Описание: In War, Peace, and Human Nature, editor Douglas P. Fry brings together leading experts in such fields as evolutionary biology, archaeology, anthropology, and primatology to answer fundamental questions about peace, conflict, and human nature in an evolutionary context.
Автор: Honig Название: Antigone, Interrupted ISBN: 1107668158 ISBN-13(EAN): 9781107668157 Издательство: Cambridge Academ Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Antigone, Interrupted explores the intertwined history of law, politics, gender and humanism through a new reading of Sophocles` classical tragedy. Studying the play in its fifth-century and modern contexts, Bonnie Honig argues for an Antigone committed not just to dissidence but to a positive politics of counter-sovereignty and solidarity.
Автор: Pilnэ Ondřej, Van Den Beuken Ruud, Walsh Ian R. Название: Cultural Convergence: The Dublin Gate Theatre, 1928-1960 ISBN: 3030575616 ISBN-13(EAN): 9783030575618 Издательство: Springer Цена: 5589.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est.
Описание: Combines archaeological evidence with literary analysis of key plays linked to the region to broaden the study of theatre outside fifth-century BCE Athens and allow comparison with the similarly colonial world of Southern Italy. Also offers a new route into Black Sea Greek and non-Greek culture(s) on the colonial periphery.
Автор: Van Den Beuken Ruud Название: Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 ISBN: 0815636253 ISBN-13(EAN): 9780815636250 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9405.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 1928, Hilton Edwards and Miche?l mac Liamm?ir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.
Описание: The first book to historicize radio-internet convergence from the early `90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting.
Описание: For over a century now, historians have debated the causes of the lagged industrialization of the Dutch economy during the nineteenth century. To this debate, Trials of Convergence brings the analytical perspective of prices, factor costs and the functioning of markets. Its critical insight is that only an approach based on the integrated incentive structure of the economy allows us to delimit the role of alternative explanations. Using statistical reconstruction and microdata, it shows that the retarded transition resulted from a confluence of forces. These ranged from open economy effects and natural endowments to the resilient influence of the institutions of the former Dutch Republic and the fiscal policy adopted in response to Belgian secession. At the height of the British Industrial Revolution the Dutch economy slowed, triggering a return to the problems of eighteenth-century stagnation. All this meant that the transition to 'modern economic growth' after 1860 came about only in a changed international context and after a period of politico-economic reform.
Описание: This book examines the entrenchment of Hindutva in specific social and cultural milieus by presenting rich ethnography and providing an innovative understanding of the phenomenon.
Описание: Interpreting Objects in the Hybrid Museum examines the recent trend for integrated collecting institutions and uses its investigation as a catalyst for critical reflection by all stakeholders on the risks, as well as advantages, of integration for cultural engagement.
Автор: Newman Michael Z., Levine Elana Название: Legitimating Television: Media Convergence and Cultural Status ISBN: 0415880254 ISBN-13(EAN): 9780415880251 Издательство: Taylor&Francis Рейтинг: Цена: 26796.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Legitimating Television: Media Convergence and Cultural Status explores how and why television is gaining a new level of cultural respectability in the 21st century. Once looked down upon as a "plug-in drug" offering little redeeming social or artistic value, television is now said to be in a creative renaissance, with critics hailing the rise of Quality series such as Mad Men and 30 Rock. Likewise, DVDs and DVRs, web video, HDTV, and mobile devices have shifted the longstanding conception of television as a household appliance toward a new understanding of TV as a sophisticated, high-tech gadget.
Newman and Levine argue that television's growing prestige emerges alongside the convergence of media at technological, industrial, and experiential levels. Television is permitted to rise in respectability once it is connected to more highly valued media and audiences. Legitimation works by denigrating "ordinary" television associated with the past, distancing the television of the present from the feminized and mass audiences assumed to be inherent to the "old" TV. It is no coincidence that the most validated programming and technologies of the convergence era are associated with a more privileged viewership. The legitimation of television articulates the medium with the masculine over the feminine, the elite over the mass, reinforcing cultural hierarchies that have long perpetuated inequalities of gender and class.
Legitimating Television urges readers to move beyond the question of taste-whether TV is "good" or "bad"-and to focus instead on the cultural, political, and economic issues at stake in television's transformation in the digital age.
The Methuen Drama Handbook of Interculturalism and Performance explores ground-breaking new directions and critical discourse in the field of intercultural theatre and performance while surveying key debates concerning interculturalism as an aesthetic and ethical series of encounters in theatre and performance from the 1960s onwards. The handbook's global coverage challenges understandings of intercultural theatre and performance that continue to prioritise case studies emerging primarily from the West and executed by elite artists.
By building on a growing field of scholarship on intercultural theatre and performance that examines minoritarian and grassroots work, the volume offers an alternative and multi-vocal view of what interculturalism might offer as a theoretical keyword to the future of theatre and performance studies, while also contributing an energized reassessment of the vociferous debates that have long accompanied its critical and practical usage in a performance context. By exploring anew what happens when interculturalism and performance intersect as embodied practice, The Methuen Drama Handbook of Interculturalism and Performance offers new perspectives on a seminal theoretical concept still as useful as it is controversial. Featuring a series of indispensable research tools, including a fully annotated bibliography, this is the essential scholarly handbook for anyone working in intercultural theatre and performance, and performance studies.
Описание: As the prominence of the recent #WakingTheFeminists movement illustrates, the Irish theatre world is highly conscious of the ways in which theatre can foster social emancipation. This volume of essays uncovers a wide range of marginalised histories by reflecting on the emancipatory role that the Dublin Gate Theatre (est. 1928) has played in Irish culture and society, both historically and in more recent times. The Gate's founders, Hilton Edwards and Michйal mac Liammуir, promoted the work of many female playwrights and created an explicitly cosmopolitan stage on which repressive ideas about gender, sexuality, class and language were questioned. During Selina Cartmell's current tenure as director, cultural diversity and social emancipation have also featured prominently on the Gate's agenda, with various productions exploring issues of ethnicity in contemporary Ireland. The Gate thus offers a unique model for studying the ways in which cosmopolitan theatres, as cultural institutions, give expression to and engage with the complexities of identity and diversity in changing, globalised societies. CONTRIBUTORS: David Clare, Marguйrite Corporaal, Mark Fitzgerald, Barry Houlihan, Radvan Markus, Deirdre McFeely, Justine Nakase, Siobhan O'Gorman, Mary Trotter, Grace Vroomen, Ian R. Walsh, Feargal Whelan
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