Whether voluntary or coerced, hopeful or desperate, people moved in unprecedented numbers across Russia's vast territory during the twentieth century. Broad Is My Native Land is the first history of late imperial, Soviet, and post-Soviet Russia through the lens of migration. Lewis H. Siegelbaum and Leslie Page Moch tell the stories of Russians on the move, capturing the rich variety of their experiences by distinguishing among categories of migrants—settlers, seasonal workers, migrants to the city, career and military migrants, evacuees and refugees, deportees, and itinerants. So vast and diverse was Russian political space that in their journeys, migrants often crossed multiple cultural, linguistic, and administrative borders. By comparing the institutions and experiences of migration across the century and placing Russia in an international context, Siegelbaum and Moch have made a magisterial contribution to both the history of Russia and the study of global migration.The authors draw on three kinds of sources: letters to authorities (typically appeals for assistance); the myriad forms employed in communication about the provision of transportation, food, accommodation, and employment for migrants; and interviews with and memoirs by people who moved or were moved, often under the most harrowing of circumstances. Taken together, these sources reveal the complex relationship between the regimes of state control that sought to regulate internal movement and the tactical repertoires employed by the migrants themselves in their often successful attempts to manipulate, resist, and survive these official directives.
Описание: In the early years of the Cold War, the United States mounted expansive public diplomacy programs in the Global South, including initiatives with the recently partitioned states of India and Pakistan. U.S. operations in these two countries became the second- and fourth-largest in the world, creating migration links that resulted in the emergence of American universities, such as the University of Houston, as immigration hubs for the highly selective, student-led South Asian migration stream starting in the 1950s. By the late twentieth century, Houston's South Asian community had become one of the most prosperous in the metropolitan area and one of the largest in the country.
Mining archives and using new oral histories, Uzma Quraishi traces this pioneering community from its midcentury roots to the early twenty-first century, arguing that South Asian immigrants appealed to class conformity and endorsed the model minority myth to navigate the complexities of a shifting Sunbelt South. By examining Indian and Pakistani immigration to a major city transitioning out of Jim Crow, Quraishi reframes our understanding of twentieth-century migration, the changing character of the South, and the tangled politics of race, class, and ethnicity in the United States.
Описание: In the early years of the Cold War, the United States mounted expansive public diplomacy programs in the Global South, including initiatives with the recently partitioned states of India and Pakistan. U.S. operations in these two countries became the second- and fourth-largest in the world, creating migration links that resulted in the emergence of American universities, such as the University of Houston, as immigration hubs for the highly selective, student-led South Asian migration stream starting in the 1950s. By the late twentieth century, Houston's South Asian community had become one of the most prosperous in the metropolitan area and one of the largest in the country.
Mining archives and using new oral histories, Uzma Quraishi traces this pioneering community from its midcentury roots to the early twenty-first century, arguing that South Asian immigrants appealed to class conformity and endorsed the model minority myth to navigate the complexities of a shifting Sunbelt South. By examining Indian and Pakistani immigration to a major city transitioning out of Jim Crow, Quraishi reframes our understanding of twentieth-century migration, the changing character of the South, and the tangled politics of race, class, and ethnicity in the United States.
Описание: To understand why people migrate during periods of modernization, Barbara Anderson contends that one must study the place of origin, since the persons at the origin are the potential migrant population. Using data from the 1897 Imperial Russian Census, the author examines two types of migration: that to an already settled, relatively modern area, s
Описание: This book argues that nativism, the hostility especially to Catholic immigrants that led to the organization of political parties like the Know-Nothings, affected the meaning of nineteenthcentury American art in ways that have gone unrecognized. In an era of industrialization, nativism’s erection of barriers to immigration appealed to artisans, a category that included most male artists at some stage in their careers. But as importantly, its patriotic message about the nature of the American republic also overlapped with widely shared convictions about the necessity of democratic reform. Movements directed toward improving the human condition, including anti-slavery and temperance, often consigned Catholicism, along with monarchies and slavery, to a repressive past, not the republican American future. To demonstrate the impact of this political effort by humanitarian reformers and nativists to define a Protestant character for the country, this book tracks the work and practice of artist William Walcutt. Though he is little known today, in his own time his efforts as a painter, illustrator and sculptor were acclaimed as masterly, and his art is worth reconsidering in its own right. But this book examines him as a case study of an artist whose economic and personal ties to artisanal print culture and cultural nationalists ensured that he was surrounded by and contributed to anti-Catholic publications and organizations. Walcutt was not anti immigrant himself, nor a member of a nativist party, but his kin, friends, and patrons publicly expressed warnings about Catholic and foreign political influence. And that has implications for better-known nineteenth-century historical and narrative art. Precisely because Walcutt’s profile and milieu were so typical for artists in this period, this book is able to demonstrate how central this supposedly fringe movement was to viewers and makers of American art.
Описание: This book argues that nativism, the hostility especially to Catholic immigrants that led to the organization of political parties like the Know-Nothings, affected the meaning of nineteenthcentury American art in ways that have gone unrecognized. In an era of industrialization, nativism's erection of barriers to immigration appealed to artisans, a category that included most male artists at some stage in their careers. But as importantly, its patriotic message about the nature of the American republic also overlapped with widely shared convictions about the necessity of democratic reform. Movements directed toward improving the human condition, including anti-slavery and temperance, often consigned Catholicism, along with monarchies and slavery, to a repressive past, not the republican American future. To demonstrate the impact of this political effort by humanitarian reformers and nativists to define a Protestant character for the country, this book tracks the work and practice of artist William Walcutt. Though he is little known today, in his own time his efforts as a painter, illustrator and sculptor were acclaimed as masterly, and his art is worth reconsidering in its own right. But this book examines him as a case study of an artist whose economic and personal ties to artisanal print culture and cultural nationalists ensured that he was surrounded by and contributed to anti-Catholic publications and organizations. Walcutt was not anti immigrant himself, nor a member of a nativist party, but his kin, friends, and patrons publicly expressed warnings about Catholic and foreign political influence. And that has implications for better-known nineteenth-century historical and narrative art. Precisely because Walcutt's profile and milieu were so typical for artists in this period, this book is able to demonstrate how central this supposedly fringe movement was to viewers and makers of American art.
Whether voluntary or coerced, hopeful or desperate, people moved in unprecedented numbers across Russia's vast territory during the twentieth century. Broad Is My Native Land is the first history of late imperial, Soviet, and post-Soviet Russia through the lens of migration. Lewis H. Siegelbaum and Leslie Page Moch tell the stories of Russians on the move, capturing the rich variety of their experiences by distinguishing among categories of migrants—settlers, seasonal workers, migrants to the city, career and military migrants, evacuees and refugees, deportees, and itinerants. So vast and diverse was Russian political space that in their journeys, migrants often crossed multiple cultural, linguistic, and administrative borders. By comparing the institutions and experiences of migration across the century and placing Russia in an international context, Siegelbaum and Moch have made a magisterial contribution to both the history of Russia and the study of global migration.The authors draw on three kinds of sources: letters to authorities (typically appeals for assistance); the myriad forms employed in communication about the provision of transportation, food, accommodation, and employment for migrants; and interviews with and memoirs by people who moved or were moved, often under the most harrowing of circumstances. Taken together, these sources reveal the complex relationship between the regimes of state control that sought to regulate internal movement and the tactical repertoires employed by the migrants themselves in their often successful attempts to manipulate, resist, and survive these official directives.
Описание: Drawing on ethnographic research conducted at Moscow's wholesale markets from 2013 to 2016 , this book provides original insights into how uncertainty shapes social practice, identity and belonging in the context of irregular migration from Vietnam to Russia. The uncertainties examined here are not just social, economic, and political, but also psychological and moral. The study speaks to various debates in migration and mobility studies - particularly those focused on brokerage networks, the political economy of sexuality, and social belonging - deepening our knowledge of how the core social values and cultural logics that underpin Vietnamese personhood are challenged and reconstituted by the ethos of the market economy. This book sheds important light on processes of mobility and social change in post-socialist societies that continue to grapple with yawning chasms between old and new ways of life, the local and the global, policy and practice, and obsolete governance techniques and rapidly changing socio-economic realities.
Описание: This book analyzes the causes and long-term social and economic effects of overseas emigration from Southeastern Europe in the nineteenth and twentieth centuries. The author argues that such emigration has repeatedly attracted the attention of policymakers who exploit it for state development goals.
Описание: On Many Routes is about the history of human migration. With a focus on the Habsburg Empire, this innovative work presents an integrated and creative study of spatial mobilities: from short to long term, and intranational and inter-European to transatlantic. Migration was not just relegated to city folk, but likewise was the reality for rural dwellers, and we gain a better understanding of how sending and receiving states and shipping companies worked together to regulate migration and shape populations.Bringing historical census data, governmental statistics, and ship manifests into conversation with centuries-old migration patterns of servants, agricultural workers, seasonal laborers, peddlers, and artisans-both male and female-this research argues that Central Europeans have long been mobile, that this mobility has been driven by diverse motivations, and that post-1850 transatlantic migration was an obvious extension of earlier spatial mobility patterns. Demonstrating the complexity of human mobility via an exploration of the links between overseas, continental, and internal migrations, On Many Routes shows that migrations to the United States, to the nearest coalfield, and to the urban capitals are embedded within complicated patterns of movement. There is no good reason to study internal apart from transnational moves, and combining these fields brings ample possibility to make migration research more relevant for the much broader field of social and economic history. This work poses an invaluable resource to the understudied area of Habsburg Empire migration studies, which it relocates within its wider European context and provides a major methodological contribution to the history of human migration more broadly. The ubiquity and functionality of human movement sheds light on the relationship between human nature and society, and challenges simplistic notions of human mobility then and now.
Описание: The fully updated third edition of Farewell, My Nation considers the complex and often tragic relationships between American Indians, white Americans, and the U.S.
Автор: Stewart Название: French Patriotism in the Nineteenth Century (1814–1833) ISBN: 1316620069 ISBN-13(EAN): 9781316620069 Издательство: Cambridge Academ Рейтинг: Цена: 4117.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Originally published in 1923, this book presents a compilation of texts relating to French patriotism in the period from 1814 to 1833. The idea for the text came during 1917 and it was initially intended to further the friendship between France and England during a time of common military effort.
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