Описание: In When Nationalism Began to Hate, Brian Porter offers a new explanation for the emergence of xenophobic, authoritarian nationalism in Europe. Focusing on 19th century Poland, he traces the transformation of revolutionary patriotism into a violent anti-Semitic ideology. Instead of deterministically attributing this charge to the "forces of modernization", Porter argues that the language of hatred and discipline was cental to the way "modernity" itself wasperceived.
Автор: F. Gregory Название: Scientific Materialism in Nineteenth Century Germany ISBN: 902770760X ISBN-13(EAN): 9789027707604 Издательство: Springer Рейтинг: Цена: 27251.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Periodicals played a vital role in the developments in science and medicine that transformed nineteenth-century Britain. Proliferating from a mere handful to many hundreds of titles, they catered to audiences ranging from gentlemanly members of metropolitan societies to working-class participants in local natural history clubs. In addition to disseminating authorized scientific discovery, they fostered a sense of collective identity among their geographically dispersed and often socially disparate readers by facilitating the reciprocal interchange of ideas and information. As such, they offer privileged access into the workings of scientific communities in the period. The essays in this volume set the historical exploration of the scientific and medical periodicals of the era on a new footing, examining their precise function and role in the making of nineteenth-century science and enhancing our vision of the shifting communities and practices of science in the period. This radical rethinking of the scientific journal offers a new approach to the reconfiguration of the sciences in nineteenth-century Britain and sheds instructive light on contemporary debates about the purpose, practices, and price of scientific journals.
Автор: F. Gregory Название: Scientific Materialism in Nineteenth Century Germany ISBN: 9027707634 ISBN-13(EAN): 9789027707635 Издательство: Springer Рейтинг: Цена: 23751.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Ochoa Gautier Ana Mar Название: Aurality: Knowledge and Listening in Nineteenth-Century Colombia ISBN: 0822357364 ISBN-13(EAN): 9780822357360 Издательство: Wiley EDC Рейтинг: Цена: 14071.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this audacious book, Ana María Ochoa Gautier explores how listening has been central to the production of notions of language, music, voice, and sound that determine the politics of life. Drawing primarily from nineteenth-century Colombian sources, Ochoa Gautier locates sounds produced by different living entities at the juncture of the human and nonhuman. Her "acoustically tuned" analysis of a wide array of texts reveals multiple debates on the nature of the aural. These discussions were central to a politics of the voice harnessed in the service of the production of different notions of personhood and belonging. In Ochoa Gautier's groundbreaking work, Latin America and the Caribbean emerge as a historical site where the politics of life and the politics of expression inextricably entangle the musical and the linguistic, knowledge and the sensorial.
Описание: What do we mean when we identify a composer as the creator of a piece of music? Does a printed piece of music embody the work, even if the composer is not the person who puts the work on paper? In this cultural history of Western music`s adaptation to print, this title looks at how the concept of musical authorship took root.
Описание: Gender, Collaboration, and Authorship in German Culture challenges a model of literary production that persists in literary studies: the so-called Geniekult or the idea of the solitary male author as genius that emerged around 1800 in German lands. A closer look at creative practices during this time indicates that collaborative creative endeavors, specifically joint ventures between women and men, were an important mode of literary production during this era. This volume surveys a variety of such collaborations and proves that male and female spheres of creation were not as distinct as has been previously thought. It demonstrates that the model of the male genius that dominated literary studies for centuries was not inevitable, that viable alternatives to it existed. Finally, it demands that we rethink definitions of an author and a literary work in ways that account for the complex modes of creation from which they arose.
Описание: Analyzes novel manuscripts and authors` revisions to construct a new narrative about eighteenth-century authorship, influenced by the networks in which writers lived and worked. Will appeal to researchers, scholars and students interested in eighteenth-century literature, the English novel, and the history of the book, of publishing, and of reading.
Описание: The book sets out to disprove the assumption that when the world of publishing went corporate in the early decades of the twentieth century, it caused the ruin or at the very least, the dilution, of true literary works of art.
Автор: Boes, Tobias; Braun, Rebecca; Spiers, Emily Название: World Authorship ISBN: 019881965X ISBN-13(EAN): 9780198819653 Издательство: Oxford Academ Рейтинг: Цена: 19800.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: World Authorship brings together the real-world contexts of authorship and the literary worlds of fiction, and updates Michael Foucault`s `author function` by significantly expanding the network of people and practices involved in literature. At the heart of all contributions is one key question: where is the human element in world literature?
Автор: Stephen Rose Название: Musical Authorship from Schutz to Bach ISBN: 1108421075 ISBN-13(EAN): 9781108421072 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Aimed at students and researchers of music history, publishing history and cultural history, this study illuminates ideas of creativity and individuality in the seventeenth century. Its interdisciplinary approach shows how notions of the musical author were defined via the making, ownership, performance and reception of music.
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