Описание: Sulayman Al Bassam is one of the world's leading contemporary dramatists. His adaptations of Shakespeare, performed around the world, have won many awards and met with widespread acclaim on four continents.
This volume brings together for the first time three of Al Bassam's adaptations of Shakespearean plays - including versions of Hamlet, Richard III and Twelfth Night - collectively known as The Arab Shakespeare Trilogy.
The Al-Hamlet Summit sees the familiar characters of Hamlet reborn as delegates placed in a conference room in an unnamed modern Arab state on the brink of war; Richard III: an Arab Tragedy is a contemporary adaptation of Shakespeare's classic, reworked and transplanted into the scorching oil-rich Islamic world of the Gulf; while The Speaker's Progress is a forensic reconstruction of Twelfth Night which transforms into an unequivocal act of defiance towards the state, forming a dark satire on the decades of hopelessness and political inertia that fed twenty-first-century revolts across the Arab region.
The Arab Shakespeare Trilogy features an editorial introduction by Graham Holderness, positioning the plays within the contexts of both modern Shakespearean drama and Arab culture as well as an author's preface by Sulayman Al Bassam, detailing the plays' history of theatrical reception and outlining his philosophy of Shakespeare adaptation.
Автор: Holden, Alys Название: Structural Design for the Stage Second Edition ISBN: 0240818261 ISBN-13(EAN): 9780240818269 Издательство: Taylor&Francis Рейтинг: Цена: 21437.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Theatre technicians need to ensure that sets are aesthetically pleasing and functional for the production, but also safe for the actors and crew. This book provides sound and efficient set engineering solutions, introducing the basics of statics and the study of the strength of scenery materials.
Описание: City on Fire is a chronicle of progress and danger, that integrates urban environmental history with histories of technology, science, and medicine to reveal how Mexico City changed in response to the growing threat of fire in the urban center.
Автор: Van Den Beuken Ruud Название: Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 ISBN: 0815636253 ISBN-13(EAN): 9780815636250 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9405.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 1928, Hilton Edwards and Miche?l mac Liamm?ir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.
Автор: Pilnэ Ondřej, Van Den Beuken Ruud, Walsh Ian R. Название: Cultural Convergence: The Dublin Gate Theatre, 1928-1960 ISBN: 3030575640 ISBN-13(EAN): 9783030575649 Издательство: Springer Рейтинг: Цена: 5589.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est.
Автор: Pilnэ Ondřej, Van Den Beuken Ruud, Walsh Ian R. Название: Cultural Convergence: The Dublin Gate Theatre, 1928-1960 ISBN: 3030575616 ISBN-13(EAN): 9783030575618 Издательство: Springer Цена: 5589.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est.
Название: Gate theatre, dublin ISBN: 1788746244 ISBN-13(EAN): 9781788746243 Издательство: Peter Lang Рейтинг: Цена: 8151.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Gate Theatre is one of Ireland’s major theatres. It has produced important new plays by such figures as Brian Friel, Conor McPherson, and Denis Johnston – while also premiering significant works by other writers, including unjustly neglected women dramatists such as Mary Manning, Christine Longford, and Maura Laverty. It has made huge contributions to the art of theatre in Ireland, not only in relation to acting (launching the careers of Orson Welles, James Mason, and Michael Gambon) but also in terms of direction and design. And it has made a major contribution to the world’s understanding of Samuel Beckett, Harold Pinter, and others.
Despite these incredible achievements, the theatre has been the subject of very little critical attention to date. This book redresses this problem; it is, in fact, the very first scholarly essay collection devoted entirely to the theatre. It gathers together leading academics and critics who explore the Gate’s achievements in relation to the development of new Irish writing and new Irish theatre practices. The book is written with scholarly rigour but also in accessible language and would therefore be of interest to anyone with a passion for Irish theatre.
Автор: Richard Corson, James Glavan, Beverly Gore Norcross Название: Stage Makeup ISBN: 0367183323 ISBN-13(EAN): 9780367183325 Издательство: Taylor&Francis Рейтинг: Цена: 9798.00 р. Наличие на складе: Поставка под заказ.
Описание: Widely referred to as the "bible of stage makeup," the timely revision of this classic text addresses principles and techniques in the use of makeup for the contemporary performer.
Описание: Contemporary Women Stage Directors opens the door into the minds of 27 prolific female theatre directors, allowing you to explore their experience, wisdom and knowledge.
Directors give insight into their diverse approaches to the key challenges of directing theatre, including choosing projects, engaging with scripts, conceptualizing visual and acoustic production elements, collaborating with actors and production teams, building their careers, and navigating challenges and opportunities posed by gender, race and ethnicity.
The directors featured include Maria Aberg, May Adrales, Sarah Benson, Karin Coonrod, Rachel Chavkin, Lear deBessonet, Nadia Fall, Vicky Featherstone, Polly Findlay, Leah Gardiner, Anne Kauffman, Lucy Kerbel, Young Jean Lee, Patricia McGregor, Blanche McIntyre, Paulette Randall, Diane Rodriguez, Indhu Rubasingham, KJ Sanchez, Tina Satter, Kimberly Senior, Roxana Silbert, Leigh Silverman, Caroline Steinbeis, Liesl Tommy, Lyndsey Turner, and Erica Whyman.
These women are making profoundly exciting theatre in some of the most influential organizations across the English-speaking world-from Broadway to the West End, from the National Theatre in London to Center Theatre Group in Los Angeles. As generally mid-career professionals, they are informed by both their hard-earned expertise and their forward-looking energy. They offer astute observations about the current state of the art form, as well as inspiring visions of what theatre can accomplish in the decades to come.
Revolutionaries, counter-revolutionaries, and reformers the world over appeal to democracy to justify their actions. But when political factions compete over the right to act in "the people's" name, who is to decide? Although the problem is as old as the great revolutions of the seventeenth and eighteenth centuries, events from the Arab Spring to secession referendums suggest that today it is hardly any closer to being solved.
This book defends a new theory of democratic legitimacy and change that provides an answer. Christopher Meckstroth shows why familiar views that identify democracy with timeless principles or institutions fall into paradox when asked to make sense of democratic founding and change. Solving the problem, he argues, requires shifting focus to the historical conditions under which citizens work out what it will mean to govern themselves in a democratic way. The only way of sorting out disputes without faith in progress is to show, in Socratic fashion, that some parties' claims to speak for "the people" cannot hold up even on their own terms.
Meckstroth builds his argument on provocative and closely-argued interpretations of Plato, Kant, and Hegel, suggesting that familiar views of them as foundationalist metaphysicians misunderstand their debt to a method of radical doubt pioneered by Socrates. Recovering this tradition of antifoundational argument requires rethinking the place of German idealism in the history of political thought and opens new directions for contemporary democratic theory. The historical and Socratic theory of democracy the book defends makes possible an entirely new way of approaching struggles over contested notions of progress, popular sovereignty, political judgment and democratic change.
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