Описание: Drawing on documents, early drafts of script treatments, and humorous production anecdotes as well as including photographs, this book presents behind-the-scenes portrait of two great Hollywood figures - producer David O Selznick and director Alfred Hitchcock.
Описание: No director of his era surpassed his ability to capture an audience`s imagination. In Picturing Peter Bogdanovich: My Conversations with the New Hollywood Director, journalist and critic Peter Tonguette offers a film-by-film journey through the director`s life and work.
Автор: Sullivan Robert W. IV Название: Cinema Symbolism 3: The Mysteries of Occult Hollywood Unveiled ISBN: 0578806592 ISBN-13(EAN): 9780578806594 Издательство: Неизвестно Рейтинг: Цена: 5373.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
It lives. Coming in at over 800 pages, everyone's favorite Freemason strikes again with Cinema Symbolism 3: The Mysteries of Occult Hollywood Unveiled. Applying his expert and objective observations, Robert W. Sullivan IV analyzes a new slate of movies, revealing Tinseltown's esoteric and dark secrets. Some of the films dissected are The Mummy (1932), The Witch (2015), Lolita (1962), Joker (2019), Dark City (1998), The Red Shoes (1948), Midsommar (2019), Eraserhead (1977), Pan's Labyrinth (2006), Suspiria (2018) Chris Nolan's Dark Knight Trilogy (2005-2012), The Shape of Water (2017), and the vast mythology of Twin Peaks (1990-2017) among countless others. From Gnosticism to Freemasonry, to black magic and Kabbalah, no rock is left unturned. Reader beware-this fish is not for everyone because sometimes truth is stranger than fiction.
Автор: Marzola, Luci Название: Engineering Hollywood ISBN: 0190885580 ISBN-13(EAN): 9780190885588 Издательство: Oxford Academ Рейтинг: Цена: 16236.00 р. Наличие на складе: Нет в наличии.
Описание: Engineering Hollywood tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before. Using extensive archival research, this book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades.
Today the 80-mile-long Moscow Canal is a source of leisure for Muscovites, a conduit for tourists and provides the city with more than 60% of its potable water. Yet the past looms heavy over these quotidian activities: the canal was built by Gulag inmates at the height of Stalinism and thousands died in the process.
In this wide-ranging book, Cynthia Ruder argues that the construction of the canal physically manifests Stalinist ideology and that the vertical, horizontal, underwater, ideological, artistic and metaphorical spaces created by it resonate with the desire of the state to dominate all space within and outside the Soviet Union. Ruder draws on theoretical constructs from cultural geography and spatial studies to interpret and contextualise a variety of structural and cultural products dedicated to, and in praise of, this signature Stalinist construction project. Approached through an extensive range of archival sources, personal interviews and contemporary documentary materials these include a diverse body of artefacts - from waterways, structures, paintings, sculptures, literary and documentary works, and the Gulag itself. Building Stalinism concludes by analysing current efforts to reclaim the legacy of the canal as a memorial space that ensures that those who suffered and died building it are remembered.
This is essential reading for all scholars working on the all-pervasive nature of Stalinism and its complex afterlife in Russia today.
Описание: Although he was a visual stylist who once referred to actors as cattle, Alfred Hitchcock also had a remarkable talent for innovative and creative casting choices. The director launched the careers of several actors and completely changed the trajectory of others, many of whom created some of the most iconic screen performances in history. However, Hitchcock's ability to fit his leading men and women into just the right parts has been a largely overlooked aspect of his filmmaking skills.
In Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System, Lesley L. Coffin looks at how the director made the most of the actors who were at his disposal for several decades. From his first American production in 1940 to his final feature in 1976, Hitchcock's films were examples of creative casting that strayed far from the norm during the structured Hollywood star system.
Rather than examining the cinematic aspects of his work, this book explores the collaboration the director engaged in with some of the most popular stars in Hollywood history. Coffin explains how the master of on-screen manipulation exploited the nervous insecurity of Joan Fontaine for the lead in Rebecca, subverted the wholesome image of Robert Walker to play a deranged killer in Strangers on a Train, and plucked an unknown actress to star in The Birds. Documenting Hitchcock's Hollywood output from his arrival in America through his final effort, Family Plot, the author chronicles each film's casting process, performances, and the personas each star brought to his or her role.
Inspiring a fresh look at several films, this book will engage fans and encourage them to reconsider a number of Hitchcock classics in a new light.
Описание: A history of the Hollywood film industry as a modern system of labor, this book reveals an important untold story of an influential twentieth-century workplace. Ronny Regev argues that the Hollywood studio system institutionalized creative labor by systemizing and standardizing the work of actors, directors, writers, and cinematographers, meshing artistic sensibilities with the efficiency-minded rationale of industrial capitalism. The employees of the studios emerged as a new class: they were wage laborers with enormous salaries, artists subjected to budgets and supervision, stars bound by contracts. As such, these workers-people like Clark Gable, Katharine Hepburn, and Anita Loos-were the outliers in the American workforce, an extraordinary working class. Through extensive use of oral histories, personal correspondence, studio archives, and the papers of leading Hollywood luminaries as well as their less-known contemporaries, Regev demonstrates that, as part of their contribution to popular culture, Hollywood studios such as Paramount, Warner Bros., and MGM cultivated a new form of labor, one that made work seem like fantasy.
Описание: A history of the Hollywood film industry as a modern system of labor, this book reveals an important untold story of an influential twentieth-century workplace. Ronny Regev argues that the Hollywood studio system institutionalized creative labor by systemizing and standardizing the work of actors, directors, writers, and cinematographers, meshing artistic sensibilities with the efficiency-minded rationale of industrial capitalism. The employees of the studios emerged as a new class: they were wage laborers with enormous salaries, artists subjected to budgets and supervision, stars bound by contracts. As such, these workers-people like Clark Gable, Katharine Hepburn, and Anita Loos-were the outliers in the American workforce, an extraordinary working class.
Through extensive use of oral histories, personal correspondence, studio archives, and the papers of leading Hollywood luminaries as well as their less-known contemporaries, Regev demonstrates that, as part of their contribution to popular culture, Hollywood studios such as Paramount, Warner Bros., and MGM cultivated a new form of labor, one that made work seem like fantasy.
Автор: Gautreau Justin Название: The Last Word: The Hollywood Novel and the Studio System ISBN: 0190944560 ISBN-13(EAN): 9780190944568 Издательство: Oxford Academ Рейтинг: Цена: 11139.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Last Word tells the story of a handful of insiders who used fiction as a way to expose the harsh realities behind the silver screen. Unauthorized and unfiltered, these works uncover a new history of Hollywood during the studio era.
Описание: The Hollywood Trust: Trade Associations and the Rise of the Studio System offers a rare look at the Hollywood trade organizations that rose during the early years of cinema. This book offers a detailed account of three successive trade organizations from 1915 to 1928: the Moti...
As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience’s engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her on-screen ideal. Exploring the fan’s desire for a material connection to the performer – as well as the star’s own dialogue between embodied experience and idealized image – Beyond the Looking Glass traces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star.
Автор: Archer Neil Название: Twenty-First-Century Hollywood: Rebooting the System ISBN: 0231191596 ISBN-13(EAN): 9780231191593 Издательство: Wiley Рейтинг: Цена: 3008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Twenty-First-Century Hollywood looks into the contexts of studio film production in the new century. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored by producers and audiences alike.
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