Music, Masculinity and the Claims of History: The Austro-German Tradition from Hegel to Freud, Biddle Ian
Автор: Biddle Название: Music, Masculinity and the Claims of History ISBN: 1138261130 ISBN-13(EAN): 9781138261136 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What does it mean to think of Western Art music - and the Austro-German contribution to that repertory - as a tradition? How are men and masculinities implicated in the shaping of that tradition? And how is the writing of the history (or histories) of that tradition shaped by men and masculinities? This book seeks to answer these and other questions.
Автор: de Boise Название: Men, Masculinity, Music and Emotions ISBN: 1137436085 ISBN-13(EAN): 9781137436085 Издательство: Springer Рейтинг: Цена: 16769.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book looks at the historic and contemporary links between music`s connection to emotions and men`s supposed discomfort with their own emotional experience. Looking at music tastes and distaste, it demonstrates how a sociological analysis of music and gender can actually lead us to think about emotions and gender inequalities in different ways.
Описание: Metal is a form of popular music. Popular music is a form of leisure. In the modern age, popular music has become part of popular culture, a heavily contested collection of practices and industries that construct place, belonging and power.
The arrival of Donald Trump in the White House has shown that angry white men still wield huge social and cultural power in this new century. The aim of this monograph is to explore metal music - might be seen as leisure spaces that resist the norms and values of the mainstream; but also how they might also serve to re-affirm and construct those norms and values. In particular, this book is interested in how forms of metal might work to re-imagine masculinity, race, nation and class in an intersectional way through the myth of warrior masculinity and blood and soil.
This monograph explores the history of the myths, and the reaction by fans to the music. The focus is extended to bands that use the warrior-nation myth in places and countries beyond the global North, and in ways that challenge or subvert hegemony.
Автор: Jon Hackett, Mark Duffett Название: Scary Monsters: Monstrosity, Masculinity and Popular Music ISBN: 1501374761 ISBN-13(EAN): 9781501374760 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more ‘monsters’ than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which invokes familial trauma and psychoanalysis) and shared anxieties (that in turn reflect ideologies and beliefs). By pursuing a series of insightful case studies, Scary Monsters considers different aspects of the connection between music, gender and monstrosity. Its argument is that attention to monstrosity provides a unique perspective on the study of masculinity in popular music culture.
Описание: One of the secrets to Bruce Springsteen's enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen's music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world's worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen's work. Focusing on five of the Jersey rocker's main themes—love, masculinity, sports, politics, and the power of music—he shows how they are represented in Springsteen's lyrics and shares stories from his own life that powerfully resonate with those lyrics. Meanwhile, paying tribute to Springsteen's inclusive vision, he draws connections among figures as seemingly disparate as James Joyce, Ta-Nehisi Coates, Thomas Aquinas, Bobby Darin, and Lin-Manuel Miranda. Shades of Springsteen offers a deeply personal take on the musical and cultural legacies of an American icon.
Автор: Gregory Название: Boy Bands and the Performance of Pop Masculinity ISBN: 1138647314 ISBN-13(EAN): 9781138647312 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Boy Bands and the Performance of Pop Masculinity provides a history of the boy band from The Beatles to One Direction, placing the modern male pop/dance/vocal harmony group within the context of other related examples drawn from twentieth century popular music culture.
Chapter 1: Should Real Love Hurt? The Eroticisation of Dominance, Submission and Coercive Control in Contemporary Pop Music
Chapter 2: Featuring...Nicki Minaj
Chapter 3: Misogyny and Erotic Pleasure in Bollywood's "Item Numbers"
Chapter 4: From Pimpology to Pimpologia: A Comparative Analysis of Pimp Rap in the United States and Italy
Chapter 5: How Female is the Future? Undoing Sexism in Contemporary Metal Music
Chapter 6: See the Signs-Justin Timberlake and the Pretence of Romance
Chapter 7: Immortal Technique and the Radical Reimagining of Masculinity on the Street
Chapter 8: The Initiation: Re-negotiating Masculinity in Queer Music Video
Chapter 9: Let It Enfold You: Screaming, Masculinity, and the Loss of Emotional Control in Post-millennium Emo
Chapter 10: The Power of Boy Pussy: The Dichotomy Between Liberation and Objectification in Queer Hip-Hop/Rap in the 2000s
Chapter 11: "All Of My Life, Just Like I Was One Of Them" Trans itioning Punk
Chapter 12: Lady Lazarus: The Death (and Rebirth) of a Gender Revolutionary
Chapter 13: Like a Lollipop: Toxic Masculinity and Female Sexual Pleasure in Hip-Hop
Afterword
Автор: Gregory Название: Boy Bands and the Performance of Pop Masculinity ISBN: 1138647322 ISBN-13(EAN): 9781138647329 Издательство: Taylor&Francis Рейтинг: Цена: 6889.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Boy Bands and the Performance of Pop Masculinity provides a history of the boy band from The Beatles to One Direction, placing the modern male pop/dance/vocal harmony group within the context of other related examples drawn from twentieth century popular music culture.
Описание: One of the secrets to Bruce Springsteen's enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen's music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world's worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen's work. Focusing on five of the Jersey rocker's main themes—love, masculinity, sports, politics, and the power of music—he shows how they are represented in Springsteen's lyrics and shares stories from his own life that powerfully resonate with those lyrics. Meanwhile, paying tribute to Springsteen's inclusive vision, he draws connections among figures as seemingly disparate as James Joyce, Ta-Nehisi Coates, Thomas Aquinas, Bobby Darin, and Lin-Manuel Miranda. Shades of Springsteen offers a deeply personal take on the musical and cultural legacies of an American icon.
Chapter 1: Should Real Love Hurt? The Eroticisation of Dominance, Submission and Coercive Control in Contemporary Pop Music
Chapter 2: Featuring...Nicki Minaj
Chapter 3: Misogyny and Erotic Pleasure in Bollywood's "Item Numbers"
Chapter 4: From Pimpology to Pimpologia: A Comparative Analysis of Pimp Rap in the United States and Italy
Chapter 5: How Female is the Future? Undoing Sexism in Contemporary Metal Music
Chapter 6: See the Signs-Justin Timberlake and the Pretence of Romance
Chapter 7: Immortal Technique and the Radical Reimagining of Masculinity on the Street
Chapter 8: The Initiation: Re-negotiating Masculinity in Queer Music Video
Chapter 9: Let It Enfold You: Screaming, Masculinity, and the Loss of Emotional Control in Post-millennium Emo
Chapter 10: The Power of Boy Pussy: The Dichotomy Between Liberation and Objectification in Queer Hip-Hop/Rap in the 2000s
Chapter 11: "All Of My Life, Just Like I Was One Of Them" Trans itioning Punk
Chapter 12: Lady Lazarus: The Death (and Rebirth) of a Gender Revolutionary
Chapter 13: Like a Lollipop: Toxic Masculinity and Female Sexual Pleasure in Hip-Hop
Afterword
Автор: King Название: Men, Masculinity and the Beatles ISBN: 1138252301 ISBN-13(EAN): 9781138252301 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing on methodologies and approaches from media and cultural studies, sociology, social history and the study of popular music, this book outlines the development of the study of men and masculinities, and explores the role of cultural texts in bringing about social change. It is against this backdrop that The Beatles, as a cultural phenomenon, are set, and their four live action films, spanning the years 1964-1970, are examined as texts through which to read changing representations of men and masculinity in 'the Sixties'. Dr Martin King considers ideas about a male revolt predating second-wave feminism, The Beatles as inheritors of the possibilities of the 1950s and The Beatles' emergence as men of ideas: a global cultural phenomenon that transgressed boundaries and changed expectations about the role of popular artists in society. King further explores the chosen Beatle texts to examine discourses of masculinity at work within them. What emerges is the discovery of discourses around resistance, non-conformity, feminized appearance, pre-metrosexuality, the male star as object of desire, and the emergence of The Beatles themselves as a text that reflected the radical diversity of a period of rapid social change. King draws valuable conclusions about the legacy of these discourses and their impact in subsequent decades.
Название: Masculinity in opera ISBN: 1138709409 ISBN-13(EAN): 9781138709409 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book addresses the ways in which masculinity is negotiated, constructed, represented, and problematized within operatic music and practice. Although the consideration of masculine ontology and epistemology has pervaded cultural and sociological studies since the late 1980s, and masculinity has been the focus of recent if sporadic musicological discussion, the relationship between masculinity and opera has so far escaped detailed critical scrutiny. Operating from a position of sympathy with feminist and queer approaches and the phallocentric tendencies they identify, this study offers a unique perspective on the cultural relativism of opera by focusing on the male operatic subject. Anchored by musical analysis or close readings of musical discourse, the contributions take an interdisciplinary approach by also engaging with theatre, popular music, and cultural musicology scholarship. The various musical, theoretical, and socio-political trajectories of the essays are historically dispersed from seventeenth to twentieth- first-century operatic works and practices, visiting masculinity and the operatic voice, the complication or refusal of essentialist notions of masculinity, and the operatic representation of the 'crisis' of masculinity. This volume will not only enliven the study of masculinity in opera, but be an appealing contribution to music scholars interested in gender, history, and new musicology.
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