This book charts an interdisciplinary narrative of literary pragmatism and creative democracy across the writings of African American women, from the works of nineteenth-century philosophers to the novels and short stories of Harlem Renaissance authors. The book argues that this critically neglected narrative forms a genealogy of black feminist intersectionality and a major contribution to the development of American pragmatism. Bringing together the philosophical writings of Maria Stewart, Anna Julia Cooper, and Mary Church Terrell and the fictional works of Jessie Fauset, Nella Larsen, and Zora Neale Hurston, this text provides a literary pragmatist study of the archetypes, tropes, settings, and modes of resistance that populate the narrative of creative democracy. Above all, this book considers how these philosophers and authors construct democracy as a lived experience that gains meaning not through state institutions but through communities founded on relationships among black women and their shared understandings of culture, knowledge, experience, and rebellion.
Описание: Discusses the genre of narratives of freedom and examines women`s relationships to the community as they seek to illustrate a collective free identity. The author argues that these texts represent a sense of civil rights that emerges prior even to the ideas of racial uplift that reached a height for women in the late nineteenth century and moved into the twentieth century.
Using the term "prophetic remembrance" to articulate the expression of a constituent faith in the performative capacity of language, Erica Still shows how black subjectivity is born of and interprets cultural trauma. She brings together African American neo-slave narratives and Black South African postapartheid narratives to reveal the processes by which black subjectivity accounts for its traumatic origins, names the therapeutic work of the present, and inscribes the possibility of the future.
The author draws on trauma studies, black theology, and literary criticism as she considers how writers such as Toni Morrison, Charles Johnson, John Edgar Wideman, David Bradley, Sindiwe Magona, K. Sello Duiker, and Zakes Mda explore the possibilities for rehearsing a traumatic past without being overcome by it. Although both African American and South African literary studies have addressed questions of memory, narrative, and trauma, little comparative work has been done. Prophetic Remembrance offers this comparative focus in reading these literatures together to address the question of what it means to remember and to recover from racial oppression.
Автор: Howard Rambsy II. Название: Bad Men: Creative Touchstones of Black Writers ISBN: 0813944139 ISBN-13(EAN): 9780813944135 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4264.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How have African American writers drawn on bad men and black boys as creative touchstones for their evocative and vibrant art? This is the question posed by Howard Rambsy's new book, which explores bad men as a central, recurring, and understudied figure in African American literature, and music. By focusing on how various iterations of the black bad man figure serve as creative muse and inspiration for literary production, Rambsy puts a wide variety of contemporary African American literary and cultural works in conversation with creativity research for the first time.Employing concepts such as playfulness, productivity, divergent thinking, and problem finding, Rambsy examines the works of a wide range of writers—including Elizabeth Alexander, Amiri Baraka, Paul Beatty, Ta-Nehisi Coates, Tyehimba Jess, Trymaine Lee, Adrian Matejka, Aaron McGruder, Evie Shockley, and Kevin Young—who have drawn on notions of bad black men and boys to create innovative and challenging works in a variety of genres. Through groundbreaking readings, Rambsy demonstrates the fruitfulness of viewing black literary art through the lens of the field of creativity research.
Описание: Winner of a 2018 C. L. R. James Award for a Published Book for Academic or General Audiences from the Working-Class Studies Association.Beginning with the Haitian Revolution, Scott Henkel lays out a literary history of direct democracy in the Americas. Much research considers direct democracy as a form of organization fit for worker cooperatives or political movements. Henkel reinterprets it as a type of collective power, based on the massive slave revolt in Haiti. In the representations of slaves, women, and workers, Henkel traces a history of power through the literatures of the Americas during the long nineteenth century.Thinking about democracy as a type of power presents a challenge to common, often bureaucratic and limited interpretations of the term and opens an alternative archive, which Henkel argues includes C. L. R. James's The Black Jacobins, Walt Whitman's Democratic Vistas, Lucy Parsons's speeches advocating for the eight-hour workday, B. Traven's novels of the Mexican Revolution, and Marie Vieux Chauvet's novella about Haitian dictatorship.Henkel asserts that each writer recognized this power and represented its physical manifestation as a swarm. This metaphor bears a complicated history, often describing a group, a movement, or a community. Indeed it conveys multiplicity and complexity, a collective power. This metaphor's many uses illustrate Henkel's main concerns, the problems of democracy, slavery, and labor, the dynamics of racial repression and resistance, and the issues of power which run throughout the Americas.
Автор: Scarnecchia Timothy Название: Urban Roots of Democracy and Political Violence in Zimbabwe ISBN: 1580463630 ISBN-13(EAN): 9781580463638 Издательство: Wiley Рейтинг: Цена: 2691.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Urban Roots of Democracy and Political Violence in Zimbabwe details a democratic tradition developed in the 1940s and 1950s, and a movement that would fall victim to an increasingly elitist and divisive political culture by the 1960s. Providing biographical sketches of key personalities within the genealogy of nationalist politics, Timothy Scarnecchia weaves an intricate narrative that traces the trajectories of earlier democratic traditions in Zimbabwe, including women's political movements, township organizations, and trade unions. This work suggests that intense rivalries for control of the nationalist leadership after 1960, the "sell-out" politics of that period, and Cold War funding for rival groups contributed to a unique political impasse, ultimately resulting in the largely autocratic and violent political state today. The author further proposes that this recourse to political violence, "top-down" nationalism, and the abandonment of urban democratic traditions are all hallmarks of a particular type of nationalism equally unsustainable in Zimbabwe then as it is now. Timothy Scarnecchia is assistant professor of African history at Kent State University in Kent, Ohio.
Автор: Howard Rambsy II. Название: Bad Men: Creative Touchstones of Black Writers ISBN: 0813944120 ISBN-13(EAN): 9780813944128 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8590.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How have African American writers drawn on bad men and black boys as creative touchstones for their evocative and vibrant art? This is the question posed by Howard Rambsy's new book, which explores bad men as a central, recurring, and understudied figure in African American literature, and music. By focusing on how various iterations of the black bad man figure serve as creative muse and inspiration for literary production, Rambsy puts a wide variety of contemporary African American literary and cultural works in conversation with creativity research for the first time.Employing concepts such as playfulness, productivity, divergent thinking, and problem finding, Rambsy examines the works of a wide range of writers—including Elizabeth Alexander, Amiri Baraka, Paul Beatty, Ta-Nehisi Coates, Tyehimba Jess, Trymaine Lee, Adrian Matejka, Aaron McGruder, Evie Shockley, and Kevin Young—who have drawn on notions of bad black men and boys to create innovative and challenging works in a variety of genres. Through groundbreaking readings, Rambsy demonstrates the fruitfulness of viewing black literary art through the lens of the field of creativity research.
Автор: Morley Название: The Cambridge Companion to Creative Writing ISBN: 0521145368 ISBN-13(EAN): 9780521145367 Издательство: Cambridge Academ Рейтинг: Цена: 5346.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This Companion is designed for aspiring writers and teachers of creative writing. It engages with a complex art in an accessible manner, addressing concepts important to the rapidly growing discipline of creative writing, while maintaining a strong craft emphasis, analysing exemplary models of writing and providing related writing exercises.
Автор: Emenyonu Ernest N. Название: Companion to Chimamanda Ngozi Adichie ISBN: 1847011624 ISBN-13(EAN): 9781847011626 Издательство: Wiley Рейтинг: Цена: 8712.00 р. Наличие на складе: Поставка под заказ.
Описание: A critical examination of the engaging voice and multiple stories of Chimamanda Ngozi Adichie on war, feminism, art, ideology, hair, complex human identities and the challenges of multicultural existence.
Winner of the College Language Association Creative Scholarship Award Brilliant. Alexander helps us to understand the complexities of race, gender, sexuality, migration, and identity as they intersect with creativity. A must-read for those interested in women s writing today. Renee Larrier, author of "Autofiction and Advocacy in the Francophone Caribbean"
Critically engages current topical issues with sophisticated scholarly readings. There is a tone of the transgressive that gives this work the kind of edge that always provides transcendence. Carole Boyce Davies, author of "Caribbean Spaces"
An authoritative and original study, characterized by meticulously researched scholarship, which focuses on the female body across a fascinating corpus of literary production in the Caribbean and elsewhere. This refreshing and effective interdisciplinary approach extends the boundaries of traditional literary analysis. E. Anthony Hurley, author of "Through a Black Veil"
Using feminist and womanist theory, Simone Alexander analyzes literary works that focus on the black female body as the physical and metaphorical site of migration. She shows that over time black women have used their bodily presence to complicate and challenge a migratory process often forced upon them by men or patriarchal society.
Through in-depth study of selective texts by Audre Lorde, Edwidge Danticat, Maryse Conde, and Grace Nichols, Alexander challenges the stereotypes ascribed to black female sexuality, subverting its assumed definition as diseased, passive, or docile. She also addresses issues of embodiment as she analyzes how women s bodies are read and seen; how bodies perform and are performed upon; how they challenge and disrupt normative standards.
A multifaceted contribution to studies of gender, race, sexuality, and disability issues, "African Diasporic Women s Narratives" engages a range of issues as it grapples with the complex interconnectedness of geography, citizenship, and nationalism."
Описание: Using feminist and womanist theory, Simone Alexander takes as her main point of analysis literary works that focus on the black female body as the physical and metaphorical site of migration. She shows that over time black women have used their bodily presence to complicate and challenge a migratory process often forced upon them by men or patriarchal society.
Автор: Rifkind Candida, Warley Linda Название: Canadian Graphic: Picturing Life Narratives ISBN: 1771121793 ISBN-13(EAN): 9781771121798 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4137.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Canadian Graphic: Picturing Life Narratives presents critical essays on contemporary Canadian cartoonists working in graphic life narrative, from confession to memoir to biography. The contributors draw on literary theory, visual studies, and cultural history to show how Canadian cartoonists have become so prominent in the international market for comic books based on real-life experiences. The essays explore the visual styles and storytelling techniques of Canadian cartoonists, as well as their shared concern with the spectacular vulnerability of the self. Canadian Graphic also considers the role of graphic life narratives in reimagining the national past, including Indigenous-settler relations, both world wars, and Quebec's Quiet Revolution.Contributors use a range of approaches to analyze the political, aesthetic, and narrative tensions in these works between self and other, memory and history, individual and collective. An original contribution to the study of auto/biography, alternative comics, and Canadian print culture, Canadian Graphic proposes new ways of reading the intersection of comics and auto/ biography both within and across national boundaries.
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