Описание: This engaging account of theatregoing in the later eighteenth century explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Theatres of Feeling delivers a new approach to dramatic literature and performance, moving beyond more limited studies of text or performance.
Автор: Wilmer Название: National Theatres in a Changing Europe ISBN: 0230521096 ISBN-13(EAN): 9780230521094 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examining the ways in which national theatres have formed and evolved over time, this new collection highlights the difficulties these institutions encounter today, in an environment where nationalism and national identity are increasingly contested by global, transnational and local agendas, and where economic forces create conflicting demands.
Автор: Anthony W. Johnson, Roger D. Sell, Helen Wilcox Название: Community-Making in Early Stuart Theatres: Stage and audience ISBN: 0367140500 ISBN-13(EAN): 9780367140502 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Twenty-two leading experts on early modern drama collaborate in this volume
to explore three closely interconnected research questions. To what extent did
playwrights represent dramatis personae in their entertainments as forming, or
failing to form, communal groupings? How far were theatrical productions likely
to weld, or separate, different communal groupings within their target audiences?
And how might such bondings or oppositions among spectators have tallied with
the community-making or -breaking on stage? Chapters in Part One respond to
one or more of these questions by reassessing general period trends in censorship,
theatre attendance, forms of patronage, playwrights' professional and linguistic
networks, their use of music, and their handling of ethical controversies.
In Part Two, responses arise from detailed re-examinations of particular plays
by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton,
Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart
theatre settings, from the public and popular to the more private circumstances
of hall playhouses, court masques, women's drama, country-house theatricals,
and school plays. And one overall finding is that, although playwrights frequently
staged or alluded to communal conflict, they seldom exacerbated such divisiveness
within their audience. Rather, they tended toward more tactful modes of
address (sometimes even acknowledging their own ideological uncertainties) so
that, at least for the duration of a play, their audiences could be a community
within which internal rifts were openly brought into dialogue.
Автор: West Название: Theatres and Encyclopedias in Early Modern Europe ISBN: 0521809142 ISBN-13(EAN): 9780521809146 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this 2003 book, West explores what `theatre` meant to medieval and Renaissance writers and places Renaissance drama within one of its most powerful intellectual contexts, the encyclopedic texts being written and produced at the time. West analyses these connections and provides a fascinating picture of the cultural life.
Описание: To what extent is theatre a contagious force, capable of undoing and enlivening people and cultures? This book responds to the current political and cultural climate by investigating theatre's status as a contagious cultural practice, questioning its role in the spread or control of medical, psychological and emotional conditions and phenomena. Observing a diverse range of practices from the early modern to contemporary period, essays consider how this contagion is understood to happen and operate, its real and imagined effects, and how these have been a source of pleasure and anxiety for theatre makers, audiences and authorities. Drawing on perspectives from medicine, neuroscience, psychology, religion, anthropology and law, essays collectively explore some of the ways in which theatre can be viewed as a powerful agent of containment and transmission. Among the works analyzed are a musical adaptation and an intercultural variation of Shakespeare's Romeo and Juliet; a contemporary queer take on Hamlet; a site-specific adaptation of Elizabeth Inchbald's 1792 suppressed tragedy, The Massacre; the writings and influence of Artaud; productions at the Parisian Theatre du Grand-Guignol; the work of Punchdrunk and smartphone apps which simulate pathological phenomena.
Описание: This book examines the plays of four women-Nathalie Sarraute, Marguerite Duras, Helene Cixous and Noelle Renaude-writing in the latter years of the twentieth century and the early years of the twenty-first century.
Описание: To what extent is theatre a contagious practice, capable of undoing and enlivening people and cultures? Theatres of Contagion responds to some of the anxieties of our current political and cultural climate by exploring theatre's status as a contagious cultural force, questioning its role in the spread or control of medical, psychological and emotional conditions and phenomena. Observing a diverse range of practices from the early modern to contemporary period, the volume considers how this contagion is understood to happen and operate, its real and imagined effects, and how these have been a source of pleasure and fear for theatre makers, audiences and authorities. Drawing on perspectives from medicine, neuroscience, psychology, anthropology, philosophy, law and affect theory, essays investigate some of the ways in which theatre can be viewed as a powerful agent of containment and transmission.
Among the works analysed include a musical adaptation and an intercultural variation of Shakespeare's Romeo and Juliet; a contemporary queer take on Hamlet; Grand Guignol and theatres of horror; the writings and influence of Artaud; immersive theatre and the work of Punchdrunk, and computer gaming and smartphone apps
Автор: Johnson Название: Community-Making in Early Stuart Theatres ISBN: 1409427013 ISBN-13(EAN): 9781409427018 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Twenty-two leading experts on early modern drama collaborate in this volume
to explore three closely interconnected research questions. To what extent did
playwrights represent dramatis personae in their entertainments as forming, or
failing to form, communal groupings? How far were theatrical productions likely
to weld, or separate, different communal groupings within their target audiences?
And how might such bondings or oppositions among spectators have tallied with
the community-making or -breaking on stage? Chapters in Part One respond to
one or more of these questions by reassessing general period trends in censorship,
theatre attendance, forms of patronage, playwrights' professional and linguistic
networks, their use of music, and their handling of ethical controversies.
In Part Two, responses arise from detailed re-examinations of particular plays
by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton,
Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart
theatre settings, from the public and popular to the more private circumstances
of hall playhouses, court masques, women's drama, country-house theatricals,
and school plays. And one overall finding is that, although playwrights frequently
staged or alluded to communal conflict, they seldom exacerbated such divisiveness
within their audience. Rather, they tended toward more tactful modes of
address (sometimes even acknowledging their own ideological uncertainties) so
that, at least for the duration of a play, their audiences could be a community
within which internal rifts were openly brought into dialogue.
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