Music Composition in the 21st Century: A Practical Guide for the New Common Practice, Robert Carl
Автор: Palmer Andrew Название: Encounters with British Composers ISBN: 1783270705 ISBN-13(EAN): 9781783270705 Издательство: Boydell & Brewer Рейтинг: Цена: 5544.00 р. Наличие на складе: Поставка под заказ.
Описание: Contemporary British composers talk about their music, with the emphasis on the aesthetic sensibilities and psychological processes behind composing rather than technique.
Автор: Stone Stephen C. Название: Music Theory and Composition: A Practical Approach ISBN: 153810122X ISBN-13(EAN): 9781538101223 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 28512.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This text presents a pragmatic, accessible approach to music theory by emphasizing melody and counterpoint. Starting with a single melodic line and gradually adding voices in counterpoint, the book drills part-writing while also explaining functionality, first with scale degrees and then with harmony. Workbook sections follow each chapter.
Автор: Jones Название: The Principles and Practice of Tonal Counterpoint ISBN: 0415878292 ISBN-13(EAN): 9780415878296 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.
Описание: Employing an interview with English-born (1943) and Australia-domiciled composer Roger Smalley as a kind of cantus firmus, this book incorporates critical commentary on the composer`s major works in a chronological narrative that engages with issues of central relevance to Smalley`s generation.
Автор: Holmes Thom Название: Electronic and Experimental Music ISBN: 113879273X ISBN-13(EAN): 9781138792739 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Поставка под заказ.
Описание:
Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts.
New to this edition:
A companion website, featuring key examples of electronic music, both historical and contemporary.
Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music.
A new chapter Contemporary Practices in Composing Electronic Music.
Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally.
An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock.
Additional accounts of the vastly under-reported contributions of women composers in the field.
More photos, scores, and illustrations throughout.
The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes."
Автор: Marx Название: The School of Musical Composition, Practical and Theoretical ISBN: 1108063993 ISBN-13(EAN): 9781108063999 Издательство: Cambridge Academ Рейтинг: Цена: 7445.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Adolf Bernhard Marx (1795-1866), influential music theorist, composer and friend of Mendelssohn, believed music should be part of everyone`s education. This English translation, of only the first volume of the fourth edition of his influential work on the principles of music theory and composition, was first published in 1852.
Автор: Mishra Jennifer, Fast Barbara Название: Ipractice: Technology in the 21st Century Music Practice Room ISBN: 0190660902 ISBN-13(EAN): 9780190660901 Издательство: Oxford Academ Рейтинг: Цена: 5701.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book provides new practical tools that bridge the gap between familiar, easy-to-use technology and musical practice to enhance musicianship and motivate students. Authors Mishra and Fast provide ideas for use with students of all levels, from beginners to musicians performing advanced repertoire.
Описание: How does one go about writing the history of musical composition in the late twentieth century when, on the one hand, so much of it seems impossibly fractured and disassociated, and, on the other, there has been so little certainty about what the notion of 'music history' might entail under the critiques of post-modernism? One of the most productive ways forward is to pursue case studies involving single composers whose music reflects several aspects of recent activity. This enables the discussion of broad issues in a relatively focussed way whilst avoiding the pitfalls of traditional narrative histories and the centrifugal tendencies of the relativistic approach that some have called for. The music of the English-born (1943) and Australia-domiciled composer Roger Smalley is ideal material for such a study, because of his involvement with and response to an unusually large number of the myriad concerns and practices of post-1950s composition, including post-serial constructivism; parody; electro-acoustic composition and the electronic modification of conventionally-produced sound; Moment Form; aleatorism; minimalism; the use of non-Western resources (Aboriginal and South-East Asian sonorities); neo-Romanticism; and, arguably, the 'new classicism', as well as a brief flirtation with rock music in the late '60s. Employing an interview with the composer as a kind of cantus firmus, the book - the first extended single-author study of Smalley's music to be published - incorporates critical commentary on the composer's major works in a chronological narrative that engages with broad issues of central relevance to Smalley's generation, such as the process of learning the craft of composition in the early '60s; the motivation behind the adoption of certain technical and aesthetic positions; the effects on technical and aesthetic orientation of both the changing relationships between composer, performer, and audience and technological change; and the distinction betwe
Автор: Jones Nicholas Название: Music of Peter Maxwell Davies ISBN: 1783274832 ISBN-13(EAN): 9781783274833 Издательство: Boydell & Brewer Рейтинг: Цена: 8712.00 р. Наличие на складе: Поставка под заказ.
Описание: Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive.
Автор: Edward Pearsall Название: Twentieth-Century Music Theory and Practice ISBN: 0415888956 ISBN-13(EAN): 9780415888950 Издательство: Taylor&Francis Рейтинг: Цена: 29858.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Twentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles. This text capitalizes on this idea by using the theoretical devices associated with atonality to explore music inclusive of a large number of schools and contains examples by such stylistically diverse composers as Paul Hindemith, George Crumb, Ellen Taffe Zwilich, Steve Reich, Michael Torke, Philip Glass, Alexander Scriabin, Ernest Bloch, Igor Stravinsky, Bйla Bartуk, Sergei Prokofiev, Arnold Schoenberg, Claude Debussy, Gyцrgy Ligeti, and Leonard Bernstein.
This textbook also provides a number of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website allow students to use theoretical concepts as the foundation for analytical listening.
Access additional resources and online material here: http: //www.twentiethcenturymusictheoryandpractice.net and https: //www.motivichearing.com/.
Автор: Anderton Abby Название: Rubble Music: Occupying the Ruins of Postwar Berlin, 1945-1950 ISBN: 0253042429 ISBN-13(EAN): 9780253042422 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3511.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.
Автор: Green, Douglass Jones, Evan Название: Principles and practice of tonal counterpoint ISBN: 0415988667 ISBN-13(EAN): 9780415988667 Издательство: Taylor&Francis Рейтинг: Цена: 12554.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Deals with music during the eighteenth- and early nineteenth centuries (Bach through Beethoven) and touches on Romantic and Twentieth-Century music. This title studies the basic principles of contrapuntal music throughout the history of western music and how they are put into practice in various styles.
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