Описание: This study proposes a new view of glossing as a universal phenomenon. Starting from the Psalter, a centrepiece of devotion and education in early medieval Europe, it combines historical sociolinguistics, comparative philology, manuscript studies and cultural history in order to assess and compare the interface of Latin with Old Irish, Old English, Old Frisian, Old Saxon and Old High German within the context of its multilingual and textual culture. The close study of thirteen glossed manuscripts, such as the Anglo-Saxon Vespasian Psalter and the Old Irish Milan Glosses, reveals when and why scribes switched from Latin into the vernacular, how the vernacular was used in studying Latin, how glosses interact with construe marks and punctuation, and how such manuscripts were intended to be read in a period covering the seventh to the twelfth centuries and in an area stretching from Ireland to Central Europe. The book is an essential textbook for specialists in the growing field of glossing, and also reaches out to scholars of early medieval liturgy, education, palaeography and Christian literature.
How vocabularies once associated with outsiders became objects of fascination in eighteenth-century Britain
While eighteenth-century efforts to standardize the English language have long been studied--from Samuel Johnson's Dictionary to grammar and elocution books of the period--less well-known are the era's popular collections of odd slang, criminal argots, provincial dialects, and nautical jargon. Strange Vernaculars delves into how these published works presented the supposed lexicons of the "common people" and traces the ways that these languages, once shunned and associated with outsiders, became objects of fascination in printed glossaries--from The New Canting Dictionary to Francis Grose's Classical Dictionary of the Vulgar Tongue--and in novels, poems, and songs, including works by Daniel Defoe, John Gay, Samuel Richardson, Robert Burns, and others.
Janet Sorensen argues that the recognition and recovery of outsider languages was part of a transition in the eighteenth century from an aristocratic, exclusive body politic to a British national community based on the rhetoric of inclusion and liberty, as well as the revaluing of a common British past. These representations of the vernacular made room for the "common people" within national culture, but only after representing their language as "strange." Such strange and estranged languages, even or especially in their obscurity, came to be claimed as British, making for complex imaginings of the nation and those who composed it. Odd cant languages, witty slang phrases, provincial terms newly valued for their connection to British history, or nautical jargon repurposed for sentimental connections all toggle, in eighteenth-century jest books, novels, and poems, between the alluringly alien and familiarly British.
Shedding new light on the history of the English language, Strange Vernaculars explores how eighteenth-century British literature transformed the patois attributed to those on the margins into living symbols of the nation.
Examples of slang from Strange Vernaculars
bum-boat woman: one who sells bread, cheese, greens, and liquor to sailors from a small boat alongside a ship
collar day: execution day
crewnting: groaning, like a grunting horse
gentleman's companion: lice
gingerbread-work: gilded carvings of a ship's bow and stern
Описание: This book examines the audiences and languages of Dominican sermons in late medieval Italy. It is a thorough analysis of how Latinate theological culture interacted with popular religious devotion. In particular it assesses the role of vernacular theology. Eliana Corbari defines vernacular theology as a form of theology that is based neither on a Latin scholastic model nor a monastic one. It is a ""third dimension"" of theology which was accessible to the laity, and in particular women, through their attendance at sermons and the reading of vernacular devotional works (in this case, medieval Italian treatises and sermons). Through painstaking manuscript work, Corbari makes an excellent contribution to sermon studies, gender studies, medieval theology, and codicology. She demonstrates that Dominican friars preached to an active contingent of laywomen, usually members of confraternities, who not only attended these sermons but re-read them and also disseminated them through book production to the wider Florentine community
Описание: Explores the ways in which Aristotle`s legacy was appropriated and reshaped by vernacular readers in Medieval and Renaissance Italy. Focusing on the ethical implications of the theory and practice of translation, it illuminates the cultural and social dynamics that legitimated the vernacular as a language of knowledge.
Описание: Little attention has been focused the representation of Muslims in medieval Germany. Proceeding from a grounded use of contemporary cultural theory and close textual analysis, this study focuses Muslims in several core texts representing drama, epic, and lyric written by the most important writers of medieval Germany.
Автор: Cornish Название: Vernacular Translation in Dante`s Italy ISBN: 1107693659 ISBN-13(EAN): 9781107693654 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A major study of translations into the vernacular in late medieval Italy, and their impact on literature and culture. Vernacular translation was a phenomenon with which all authors in this period - from Brunetto Latini to Giovanni Boccaccio - had to contend.
Автор: Kathy Cawsey Название: Images of Language in Middle English Vernacular Writings ISBN: 1843845725 ISBN-13(EAN): 9781843845720 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An exploration of the use of images in Middle English texts, tracing out what can be deduced of a theory of language.
Автор: Wogan-Browne Jocelyn Название: Vernacular Literary Theory from the French of Medieval Engla ISBN: 184384429X ISBN-13(EAN): 9781843844297 Издательство: Boydell & Brewer Рейтинг: Цена: 15682.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Excerpts from texts (with translation) from the French of medieval England offer a guide to medieval literary theory.
Автор: James C. Kriesel Название: Boccaccio`s Corpus: Allegory, Ethics, and Vernacularity ISBN: 0268104492 ISBN-13(EAN): 9780268104498 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8151.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Boccaccio’s Corpus, James C. Kriesel explores how medieval ideas about the body and gender inspired Boccaccio’s vernacular and Latin writings. Scholars have observed that Boccaccio distinguished himself from Dante and Petrarch by writing about women, erotic acts, and the sexualized body. On account of these facets of his texts, Boccaccio has often been heralded as a protorealist author who invented new literatures by eschewing medieval modes of writing. This study revises modern scholarship by showing that Boccaccio’s texts were informed by contemporary ideas about allegory, gender, and theology. Kriesel proposes that Boccaccio wrote about women to engage with debates concerning the dignity of what was coded as female in the Middle Ages. This encompassed varieties of mundane experiences, somatic spiritual expressions, and vernacular texts. Boccaccio championed the feminine to counter the diverse writers who thought that men, ascetic experiences, and Latin works had more dignity than women and female cultures. Emboldened by literary and religious ideas about the body, Boccaccio asserted that his “feminine” texts could signify as efficaciously as Dante’s Divine Comedy and Petrarch’s classicizing writings. Indeed, he claimed that they could even be more effective in moving an audience because of their affective nature— namely, their capacity to attract, entertain, and stimulate readers. Kriesel argues that Boccaccio drew on medieval traditions to highlight the symbolic utility of erotic literatures and to promote cultures associated with women.
How vocabularies once associated with outsiders became objects of fascination in eighteenth-century Britain
While eighteenth-century efforts to standardize the English language have long been studied--from Samuel Johnson's Dictionary to grammar and elocution books of the period--less well-known are the era's popular collections of odd slang, criminal argots, provincial dialects, and nautical jargon. Strange Vernaculars delves into how these published works presented the supposed lexicons of the "common people" and traces the ways that these languages, once shunned and associated with outsiders, became objects of fascination in printed glossaries--from The New Canting Dictionary to Francis Grose's Classical Dictionary of the Vulgar Tongue--and in novels, poems, and songs, including works by Daniel Defoe, John Gay, Samuel Richardson, Robert Burns, and others.
Janet Sorensen argues that the recognition and recovery of outsider languages was part of a transition in the eighteenth century from an aristocratic, exclusive body politic to a British national community based on the rhetoric of inclusion and liberty, as well as the revaluing of a common British past. These representations of the vernacular made room for the "common people" within national culture, but only after representing their language as "strange." Such strange and estranged languages, even or especially in their obscurity, came to be claimed as British, making for complex imaginings of the nation and those who composed it. Odd cant languages, witty slang phrases, provincial terms newly valued for their connection to British history, or nautical jargon repurposed for sentimental connections all toggle, in eighteenth-century jest books, novels, and poems, between the alluringly alien and familiarly British.
Shedding new light on the history of the English language, Strange Vernaculars explores how eighteenth-century British literature transformed the patois attributed to those on the margins into living symbols of the nation.
Examples of slang from Strange Vernaculars
bum-boat woman: one who sells bread, cheese, greens, and liquor to sailors from a small boat alongside a ship
collar day: execution day
crewnting: groaning, like a grunting horse
gentleman's companion: lice
gingerbread-work: gilded carvings of a ship's bow and stern
luggs: ears
mort: a large amount
thraw: to argue hotly and loudly
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