Beethoven`s String Quartet in C-Sharp Minor, Op. 131, November Nancy
Автор: November Название: Beethoven`s Theatrical Quartets ISBN: 1107035457 ISBN-13(EAN): 9781107035454 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the first detailed contextual study of Beethoven`s middle-period quartets, Nancy November explores reception history, early performance practices and aesthetic contexts. Detailed analyses provide new historical understanding of physical, visual, social, ideological and theatrical aspects of this music, offering a fresh critique of key paradigms in current Beethoven studies.
Автор: November Название: Beethoven`s Theatrical Quartets ISBN: 1316639592 ISBN-13(EAN): 9781316639597 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the first detailed contextual study of Beethoven`s middle-period quartets, Nancy November explores reception history, early performance practices and aesthetic contexts. Detailed analyses provide new historical understanding of physical, visual, social, ideological and theatrical aspects of this music, offering a fresh critique of key paradigms in current Beethoven studies.
Автор: Floros Constantin Название: Beethoven`s Eroica ISBN: 3631628323 ISBN-13(EAN): 9783631628324 Издательство: Peter Lang Рейтинг: Цена: 6752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book presents conclusive answers to questions that had occupied critics for more than a century. It makes clear what exactly Beethoven and his contemporaries meant by the term "heroic" and it draws on interdisciplinary researches in the areas of Greek Mythology, Napoleonic History and Comparative Literature.
Описание: An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.
Описание: In 1973, at the invitation of Alexander Goehr, then Professor of Music at Leeds University, Hans Keller gave four lectures on Beethoven's String Quartet in B flat Major, Op. 130, illustrated by the Aeolian Quartet. They were in part a response to Joseph Kerman's newly published monograph on The Beethoven Quartets, and in part a demonstration of his "two-dimensional theory" of music, which posits a vital tension between "well-defined expectations" and '"what the composer does instead". These lectures have now been transcribed, and appear in print here for the first time: they form Keller's most substantial examination of a single chamber work. Keller had intended a full-length monograph on the quartet, but never got further than three chapters, of which the second, on "String-quartet Playing", is included here along with related materials (the other chapters largely replicate the lectures). The book comes with a supplementary volume of music examples, including the entire score of Op. 130, and is illustrated with lively string-quartet drawings by Keller's wife, Milein Cosman.
Автор: Jeremy Yudkin Название: From Silence to Sound: Beethoven`s Beginnings ISBN: 1783274794 ISBN-13(EAN): 9781783274796 Издательство: Boydell & Brewer Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "No classical composer put more drama or originality into his opening ideas than Beethoven, so this first special study of these musical beginnings is particularly welcome." LEWIS LOCKWOOD This book discusses the myriad ways in which Beethoven begins his works and the structural, rhetorical, and emotional implications of these beginnings for listeners. Examining the opening moments of nearly 200 compositions, it offers a new method of analysis of Beethoven's music. At the same time, it sets Beethoven's work in context through a close study of beginnings in the compositions of Haydn, Mozart, and many other, lesser-known composers of the Classical Era. The book opens by examining how a beginning works in musical and rhetorical theory and by looking at findings from neuroscience and psychology to show how a beginning is received by our brains. It then considers categories of beginnings in depth: their structure, sonority, texture, and dynamics; the establishment of a beginning as a "storehouse" or for wit or humor; beginnings as public statements, as attention getters, as sneaky fade-ins; beginnings that deceive, puzzle, or pretend; beginnings that are endings; and beginnings that nod to another composer. The author carefully and sensitively observes the strategies that Beethoven and others employed, enabling consideration of issues of originality, emulation, influence, competition, and cross-fertilization. Analysis of the composer's manuscript scores shows how Beethoven can be seen in the process of refining his ideas of how to open a work. The book closes by examining the correlation between the psychology of listening and the creative ways composers of the eighteenth and early nineteenth centuries, especially Beethoven, crafted their opening gestures. It will appeal not only to Beethoven scholars but to all those interested in listening closely to music of the Classical Era. JEREMY YUDKIN is Professor of Music and Co-Director of the Center for Beethoven Research at Boston University.
Описание: Classical symphonies are often considered as works for full orchestra, demanding fidelity to the composers` orchestral scores in performance, listening and study. This book resituates the cultural context, uncovering a largely untapped wealth of early nineteenth-century domestic music-making and chamber ensemble arrangements of Beethoven`s works.
Автор: Lockwood, Lewis Название: Beethoven`s lives - the biographical tradition ISBN: 1783275510 ISBN-13(EAN): 9781783275519 Издательство: Boydell & Brewer Рейтинг: Цена: 3166.00 р. Наличие на складе: Поставка под заказ.
Описание: Beethoven`s Lives will be required reading for anyone interested in understanding how Beethoven biography has evolved through the ages.
Автор: Rehding Alexander Название: Beethoven`s Symphony No. 9 ISBN: 0190299703 ISBN-13(EAN): 9780190299705 Издательство: Oxford Academ Рейтинг: Цена: 2929.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Beethoven`s Ninth Symphony has held musical audiences captive for close to two centuries. Honing in on the significance of the symphony in contemporary culture, this book establishes a dialog between Beethoven`s world and ours. In particular, it outlines what is special about the Ninth in millennial culture, where music is encoded not only as score but also as digital technology.
Описание: This book is a philosophical tour through the experience of beauty: what it is, and how the composer, performer, and listener all contribute. It explores -- with insight, patience, and humor -- profound issues at the essence of our experience. A student performance of Beethoven's String Quartet No. 10 in E-Flat Major, known as the "Harp," serves as a point of departure and a recurring theme. For the layperson the core of the book is five dialogues between Icarus, an inquiring student intensely concerned with fulfilling his highest potential as a musician, and Daedalus, a curmudgeonly, iconoclastic teacher who guides Icarus's search. Three technical articles, geared to the music professional and academic, treat the issues in greater depth. Supplementary online audio files and musical examples. Markand Thakar is music director of the Baltimore Chamber Orchestra. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, has appeared with over forty orchestras across North America and around the world. He is author of On the Principles and Practice of Conducting (University of Rochester Press, 2016) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
Описание: Four Parts, No Waiting investigates the role that vernacular, barbershop-style close harmony has played in American musical history, in American life, and in the American imagination. Starting with a discussion of the first craze for Austrian four-part close harmony in the 1830s, Averill traces the popularity of this musical form in minstrel shows, black recreational singing, vaudeville, early recordings, and in the barbershop revival of the 1930s. In his exploration of barbershop, Averill uncovers a rich musical tradition--a hybrid of black and white cultural forms, practiced by amateurs, and part of a mythologized vision of small-town American life. Barbershop harmony played a central -- and overlooked -- role in the panorama of American music. Averill demonstrates that the barbershop revival was part of a depression-era neo-Victorian revival, spurred on by insecurities of economic and social change. Contemporary barbershop singing turns this nostalgic vision into lived experience. Arguing that the old songs function as repositories of idealized social memory, Averill reveals ideologies of gender, race, and class. This engagingly-written, often funny book critiques the nostalgic myths (especially racial myths) that have surrounded the barbershop revival, but also celebrates the civic-minded, participatory spirit of barbershop harmony. The contents of the CD have been replaced by a companion website with helpful links, resources, and audio examples.
Описание: Since the publication of Solomon Volkov's disputed memoirs of Dmitri Shostakovich, the composer and his music has been subject to heated debate concerning how the musical meaning of his works can be understood in relationship to the composer's life within the Soviet State. While much ink has been spilled, very little work has attempted to define how Shostakovich's music has remained so arresting not only to those within the Soviet culture, but also to Western audiences - even though such audiences are often largely ignorant of the compositional context or even the biography of the composer. This book offers a useful corrective: setting aside biographically grounded and traditional analytical modes of explication, Reichardt uncovers and explores the musical ambiguities of four of the composer’s middle string quartets, especially those ambiguities located in moments of rupture within the musical structure. The music is constantly collapsing, reversing, inverting and denying its own structural imperatives. Reichardt argues that such confrontation of the musical language with itself, though perhaps interpretable as Shostakovich's own unique version of double-speak, also poignantly articulates the fractured state of a more general form of modern subjectivity. Reichardt employs the framework of Lacanian psychoanalysis to offer a cogent explanation of this connection between disruptive musical process and modern subjectivity. The ruptures of Shostakovich's music become symptoms of the pathologies at the core of modern subjectivity. These symptoms, in turn, relate to the Lacanian concept of the real, which is the empty kernel around which the modern subject constructs reality. This framework proves invaluable in developing a powerful, original hermeneutic understanding of the music. Read through the lens of the real, the riddles written into the quartets reveal the arbitrary and contingent state of the musical subject's constructed reality, reflecting pathologies ende
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