Описание: Fashioning James Bond is the first book to study the costumes and fashions of the James Bond movie franchise, from Sean Connery in 1962's Dr No to Daniel Craig in Spectre (2015). Llewella Chapman draws on original archival research, close analysis of the costumes and fashion brands featured in the Bond films, interviews with families of tailors and shirt-makers who assisted in creating the ‘look’ of James Bond, and considers marketing strategies for the films and tie-in merchandise that promoted the idea of an aspirational ‘James Bond lifestyle’.
Addressing each Bond film in turn, Chapman questions why costumes are an important tool for analysing and evaluating film, both in terms of the development of gender and identity in the James Bond film franchise in relation to character, and how it evokes the desire in audiences to become part of a specific lifestyle construct through the wearing of fashions as seen on screen. She researches the agency of the costume department, director, producer and actor in creating the look and characterisation of James Bond, the villains, the Bond girls and the henchmen who inhibit the world of 007. Alongside this, she analyses trends and their impact on the Bond films, how the different costume designers have individually and creatively approached costuming them, and how the costumes were designed and developed from novel to script and screen. In doing so, this book contributes to the emerging critical literature surrounding the combined areas of film, fashion, gender and James Bond.
Автор: Frey David Название: Jews, Nazis and the Cinema of Hungary ISBN: 1780764510 ISBN-13(EAN): 9781780764511 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Demonstrates how the transnational process of forging an industry designed to define a national culture proved particularly contentious and surprisingly contradictory in the heyday of racial nationalism and antisemitism. This title details the interplay of Hungarian cultural and political elites, Nazi officials, and global film moguls.
Автор: Scott, Malcolm Название: Frank capra and the cinema of identity ISBN: 1787073734 ISBN-13(EAN): 9781787073739 Издательство: Peter Lang Рейтинг: Цена: 14250.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This study proposes a new definition of Frank Capra's work as a cinema of identity, focusing on his reflection on American national identity as well as his own positioning as a US immigrant. The interplay of celebration and interrogation is used to show the two poles of his films' narrative structure, placing in a new critical light the supposed happy endings of this complex filmmaker. All of his films are discussed, including his feature films (both silent and sound, grouped thematically and in broad chronological order) and wartime documentaries. There are separate chapters on controversial works like Mr Smith Goes to Washington, Meet John Doe and It's a Wonderful Life. Not intended as a biography of Capra but as a study of his career and ideas on film, the book takes into account the views of numerous earlier critics and writers and offers a fresh appraisal of this celebrated director and his often problematic films.
Автор: Micali, Simona Название: Towards a posthuman imagination in literature and media ISBN: 1788745825 ISBN-13(EAN): 9781788745826 Издательство: Peter Lang Рейтинг: Цена: 9589.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What if the human species were to get in touch with another intelligent species, thus far unknown?
This question is the impetus for a vast, exciting catalogue of science fiction and fantasy stories. They serve as hypothetical answers in narrative form but can also be regarded as cognitive exercises by which we investigate the nature and destiny of humanity. In other words, any creature and any story produced in response to this question requires an assessment of our notion of the human and a redefinition of our position and role in the world.
This volume aims at mapping and analysing the very rich catalogue of non-human figures which inhabit our contemporary imagery, with particular regard to science fiction literature and film. It is suggested that monsters, clones, zombies, aliens, artificial beings, cyborgs and mutants can function as ideological tools intended to confirm the role of humankind (and Western civilization) as the only possible standard of intelligent and ethical life. But they can also become cognitive instruments devised to question or criticize our vision of and behaviour toward the world, other species and ourselves. This privileged critical perspective – and the point of arrival of the book – is the category of the posthuman, which is regarded as the symbol of a possibly revolutionary vision of humanity, a wish and an invitation to embrace a new, more humble way of being and living.
Описание: This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people’s self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.
Описание: This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people’s self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.
Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military's intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation.
The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women's issues and lives, in order to avoid the overtly political.
Women and Turkish Cinema provides a comprehensive view of cinema's approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.
Автор: Tsikhungu, Shikuku Emmanuel Название: Identity in postmillennial german films on africa ISBN: 3631650876 ISBN-13(EAN): 9783631650875 Издательство: Peter Lang Рейтинг: Цена: 9971.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is a literary and cultural investigation of the different levels of identity as revealed in German films on and about Africa. Taking sexual, spatial, linguistic and body identities as its core concern, the book elucidates how the contemporary German film narratives on Africa binarize bordeline cultural and geographical identities. While this binarism assigns the metropolitan status to the German, the African is relegated to the margins in the human socio-geocultural aspects. The book contradicts this kind of binary narration as it argues that trans-border identities are fraught with complexities that cannot be simply straitjacketed. It celebrates those moments where the narratives challenge the existing boundaries at the interstice between the North and the South. It further celebrates the moments where the film narratives recognize the complexity of cultures by acknowledging the disruptiveness and continuities of linguistic, cultural, sexual, spatial and body identities especially at the contact zone of Germany and Africa.
Автор: Pascale Aebischer Название: Shakespeare, Spectatorship and the Technologies of Performance ISBN: 1108420486 ISBN-13(EAN): 9781108420488 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Rapid changes in performance technologies are changing how we view early modern drama. The book explores how candlelight and architecture make each spectator`s viewing experience unique; how digital media alter viewers` interactions with live performances; and how theatre broadcasts fundamentally affect the reception of Shakespeare.
Автор: Harrow Kenneth W., Ekotto Frieda Название: Rethinking African Cultural Production ISBN: 0253015979 ISBN-13(EAN): 9780253015976 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10659.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Frieda Ekotto, Kenneth W. Harrow, and an international group of scholars set forth new understandings of the conditions of contemporary African cultural production in this forward-looking volume. Arguing that it is impossible to understand African cultural productions without knowledge of the structures of production, distribution, and reception that surround them, the essays grapple with the shifting notion of what "African" means when many African authors and filmmakers no longer live or work in Africa. While the arts continue to flourish in Africa, addressing questions about marginalization, what is center and what periphery, what traditional or conservative, and what progressive or modern requires an expansive view of creative production.
Автор: Rivi Название: European Cinema after 1989 ISBN: 0230600247 ISBN-13(EAN): 9780230600249 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book examines cinema in post-1989 Europe by looking at how the new post-Cold War cinematographic co-productions articulate the political and cultural objectives of a new Europe as they redefine a European identity.
Автор: Andersson, Axel Название: Hero for the atomic age ISBN: 1788742753 ISBN-13(EAN): 9781788742757 Издательство: Peter Lang Рейтинг: Цена: 4063.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In English and many other languages the name «Kon-Tiki» is a byword for adventure and the exotic. The journey of the Kon-Tiki from Peru to Polynesia in 1947 became one of the founding myths of the postwar world. In the voyage of six Scandinavians and a parrot on a balsa raft across the Pacific Ocean the classic journey of discovery was re-invented for generations to come. Kon-Tiki spoke of heroism, masculinity, free-spirited rebellion against scientific dogmatism, and the promise of an attainable exotic world, while it updated these mythological staples to fit the times. After years of relentless media exploitation of the 101-day raft journey, Heyerdahl emerged as the protagonist in a legend that helped to create a new postwar West. A Hero for the Atomic Age tells the story of how Heyerdahl organized an expedition to sail a balsa raft from Callao in Peru to the Tuamotu Islands in French Polynesia, and explains how he turned this physical crossing into an epic narrative that became imbued with a universal appeal. The book also addresses the problematic nature of Heyerdahl’s theory that a white culture-bearing race had initiated all the world’s great civilizations.
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