Commodifying violence in literature and on screen :, Herrero-Olaizola, Alejandro,
Автор: Shenja van der Graaf Название: ComMODify ISBN: 3319614991 ISBN-13(EAN): 9783319614991 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book critically analyses user-firm technology relationships and socioeconomic structures at the crossroads of community and commerce. It investigates businesses that let users participate in platform development on the internet. An empirical study of the online world Second Life is used as an early illustration of the pivotal role of user participation in design, development and sustainability of digital platforms.
Van der Graaf sheds light on aspects of the ongoing platformization of the internet and on new norms and mechanisms for user participation which are linked to values of creativity, community and labour. ComMODify makes clear that robust theoretical and empirical investigation of the integration of user participation into mainstream business models and its implications for platform development is key to understanding contemporary businesses like Facebook, that sustain the internet of today.
This book will be of interest to those wanting to learn more about the socio-economic implications of user participation associated with user-generated content, particularly within the 3D software and game industry.
Описание: As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler’s investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Doblin, Gunter Grass, Gabriel Garcia Marquez, Salman Rushdie, and W. G. Sebald.
Автор: Jonathan Taylor Название: Laughter, Literature, Violence, 1840–1930 ISBN: 3030114120 ISBN-13(EAN): 9783030114121 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Laughter, Literature, Violence, 1840-1930 investigates the strange, complex, even paradoxical relationship between laughter, on the one hand, and violence, war, horror, death, on the other. It does so in relation to philosophy, politics, and key nineteenth- and twentieth-century literary texts, by Edgar Allan Poe, Edmund Gosse, Wyndham Lewis and Katherine Mansfield – texts which explore the far reaches of Schadenfreude, and so-called ‘superiority theories’ of laughter, pushing these theories to breaking point. In these literary texts, the violent superiority often ascribed to laughter is seen as radically unstable, co-existing with its opposite: an anarchic sense of equality. Laughter, humour and comedy are slippery, duplicitous, ambivalent, self-contradictory hybrids, fusing apparently discordant elements. Now and then, though, literary and philosophical texts also dream of a different kind of laughter, one which reaches beyond its alloys – a transcendent, ‘perfect’ laughter which exists only in and for itself.
Описание: As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler’s investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Doblin, Gunter Grass, Gabriel Garcia Marquez, Salman Rushdie, and W. G. Sebald.
Автор: Yuknavitch Название: Allegories of Violence ISBN: 0415866782 ISBN-13(EAN): 9780415866781 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Allegories of Violence demilitarizes the concept of war and asks what would happen if we understood war as discursive via late 20th Century novels of war.
Автор: Marina MacKay Название: Modernism, War, and Violence ISBN: 1472590074 ISBN-13(EAN): 9781472590077 Издательство: Bloomsbury Academic Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The modernist period was an era of world war and violent revolution. Covering a wide range of authors from Joseph Conrad and Thomas Hardy at the beginning of the period to Elizabeth Bowen and Samuel Beckett at the end, this book situates modernism’s extraordinary literary achievements in their contexts of historical violence, while surveying the ways in which the relationships between modernism and conflict have been understood by readers and critics over the past fifty years. Ranging from the colonial conflicts of the late 19th century to the world wars and the civil wars in between, and concluding with the institutionalization of modernism in the Cold War, Modernism, War, and Violence provides a starting point for readers who are new to these topics and offers a comprehensive and up-to-date survey of the field for a more advanced audience.
1 Planned Violence: Post/Colonial Urban Infrastructures, Literature and Culture Elleke Boehmer and Dominic Davies Section I Planned/Unplanned Cities .- 2 White Cities, Black Streets: Planned Violence and Native Maps in Richard Wright's Chicago and Modikwe Dikobe's Johannesburg Loren Kruger.- 3 Grey Space, Tahrir Laser: Conspiracy, Critique and the Urban in Julie Mehretu's Depictions of Revolutionary Cairo Nicholas Simcik Arese.- 4 Thames Valley Royal (or, Maxwell in Oxford): The Story of a Football Club and the History of a City William Ghosh.- 5 Slums and the Postcolonial Uncanny Ankhi Mukherjee.- 6 The Not-so-Quiet Violence of Bricks and Mortar Zen Marie.- 7 Intervention I. What You Find in the River: Isolarion Ten Years On James Attlee Section II Forensic Infrastructures .- 8 The Intimacy of Infrastructure: Vulnerability and Abjection in Palestinian Jerusalem Hanna Baumann.- 9 Sound Systems and Other Systems: The Policing of Urban Aesthetic Spaces in the Poetry of Linton Kwesi Johnson Louisa Olufsen Layne 10 'Throwing Petrol on the Fire': Writing in the Shadow of the Belfast Urban Motorway Stephen O'Neill .- 11 Writing the City and Indian English Fiction: Planning, Violence, and Aesthetics Alex Tickell 12 Blue Johannesburg Pamila Gupta.- 13 Intervention II. Take Me There Selma Dabbagh Section III Structural Violence, Narrative Structure .- 14 'A Shadow Class Condemned to Movement': Literary Urban Imaginings of Illegal Migrant Lives in the Global North Ruvani Ranasinha 15 'A Dagger, a Revolver, a Bottle of Chloroform': Colonial Spy Fiction, Revolutionary Reminiscences and Indian Nationalist Terrorism in Europe Ole Birk Laursen.- 16 Detecting World-Literature: (Sub-)Urban Crimes in the Nineteenth Century Upamanyu Pablo Mukherjee.- 17 Weird Collocations: Language as Infrastructure in the Storyworlds of China Miйville Terence Cave.- 18 Aquacity Versus Austerity: The Politics and Poetics ofIrish Water Michael Rubenstein.- 19 Intervention III. Control Courttia Newland.- 20 Afterword Sarah Nuttall Index.
Автор: Olsson U. Название: Silence and Subject in Modern Literature: Spoken Violence ISBN: 1349468649 ISBN-13(EAN): 9781349468645 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Why does interrogation silence its object and not make it speak? Silence vs speech is a central issue in classical and modern literary works. This book studies literary representations of the power relations in which we are forced to speak using a range of texts ranging from the modern crime novel, via classics, to avant-garde plays.
Автор: Marina MacKay Название: Modernism, War, and Violence ISBN: 1472590066 ISBN-13(EAN): 9781472590060 Издательство: Bloomsbury Academic Рейтинг: Цена: 11880.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The modernist period was an era of world war and violent revolution. Covering a wide range of authors from Joseph Conrad and Thomas Hardy at the beginning of the period to Elizabeth Bowen and Samuel Beckett at the end, this book situates modernism’s extraordinary literary achievements in their contexts of historical violence, while surveying the ways in which the relationships between modernism and conflict have been understood by readers and critics over the past fifty years. Ranging from the colonial conflicts of the late 19th century to the world wars and the civil wars in between, and concluding with the institutionalization of modernism in the Cold War, Modernism, War, and Violence provides a starting point for readers who are new to these topics and offers a comprehensive and up-to-date survey of the field for a more advanced audience.
Описание: This book analyzes how African literary texts have engaged with pressing ecological problems in Africa. It is a multi-disciplinary text, for both researchers and scholars of African Studies, the environment and postcolonial literature.
Автор: Barberan Reinares Название: Sex Trafficking in Postcolonial Literature ISBN: 1138737429 ISBN-13(EAN): 9781138737426 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
At present, the bulk of the existing research on sex trafficking originates in the social sciences. Sex Trafficking in Postcolonial Literature adds an original perspective on this issue by examining representations of sex trafficking in postcolonial literature.
This book is a sustained interdisciplinary study bridging postcolonial literature, in English and Spanish, and sex trafficking, as analyzed through literary theory, anthropology, sociology, history, trauma theory, journalism, and globalization studies. It encompasses postcolonial theory and literature's aesthetic analysis of sex trafficking together with research from social sciences, psychology, anthropology, and economics with the intention of offering a comprehensive analysis of the topic beyond the type of Orientalist discourse so prevalent in the media. This is an important and innovative resource for scholars in literature, postcolonial studies, gender studies, human rights and global justice.
Автор: Meghann Meeusen Название: Children`s Books on the Big Screen ISBN: 149682864X ISBN-13(EAN): 9781496828644 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Children's Books on the Big Screen, author Meghann Meeusen goes beyond the traditional adaptation approach of comparing and contrasting the similarities of film and book versions of a text. By tracing a pattern across films for young viewers, Meeusen proposes a consistent trend can be found in movies adapted from children's and young adult books: that representations of binaries such as male/female, self/other, and adult/child become more strongly contrasted and more diametrically opposed in the film versions. The book describes this as binary polarization, suggesting that starker opposition between concepts leads to shifts in the messages that texts send, particularly when it comes to representations of gender, race, and childhood. After introducing why critics need a new way of thinking about children's adapted texts, Children's Books on the Big Screen uses middle-grade fantasy adaptations to explore the reason for binary polarization and looks at the results of polarized binaries in adolescent films and movies adapted from picture books. Meeusen also digs into instances when multiple films are adapted from a single source such as The Wonderful Wizard of Oz and ends with pragmatic classroom application, suggesting teachers might utilize this theory to help students think critically about movies created by the Walt Disney corporation. Drawing from numerous popular contemporary examples, Children's Books on the Big Screen posits a theory that can begin to explain what happens-and what is at stake-when children's and young adult books are made into movies.
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