Music Criticism and Music Critics in Early Francoist Spain 9780190215866

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Автор: Moreda Rodriguez Eva
Название: Music Criticism and Music Critics in Early Francoist Spain
ISBN: 9780190215866
Издательство: Oxford Academ
Издательство: Oxford University Press, USA
Классификация:

Теория музыки и музыковедение

ISBN-10: 0190215860
Обложка/Формат: Hardcover
Страницы: 192
Вес: 0.45 кг.
Дата издания: 29.11.2016
Серия: Currents in latin american and iberian music
Язык: English
Размер: 23.62 x 16.00 x 2.03 cm
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: In early francoist spain
Ссылка на Издательство: Link
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Поставляется из: США
Описание: The early years of the Franco regime saw the formation of a strong governmental propaganda apparatus. Through expansive press laws that solidified state control over public and private media outlets alike, the Franco government directly influenced what information was made available to the
public. While music critics and journalists were by no means free from government control and direction, music criticism under the Franco regime did not adhere to any official party line on music. Indeed, music criticism often demonstrated a diversity of opinion and ideological belief that runs
counter to many common assumptions about journalism under fascist regimes.

In Music Criticism and Music Critics in Early Francoist Spain, Eva Moreda Rodrнguez presents a kaleidoscopic portrait of the diverse and often divergent writings of music critics in the early years of the Franco regime. Although she does not shy away from the thorny issues of propaganda and
censorship, Moreda Rodrнguez considers other factors that shaped the journalistic discourse surrounding music. Political rivalries, ideological diversity within musical conservatism, as well as the explicit and implicit expectations of the Franco government all influenced the diverse landscape of
music criticism. Moreover, the central issues that music critics were concerned with during Francoisms early years-modernist music, Spanish early music, traditional music, and musics role in organizing the state-had already been at the center of debates within the press for several decades.
Carefully selecting contemporary writings by well-known music critics, Moreda Rodrнguez contextualizes music criticism written during the Franco regime within the broader intellectual history of Spain from the nineteenth century onwards. The first critical study of the musical press of Francoist
Spain in the broader cultural and social fabric of the regime, Music Criticism and Music Critics in Early Francoist Spain is an essential resource for musicologists interested in 20th-century Spain, as well as Hispanists interested in the early Franco regime.

Music Criticism and Music Critics in Early Francoist Spain, Moreda Rodriguez Eva