The Era of the Martyrs: Remembering the Great Persecution in Late Antique Egypt, Aaltje Hidding
Автор: Elsner, Jas (professor Of Late Antique Art, Univer Название: Art of the roman empire ISBN: 019876863X ISBN-13(EAN): 9780198768630 Издательство: Oxford Academ Рейтинг: Цена: 3721.00 р. Наличие на складе: Ожидается поступление.
Описание: A beautifully illustrated, new edition of the best single-volume guide to Roman and early Christian art. Provides an introduction to the great diversity of artistic styles during the period, and their context.
Автор: Salzman Название: Pagans and Christians in Late Antique Rome ISBN: 1107110300 ISBN-13(EAN): 9781107110304 Издательство: Cambridge Academ Рейтинг: Цена: 17266.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book sheds new light on the religious and consequently social changes taking place in late antique Rome. The essays in this volume demonstrate that the fourth-century city was a more fluid, vibrant, and complex place than was previously thought.
Описание: This book responds to Pope Francis`s challenge to construct an expanded definition for martyrdom today. Using the work of Jon Sobrino, Thiede examines four case studies-Rutilio Grande, Oscar Romero, the U.S. churchwomen, and the UCA Jesuits and their collaborators-to offer an expanded definition of martyrdom.
Автор: Weimer Adrian Chastain Название: Martyrs` Mirror: Persecution and Holiness in Early New England ISBN: 0199390959 ISBN-13(EAN): 9780199390953 Издательство: Oxford Academ Рейтинг: Цена: 4354.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Martyrs' Mirror examines the folklore of martyrdom among seventeenth-century New England Protestants, exploring how they imagined themselves within biblical and historical narratives of persecution. Memories of martyrdom, especially stories of the Protestants killed during the reign of Queen Mary in the mid-sixteenth century, were central to a model of holiness and political legitimacy. The colonists of early New England drew on this historical imagination in order to strengthen their authority in matters of religion during times of distress. By examining how the notions of persecution and martyrdom move in and out of the writing of the period, Adrian Chastain Weimer finds that the idea of the true church as a persecuted church infused colonial identity. Though contested, the martyrs formed a shared heritage, and fear of being labeled a persecutor, or even admiration for a cheerful sufferer, could serve to inspire religious tolerance. The sense of being persecuted also allowed colonists to avoid responsibility for aggression against Algonquian tribes. Surprisingly, those wishing to defend maltreated Christian Algonquians wrote their history as a continuation of the persecutions of the true church. This examination of the historical imagination of martyrdom contributes to our understanding of the meaning of suffering and holiness in English Protestant culture, of the significance of religious models to debates over political legitimacy, and of the cultural history of persecution and tolerance.
The fourth volume in the Amheida series, ‘Ain el-Gedida: 2006-2008 Excavations of a Late Antique Site in Egypt's Western Desert (Amheida IV) presents the systematic record and interpretation of the archaeological evidence from the excavations at ‘Ain el-Gedida, a fourth-century rural settlement in Egypt's Dakleh Oasis uniquely important for the study of early Egyptian Christianity and previously known only from written sources. Nicola Aravecchia (Washington University), the Deputy Field Director of NYU's Amheida Excavations, offers a history of the site and its excavations, followed by an integrated topographical and archaeological interpretation of the site and its significance for the history of Christianity in Egypt. In the second half of the volume a team of international experts presents catalogs and interpretations of the archaeological finds, including ceramics (Delphine Dixneuf, CRNS), coins (David M. Ratzan, NYU), ostraca and graffiti (Roger S. Bagnall, NYU and Dorota Dzierzbicka, University of Warsaw), small finds (Dorota Dzierzbicka, University of Warsaw), and zooarcheological remains (Pamela J. Crabtree, NYU and Douglas Campana).
Описание: In early modern England, the practice of ritual or ceremonial magic - the attempted communication with angels and demons - both reinforced and subverted existing concepts of gender. The majority of male magicians acted from a position of control and command commensurate with their social position in a patriarchal society; other men, however, used the notion of magic to subvert gender ideals while still aiming to attain hegemony. Whilst women who claimed to perform magic were usually more submissive in their attempted dealings with the spirit world, some female practitioners employed magic to undermine the patriarchal culture and further their own agenda. Frances Timbers studies the practice of ritual magic in the sixteenth and seventeenth centuries focusing especially on gender and sexual perspectives. Using the examples of well-known individuals who set themselves up as magicians (including John Dee, Simon Forman and William Lilly), as well as unpublished diaries and journals, literature and legal records, this book provides a unique analysis of early modern ceremonial magic from a gender perspective.
Описание: After a survey of Saint Augustine`s long drawn-out farewell to ancient poetry, the author examines other Late Antique dismissals as well as appropriations of the classical heritage, elucidating a cultural conflict which was to leave traces all through the Middle Ages and beyond.
Автор: Westerfeld Jennifer Название: Egyptian Hieroglyphs in the Late Antique Imagination ISBN: 0812251571 ISBN-13(EAN): 9780812251579 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8145.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity.
By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority.
Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends.
Описание: Examines the apparent paradox that Jesus` earthly existence and post resurrection appearances are experienced through consummately physical actions and attributes yet some ascetics within the Christian tradition appear to seek to deny the value of the human body, to find it deadening of spiritual life.
Описание: Anders Cullhed’s study The Shadow of Creusa explores the early Christian confrontation with pagan culture as a remote anticipation of many later clashes between religious orthodoxy and literary fictionality. After a careful survey of Saint Augustine’s critical attitudes to ancient myth and poetry, summarized as a long drawn-out farewell, Cullhed examines other Late Antique dismissals as well as appropriations of the classical heritage. Macrobius, Martianus Capella and Boethius figure among the Late Antique intellectuals who attempted to save or even restore the old mythology by means of allegorical representation. On the other hand, pious poets such as Paulinus of Nola and Bible epic writers such as Iuvencus or Avitus of Vienne turned against pagan lies, and the mighty arch-bishop of Milan, Saint Ambrose, played off unconditional Christian truth against the last Roman strongholds of cultural pluralism. Thus, The Shadow of Creusa elucidates a cultural conflict which was to leave traces all through the Middle Ages and reach down to our present day.
Автор: Gillian Spalding-Stracey Название: The Cross in the Visual Culture of Late Antique Egypt ISBN: 9004411593 ISBN-13(EAN): 9789004411593 Издательство: Brill Цена: 32675.00 р. Наличие на складе: Поставка под заказ.
Описание: In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
