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Bach and the patterns of invention, Dreyfus, Laurence


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Автор: Dreyfus, Laurence
Название:  Bach and the patterns of invention
ISBN: 9780674013568
Издательство: Wiley
Классификация:

ISBN-10: 0674013565
Обложка/Формат: Paperback
Страницы: 288
Вес: 0.60 кг.
Дата издания: 01.03.2004
Язык: English
Иллюстрации: 6 halftones, 5 line illustrations, 73 musical examples, 15 tables
Размер: 25.35 x 17.78 x 1.96 cm
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: In this major new interpretation of the music of J.S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach`s music against the grain of contemporaries, Laurence Dreyfus explains how Bach`s approach to musical invention posed a fundamental challenge to Baroque aesthetics.


Jуn Leifs and the Musical Invention of Iceland

Автор: Ingolfsson Arni Heimir
Название: Jуn Leifs and the Musical Invention of Iceland
ISBN: 0253044049 ISBN-13(EAN): 9780253044044
Издательство: Mare Nostrum (Eurospan)
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Цена: 11913.00 р.
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Описание: In J?n Leifs and the Musical Invention of Iceland, ?rni Heimir Ing?lfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation.
In addition to exploring Leifs's career, Ing?lfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons.
Largely neglected in his own lifetime, Leifs's music has been rediscovered in recent years and hailed as a singular and deeply original contribution to twentieth-century music. J?n Leifs and the Musical Invention of Iceland enriches our understanding and appreciation of Leifs and his music by exploring the political, literary and environmental contexts that influenced his work.

Invention of Beethoven and Rossini

Автор: Mathew Nicholas
Название: Invention of Beethoven and Rossini
ISBN: 1316649547 ISBN-13(EAN): 9781316649541
Издательство: Cambridge Academ
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Цена: 4435.00 р.
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Описание: More than a pair of famous composers, Beethoven and Rossini came to represent an opposition that cast a shadow over the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. In this book, leading scholars re-evaluate the great symbolic duo of early nineteenth-century music.

The Invention of Beethoven and Rossini

Автор: Mathew
Название: The Invention of Beethoven and Rossini
ISBN: 0521768055 ISBN-13(EAN): 9780521768054
Издательство: Cambridge Academ
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Цена: 17266.00 р.
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Описание: More than a pair of famous composers, Beethoven and Rossini came to represent an opposition that cast a shadow over the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. In this book, leading scholars re-evaluate the great symbolic duo of early nineteenth-century music.

Jуn Leifs and the Musical Invention of Iceland

Автор: Ingolfsson Arni Heimir
Название: Jуn Leifs and the Musical Invention of Iceland
ISBN: 0253044057 ISBN-13(EAN): 9780253044051
Издательство: Mare Nostrum (Eurospan)
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Цена: 5141.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: In J?n Leifs and the Musical Invention of Iceland, ?rni Heimir Ing?lfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation.
In addition to exploring Leifs's career, Ing?lfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons.
Largely neglected in his own lifetime, Leifs's music has been rediscovered in recent years and hailed as a singular and deeply original contribution to twentieth-century music. J?n Leifs and the Musical Invention of Iceland enriches our understanding and appreciation of Leifs and his music by exploring the political, literary and environmental contexts that influenced his work.

Invention and Reinvention of Big Bill Broonzy

Автор: Greene Kevin D
Название: Invention and Reinvention of Big Bill Broonzy
ISBN: 1469646498 ISBN-13(EAN): 9781469646497
Издательство: Mare Nostrum (Eurospan)
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Цена: 4076.00 р.
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Описание: Over the course of his long career, legendary bluesman William ""Big Bill"" Broonzy (1893@–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century.

Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

Bartolomeo Cristofori and the Invention of the Piano

Автор: Pollens Stewart
Название: Bartolomeo Cristofori and the Invention of the Piano
ISBN: 110748023X ISBN-13(EAN): 9781107480230
Издательство: Cambridge Academ
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Цена: 6019.00 р.
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Описание: This is the first comprehensive study of Bartolomeo Cristofori, who is credited with having invented the pianoforte around the year 1700 while working in the Medici court in Florence. Through thorough analysis of documents preserved in the State Archive of Florence, Pollens has reconstructed, in unprecedented detail, Cristofori`s working life.

The Invention and Reinvention of Big Bill Broonzy

Автор: Kevin D. Greene
Название: The Invention and Reinvention of Big Bill Broonzy
ISBN: 146964648X ISBN-13(EAN): 9781469646480
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 12415.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Over the course of his long career, legendary bluesman William ""Big Bill"" Broonzy (1893@–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century.

Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.


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