Long neglected in scholarship, the so-called Grasnick 5 documents reveal Beethoven working out concepts and ideas, offering fascinating insights into his creative method. This critical edition, the third in the Beethoven Sketchbook Series, offers a facsimile and transcription of the contents of the stitched pocket sketchbook started by the fifty-year-old master during the summer of 1820. At the time, Beethoven labored over the Missa solemnis , Opus 123. The sketchbook's pages yield the entire record of his early ideas on the Agnus Dei of that work as well as a sketch for part of the Benedictus. Patrizia Metzler and Fred Stoltzfus decipher the quirks of the composer's workshopping--the infamous penmanship, multiple generations of pencil and ink marks, and omitted notation--and wrestle with the legibility issues inherent in the task of dealing with aged documents. Their commentary completes a fruitful scholarly journey and provides context for experts, musicians, and anyone else interested in this fraught period of Beethoven's creative life.
Описание: The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness. The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publisher's urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethoven's famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesia-a sense of motion through three-dimensional volumes of space-examining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethoven's creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.
Автор: Ludwig van Beethoven Название: Beethovens Letters 1790-1826 ISBN: 1536168106 ISBN-13(EAN): 9781536168105 Издательство: Nova Science Рейтинг: Цена: 32312.00 р. Наличие на складе: Невозможна поставка.
Описание: The love of Beethovens music is now become so universal, that his Letters will receive a hearty welcome from all those whose spirits have been elevated and soothed by the genius of this illustrious man.
Описание: "Hatten's interpretations are at times surprisingly poetic in their expression. . . . In his book he effectively creates an interaction between aspects of music theory, analysis, aesthetics and semiotics. His work yields some novel insights that deserve careful consideration from anyone in these fields." —The Semiotic Review of Books Musical Meaning in Beethoven offers a fresh approach to the problem of expressive meaning in music. Beginning with a provocative analysis of the slow movement of the Hammerklavier piano sonata, Robert S. Hatten examines the roles of markedness, Classical topics, expressive genres, and musical tropes in fostering expressive interpretation at all levels of structure. Close readings of movements from Beethoven's late piano sonatas and string quartets highlight less obvious expressive meanings and explain how more familiar stylistic meanings are consistently cued from one work to the next. Co-recipient of the 1997 Wallace Berry Publication Award from the Society for Music Theory. Musical Meaning and Interpretation—Robert S. Hatten, editor
Автор: Kenneth O. Drake Название: Beethoven Sonatas and the Creative Experience ISBN: 0253213827 ISBN-13(EAN): 9780253213822 Издательство: Wiley EDC Рейтинг: Цена: 3259.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: " . . . one of the most interesting, useful and even exciting books on the process of musical creation." —American Music Teacher " . . . noteworthy contribution . . . with plenty of insight into interpretation . . . remarkable as an insider's account of the works in an individual perspective." —European Music Teacher Drake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skillfully employs these compositional devices.
Автор: Schindler Название: The Life of Beethoven ISBN: 1108077420 ISBN-13(EAN): 9781108077422 Издательство: Cambridge Academ Рейтинг: Цена: 4594.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Anton Schindler (1795-1864), violinist and Beethoven`s unpaid private secretary, published his biography of the composer in 1840. This 1841 English translation was enhanced by additional material provided by the pianist Ignaz Moscheles (1794-1870). Despite inaccuracies, it remains an important source of first-hand information.
Автор: Schindler Название: The Life of Beethoven ISBN: 1108077439 ISBN-13(EAN): 9781108077439 Издательство: Cambridge Academ Рейтинг: Цена: 4910.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Anton Schindler (1795-1864), violinist and Beethoven`s unpaid private secretary, published his biography of the composer in 1840. This 1841 English translation was enhanced by additional material provided by the pianist Ignaz Moscheles (1794-1870). Despite inaccuracies, it remains an important source of first-hand information.
"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar... in questions of musical meaning.... B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." --Patrick McCreless
This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style.
Musical Meaning and Interpretation--Robert S. Hatten, editor
Автор: Hatten, Robert S. Название: Interpreting musical gestures, topics, and tropes ISBN: 025334459X ISBN-13(EAN): 9780253344595 Издательство: Wiley EDC Рейтинг: Цена: 8065.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." —Patrick McCreless This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style. Musical Meaning and Interpretation—Robert S. Hatten, editor
Автор: Bonds Mark Evan Название: The Beethoven Syndrome: Hearing Music as Autobiography ISBN: 0190068477 ISBN-13(EAN): 9780190068479 Издательство: Oxford Academ Рейтинг: Цена: 5780.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of a radical new mode of listening from the middle of the eighteenth century to the present.
Автор: William Kinderman Название: The String Quartets of Beethoven ISBN: 0252085159 ISBN-13(EAN): 9780252085154 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Поставка под заказ.
Описание:
”We do not understand music—it understands us.” This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
Описание: Improvisation was a crucial aspect of musical life in Europe from the late 18th century to the mid-19th. Composers devoted themselves to this practice while formulating the musical ideas found at the core of their published works; improvisation was linked to composition itself. The full extent of this can be inferred from p
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