Описание: Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?
Die englischsprachige Reihe zur Medi vistik strebt eine methodisch reflektierte, anspruchsvolle Verbindung von Text- und Kulturwissenschaft an. Sie widmet sich den kulturellen Grundthemen der mittelalterlichen Welt aus der Perspektive der Literatur- und Geschichtswissenschaft. 'Grundthemen' sind die kulturpr genden Denkbilder, Weltanschauungen, Sozialstrukturen und Alltagsbedingungen des mittelalterlichen Lebens, also z. B. Kindheit und Alter, Sexualit t, Religion, Medizin, Rituale, Arbeit, Armut und Reichtum, Aberglauben, Erde und Kosmos, Stadt und Land, Krieg, Emotionen, Kommunikation, Reisen usw. Die Reihe greift wichtige aktuelle Fachdiskussionen auf und stellt ein Forum der interdisziplin ren Mittelalterforschung dar.
Fundamentals of Medieval Culture steht Sammelb nden ebenso offen wie Monographien. Intention ist immer, kompendienhafte Werke zu zentralen Fragen der mittelalterlichen Kulturgeschichte vorzulegen, die einen soliden berblick ber einen geschlossenen Themenkreis aus der Perspektive verschiedener Fachdisziplinen vermitteln. Im Ganzen bietet die Reihe so eine Enzyklop die der mittelalterlichen Literatur- und Kulturgeschichte und ihrer Hauptthemen.
Описание: Arms and the Woman: Classical Tradition and Women Writers in the Venetian Renaissance by Francesca D'Alessandro Behr focuses on the classical reception in the works of female authors active in Venice during the Early Modern Age. Even in this relatively liberal city, women had restricted access to education and were subject to deep-seated cultural prejudices, but those who read and wrote were able, in part, to overcome those limitations. In this study, Behr explores the work of Moderata Fonte and Lucrezia Marinella and demonstrates how they used knowledge of texts by Virgil, Ovid, and Aristotle to systematically reanalyze the biased patterns apparent both in the romance epic genre and contemporary society. Whereas these classical texts were normally used to bolster the belief in female inferiority and the status quo, Fonte and Marinella used them to envision societies structured according to new, egalitarian ethics. Reflecting on the humanist representation of virtue, Fonte and Marinella insisted on the importance of peace, mercy, and education for women. These authors took up the theme of the equality of genders and participated in the Renaissance querelle des femmes, promoting women's capabilities and nature.
Автор: Islam Issa Название: Milton in the Arab-Muslim World ISBN: 0367177617 ISBN-13(EAN): 9780367177614 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first full-length study of the reception of John Milton’s (1608-74) writings in the Arab-Muslim world, this book examines the responses of Arab-Muslim readers to Milton’s works, and in particular, to his epic poem: Paradise Lost. It contributes to knowledge of the history, development, and ways in which early modern writings are read and understood by Muslims. By mapping the literary and more broadly cultural consequences of the censure, translation and abridgement of Milton’s works in the Arab-Muslim world, this book analyses the diverse ways in which Arab-Muslims read and understand a range of literary and religious aspects of Milton’s writing in light of cultural, theological, socio-political, linguistic and translational issues. After providing an overview of the presence of Milton and his works in the Arab world, each chapter sheds light on how cultural and translational issues shape the ways in which Arab-Muslim readers perceive and understand the characters and motifs of Paradise Lost. Chapters outline the ways in which the figures are currently understood in Milton scholarship, before exploring how they fit into the narrative drama and theology of the poem, and their position in Islamic creed and Arab-Muslim culture. Concurrently, each chapter examines the poem’s subject matter in detail, placing particular emphasis on matters of linguistic, theological and cultural translation and accommodation. Chapter conclusions not only summarise the patterns and potentialities of reception, but point towards the practical functions of Arab-Muslim responses to Milton’s writing and their contribution to the formation of social ideas.
Автор: Issa, Islam Название: Milton in the arab-muslim world ISBN: 1472484800 ISBN-13(EAN): 9781472484802 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first full-length study of the reception of John Milton's (1608-74) writings in the Arab-Muslim world, this book examines the responses of Arab-Muslim readers to Milton's works, and in particular, to his epic poem: Paradise Lost. It contributes to knowledge of the history, development, and ways in which early modern writings are read and understood by Muslims. By mapping the literary and more broadly cultural consequences of the censure, translation and abridgement of Milton's works in the Arab-Muslim world, this book analyses the diverse ways in which Arab-Muslims read and understand a range of literary and religious aspects of Milton's writing in light of cultural, theological, socio-political, linguistic and translational issues. After providing an overview of the presence of Milton and his works in the Arab world, each chapter sheds light on how cultural and translational issues shape the ways in which Arab-Muslim readers perceive and understand the characters and motifs of Paradise Lost. Chapters outline the ways in which the figures are currently understood in Milton scholarship, before exploring how they fit into the narrative drama and theology of the poem, and their position in Islamic creed and Arab-Muslim culture. Concurrently, each chapter examines the poem's subject matter in detail, placing particular emphasis on matters of linguistic, theological and cultural translation and accommodation. Chapter conclusions not only summarise the patterns and potentialities of reception, but point towards the practical functions of Arab-Muslim responses to Milton's writing and their contribution to the formation of social ideas.
Love's Wounds takes an in-depth look at the widespread language of violence and abjection in early modern European love poetry. Beginning in fourteenth-century Italy, this book shows how Petrarch established a pattern of inequality between suffering poet and exalted Beloved rooted in political parrh?sia. Sixteenth- and early seventeenth-century French and English poets reshaped his model into an idiom of extravagant brutality coded to their own historical circumstances. Cynthia N. Nazarian argues that these poets exaggerated the posture of the downtrodden lover, adapting the rhetoric of powerless desire to forge a new "countersovereignty" from within the heart of vulnerability—a potentially revolutionary position through which to challenge cultural, religious, and political authority. Creating a secular equivalent to the martyr, early modern sonneteers crafted a voice that was both critical and unstoppable because it suffered.Love’s Wounds tracks the development of the countersovereign voice from Francesco Petrarca to Maurice Sc?ve, Joachim du Bellay, Th?odore-Agrippa d’Aubign?, Edmund Spenser, and William Shakespeare. Through interdisciplinary and transnational analyses, Nazarian reads early modern sonnets as sites of contestation and collaboration and rewrites the relationship between early modern literary forms.
This selective literary history of tears and bodily porosity offers something new and different: it is not an enumeration of weepers in different texts, and it argues against hypotheses (such as by Thomas Dixon) that claim that the British have a unique way of dealing with tears. Instead, it focuses more on the precarious relationship between porosity and its opposite - closure, containment and stoniness - arguing that Romeo's, Pamela's or Harley's tears are neither British nor Italian excretions, but markers that indicate the extent to which different societies and epochs respond to and tolerate bodily porosity. From this new angle, literary history turns out to be a meandering narrative in which 'female' porosity and 'manly' stoniness clash, in which their relationship is constantly re-negotiated and in which effusive and 'feminine' genres (letters, poetic effusions, streams of consciousness) are pitted against stony and astringent forms of masculinity (epitaphs, sonnets, stanzas etymologically seen as architectural rooms). Taking in works from writers as diverse as Aphra Behn, William Shakespeare, William Wordsworth, Charlotte Bronte, John Keats, TS Eliot and DH Lawrence, this book spans approximately 300 years and unpacks how bodily liquidity, porosity and petrification recur as a pattern and underlie the chequered history of the body and genders.
Автор: Carlo Caruso Название: Adonis: The Myth of the Dying God in the Italian Renaissance ISBN: 1474244033 ISBN-13(EAN): 9781474244039 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A detailed treatment of the myth of Adonis in the Italian literary culture of the Renaissance and early Baroque, one of the most interesting cases of the creative use of ancient mythology in post-Classical times.
Описание: Although poetry can enrich our lives and help us make sense of the human condition, many readers are intimidated by the language and literary conventions of medieval and Renaissance poetry. Keeping the needs of new readers of old poetry in mind, Goldstein introduces some of the greatest masterpieces of lyric poetry over a span of five centuries.
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