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Contributions to scottish periodicals, Hogg, James


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Автор: Hogg, James
Название:  Contributions to scottish periodicals
ISBN: 9781474435840
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 147443584X
Обложка/Формат: Hardback
Страницы: 630
Вес: 1.14 кг.
Дата издания: 19.10.2021
Серия: The stirling / south carolina research edition of the collected works of james hogg
Язык: English
Размер: 165 x 242 x 57
Читательская аудитория: Professional and scholarly
Ключевые слова: Literary essays,Literary studies: c 1800 to c 1900 ,Literary studies: poetry & poets
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Поставляется из: Англии
Описание: James Hogg`s contributions to Scottish periodicals from 1810 onwards as they appeared in their original form.


British Victorian Women`s Periodicals

Автор: K. Ledbetter
Название: British Victorian Women`s Periodicals
ISBN: 1349370649 ISBN-13(EAN): 9781349370641
Издательство: Springer
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Цена: 11179.00 р.
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Описание: Ledbetter explores themes and patterns of poetry publication in a variety of women`s periodicals published throughout the Victorian era using taste, style and the significance of poetry to advance our understanding of women`s lives in the nineteenth century.

Eliots Objective Correlative: Tradition or Individual Talent? Contributions to the History of a Topos

Автор: Flemming Olsen
Название: Eliots Objective Correlative: Tradition or Individual Talent? Contributions to the History of a Topos
ISBN: 184519554X ISBN-13(EAN): 9781845195540
Издательство: Gazelle Book Services
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Цена: 4065.00 р.
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Описание: Eliots dictum about the objective correlative has often been quoted but rarely analysed. This book traces the maxim to some of its sources and places it in a contemporary context. Eliot agreed with Locke about the necessity of sensory input, but for a poet to be able to create poetry, the input has to be processed by the poets intellect. Respect for control of feelings and order of presentation were central to Eliots conception of literary criticism. The result the objective correlative is not one word, but "a scene" or "a chain of events". Eliots thinking was also inspired by late 19th century French critics like Gautier and Gourmont, whose terminology he not infrequently borrowed. But he chose the term "objective" out of respect for the prestige that still surrounded the Positivist paradigm. In its break-away from Positivist dogmas, criticism of art in the early 20th century was very much preoccupied with form. In poetry, that meant focus on the use and function of the word. That focus is perceptible everywhere in Eliots criticism. Even though the idea of the objective correlative was not an original one, Eliots treatment of it is interesting because he sees a seeming truism ("the right word in the right place") in a new light. He never developed the theory, but the thought is traceable in several of his critical essays. On account of its categorical and rudimentary form, the theory is not unproblematic: whose fault is it if the readers response does not square with the poets intention? And indeed, Eliots own practice belies his theory -- witness the multifarious legitimate interpretations of his poems.

Modernism, Periodicals, and Cultural Poetics

Автор: Chambers
Название: Modernism, Periodicals, and Cultural Poetics
ISBN: 1137541350 ISBN-13(EAN): 9781137541352
Издательство: Springer
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Цена: 9781.00 р.
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Описание: After the publication of T.S. Eliot`s The Waste Land, a complex series of debates occurred over the traditions of English poetry. Analyzing these diverse discussions in a wide range of well-known periodicals during the late modernist period, Chambers uncovers how poetry was shaped by avant-garde ideas, setting poetic trends for the 20th century.


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