Описание: What I lacked and what I needed,"" confessed Samuel Clemens in 1908, "was grandchildren." Near the end of his life, Clemens became the doting friend and correspondent of twelve schoolgirls ranging in age from ten to sixteen. For Clemens, "collecting" these surrogate granddaughters was a way of overcoming his loneliness, a respite from the pessimism, illness, and depression that dominated his later years.In Mark Twain's Aquarium, John Cooley brings together virtually every known communication exchanged between the writer and the girls he called his "angelfish." Cooley also includes a number of Clemens's notebook entries, autobiographical dictations, short manuscripts, and other relevant materials that further illuminate this fascinating story.Clemens relished the attention of these girls, orchestrating chaperoned visits to his homes and creating an elaborate set of rules and emblems for the Aquarium Club. He hung their portraits in his billiard room and invented games and plays for their amusement. For much of 1908, he was sending and receiving a letter a week from his angelfish. Cooley argues that Clemens saw cheerfulness and laughter as his only defenses against the despair of his late years. His enchantment with children, years before, had given birth to such characters as Tom Sawyer, Becky Thatcher, and Huck Finn. In the frivolities of the Aquarium Club, it found its final expression.Cooley finds no evidence of impropriety in Clemens behavior with the girls. Perhaps his greatest crime, the editor suggests, was in idealizing them, in regarding them as precious collectibles. "He tried to trap them in the amber of endless adolescence," Cooley writes. ""By pleading that they stay young and innocent, he was perhaps attempting to deny that, as they and the world continued to change, so must he.
Автор: Minteer Ben a., Maienschein Jane, Collins James P. Название: The Ark and Beyond: The Evolution of Zoo and Aquarium Conservation ISBN: 022653846X ISBN-13(EAN): 9780226538464 Издательство: Wiley Рейтинг: Цена: 4910.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A state-of-the art analysis of conservation as practiced by zoos and aquariums worldwide today.
Автор: Lightman Название: Evolution and Victorian Culture ISBN: 1107028426 ISBN-13(EAN): 9781107028425 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first collection of essays to assess the dynamic interplay between evolution and Victorian culture, mapping new relationships between the arts and sciences. Interdisciplinary and broad-ranging, it explores the relationship of evolution to painting, sculpture, dance, music, fiction, poetry, cinema, architecture, theatre, photography, museums, exhibitions and popular culture.
Описание: Anna Feuerstein offers innovative readings of the politics of animal characters in the Victorian novel, and shows the limitations of liberalism as a framework for animal rights. This book will appeal to scholars and students interested in Victorian literature and culture, and the representation of animals in literature.
Описание: This book is an annotated translation of Xu Shuwei`s (1080-1154) collection of 90 medical case records - Ninety Discussions of Cold Damage Disorders (shanghan jiushi lun ) - which was the first such collection in China.
Автор: John Juliet Название: Oxford Handbook of Victorian Literary Culture ISBN: 0198848773 ISBN-13(EAN): 9780198848776 Издательство: Oxford Academ Рейтинг: Цена: 6493.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Oxford Handbook of Victorian Literary Culture brings together a team of international scholars to offer the most comprehensive interdisciplinary guide to Victorian studies available in print.
Автор: Andrew King Название: Ouida and Victorian Popular Culture ISBN: 1409405893 ISBN-13(EAN): 9781409405894 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Ouida,` the pseudonym of Louise Rame (1839-1908), was one of the most productive and widely read Victorian writers. This volume offers a radically new view of Ouida, engaging with perceptions of popular and women writers, conceptions of `high` and `low` literatures, theatrical adaptation of fiction, and issues related to imperialism.
Описание: Focusing on the middle decades of the nineteenth century, Pionke`s book historicizes the relationship of ritual, class and public status in Victorian England. Through analysis of magazines, court cases, law books, manuals and works by authors that include William Makepeace Thackeray, Thomas Hughes, Anthony Trollope, Charles Dickens.
Описание: A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds's Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications of Charles Dickens, his arch-competitor the radical publisher G.W.M. Reynolds, and Henry Mayhew being such close neighbours? Given that London was capital of more than Britain alone, what connections does Wellington Street reveal between London print networks and the print culture and networks of the wider empire? How might the editors' experiences make us rethink the ways in which they and others addressed their anonymous readers as 'friends', as if they were part of their immediate social network? As Shannon shows, readers in the London of the 1840s and '50s, despite advances in literacy, print technology, and communications, were not simply an 'imagined community' of individuals who read in silent privacy, but active members of an imagined network that punctured the anonymity of the teeming city and even the empire.
Описание: When I consider the quantity of wise talking which has passed in at one long ear of the world, and out at the other, without making the smallest impression upon its mind, I am tempted for the rest of my life to try and do what seems to me rational, silently; and to speak no more."" --Ruskin in Fors Clavigera (27:353)Ruskin did, however, speak voluminously throughout the late nineteenth century in opposition to the abstract theoretical musings of the day. His Fors Clavigera--a collection of monthly letters published over thirteen years--offered his readers a model of critical discourse as a living, material process.In Ruskin's Culture Wars, Judith Stoddart provides the first sustained modern critical reading of Fors Clavigera, placing this classic work in the context of its Victorian contemporaries: art journals, liberal and working-class periodicals, and popular criticism. In re-creating the intellectual climate, she demonstrates the sense of cultural crisis and change evident at the time.Rebelling against the tendency to treat Ruskin's letters as the prose lyric of a damaged psyche, Stoddart shows how the cumulative text of Fors Clavigera not only records but revises and redirects the preoccupations of his period. He was an integral part of Victorian discussions of literary tradition and of the roles of democracy and nationality in late-nineteenth-century Europe. Ruskin's Culture Wars offers a valuable case study in Victorian public discourse that contributes to ongoing debates in our own century about the relations between language and history, text and context.
Автор: Lutz Deborah Название: Relics of Death in Victorian Literature and Culture ISBN: 1107434394 ISBN-13(EAN): 9781107434394 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Deborah Lutz investigates the high value the Victorians placed on the artefacts and personal effects of the dead. By close study of works by Emily Bronte, Charles Dickens, Alfred Lord Tennyson and Thomas Hardy, Lutz explores the ways these objects were used in creative narratives for emotional effect.
Автор: Schulting, Sabine (free University Berlin, German) Название: Dirt in victorian literature and culture ISBN: 0367175711 ISBN-13(EAN): 9780367175719 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Addressing the Victorian obsession with the sordid materiality of modern life, this book studies dirt in nineteenth-century English literature and the Victorian cultural imagination. Dirt litters Victorian writing - industrial novels, literature about the city, slum fiction, bluebooks, and the reports of sanitary reformers. It seems to be "matter out of place," challenging traditional concepts of art and disregarding the concern with hygiene, deodorization, and purification at the center of the "civilizing process." Drawing upon Material Cultural Studies for an analysis of the complex relationships between dirt and textuality, the study adds a new perspective to scholarship on both the Victorian sanitation movement and Victorian fiction. The chapters focus on Victorian commodity culture as a backdrop to narratives about refuse and rubbish; on the impact of waste and ordure on life stories; on the production and circulation of affective responses to filthin realist novels and slum travelogues; and on the function of dirt for both colonial discourse and its deconstruction in postcolonial writing. They address questions as to how texts about dirt create the effect of materiality, how dirt constructs or deconstructs meaning, and how the project of writing dirt attempts to contain its excessive materiality. Schьlting discusses representations of dirt in a variety of texts by Charles Dickens, E. M. Forster, Elizabeth Gaskell, George Gissing, James Greenwood, Henry James, Charles Kingsley, Henry Mayhew, George Moore, Arthur Morrison, and others. In addition, she offers a sustained analysis of the impact of dirt on writing strategies and genre conventions, and pays particular attention to those moments when dirt is recycled and becomes the source of literary creation.
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