California), Michel Poivert (Paris I, Pantheon-Sorbonne), Susan Rubin-Suleiman (Harvard University), Rainer Rumold (Northwestern University), Jean-Yves Tadie (Paris IV, Sorbonne), Brandon Taylor (University of Southhampton), Andrew Webber (Churchill College, Cambridge).

Introduction to Environmental Chemistry

Автор: Ayers Jonathan
Название: Introduction to Environmental Chemistry
ISBN: 1641162368 ISBN-13(EAN): 9781641162364
Издательство: Random House (USA)
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Цена: 17656.00 р.
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Traveling Upward

Автор: Ayers Dr Philip E.
Название: Traveling Upward
ISBN: 1498421830 ISBN-13(EAN): 9781498421836
Издательство: Неизвестно
Цена: 3102.00 р.
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An Improv State of Mind: Using the Art and Science of Improvisation to Succeed at Work...and at Life

Автор: Ayers Jennie
Название: An Improv State of Mind: Using the Art and Science of Improvisation to Succeed at Work...and at Life
ISBN: 0692308229 ISBN-13(EAN): 9780692308226
Издательство: Неизвестно
Цена: 2923.00 р.
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Автор: Ayers Katharine Stone
Название: Trembling Heart
ISBN: 0996596844 ISBN-13(EAN): 9780996596848
Издательство: Неизвестно
Цена: 2578.00 р.
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Memoirs of a Southern Liberal

Автор: Ayers Robert
Название: Memoirs of a Southern Liberal
ISBN: 0980010888 ISBN-13(EAN): 9780980010886
Издательство: Неизвестно
Цена: 2069.00 р.
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Opening

Автор: Ayers Katharine Stone
Название: Opening
ISBN: 0996596836 ISBN-13(EAN): 9780996596831
Издательство: Неизвестно
Цена: 2578.00 р.
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Instantly! How Quickly I Realized I Hate My Job

Автор: Ayers Shameeka
Название: Instantly! How Quickly I Realized I Hate My Job
ISBN: 0976273896 ISBN-13(EAN): 9780976273899
Издательство: Неизвестно
Цена: 1786.00 р.
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Spectacular Posthumanism: The Digital Vernacular of Visual Effects

Автор: Drew Ayers
Название: Spectacular Posthumanism: The Digital Vernacular of Visual Effects
ISBN: 1501340085 ISBN-13(EAN): 9781501340086
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание: Spectacular Posthumanism examines the ways in which VFX imagery fantasizes about digital disembodiment while simultaneously reasserting the importance of the lived body. Analyzing a wide range of case studies—including the films of David Cronenberg and Stanley Kubrick, image technologies such as performance capture and crowd simulation, Game of Thrones , Terminator: Genisys , Planet Earth , and 300 —Ayers builds on Miriam Hansen’s concept of “vernacular modernism” to argue that the “vernacular posthumanism” of these media objects has a phenomenological impact on viewers. As classical Hollywood cinema initiated viewers into the experience of modernism, so too does the VFX image initiate viewers into digital, posthuman modes of thinking and being. Ayers’s innovative close-reading of popular, mass-market media objects reveals the complex ways that these popular media struggle to make sense of humanity’s place within the contemporary world. Spectacular Posthumanism argues that special and visual effects images produce a digital, posthuman vernacular, one which generates competing fantasies about the utopian and dystopian potential of a nonhuman future. As humanity grapples with such heady issues as catastrophic climate change, threats of anonymous cyber warfare, an increasing reliance on autonomous computing systems, genetic manipulation of both humans and nonhumans, and the promise of technologically enhanced bodies, the anxieties related to these issues register in popular culture. Through the process of compositing humans and nonhumans into a seemingly seamless whole, digital images visualize a utopian fantasy in which flesh and information might easily coexist and cohabitate with each other. These images, however, also exhibit the dystopic anxieties that develop around this fantasy. Relevant to our contemporary moment, Spectacular Posthumanism both diagnoses and offers a critique of this fantasy, arguing that this posthuman imagination overlooks the importance of embodiment and lived experience.


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