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Researching Live Music: Gigs, Tours, Concerts and Festivals, Anderton Chris, Pisfil Sergio


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Автор: Anderton Chris, Pisfil Sergio
Название:  Researching Live Music: Gigs, Tours, Concerts and Festivals
ISBN: 9780367405007
Издательство: Taylor&Francis
Классификация:







ISBN-10: 0367405008
Обложка/Формат: Paperback
Страницы: 256
Вес: 0.37 кг.
Дата издания: 18.11.2021
Язык: English
Иллюстрации: 1 tables, black and white; 2 halftones, black and white; 2 illustrations, black and white
Размер: 22.86 x 15.24 x 1.45 cm
Читательская аудитория: Undergraduate
Подзаголовок: Gigs, tours, concerts and festivals
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Поставляется из: Европейский союз
Описание: Researching Live Music offers an important contribution to the emergent field of live music studies, a field which has, over the past ten years, seen a steady growth in publications that examine the history of live music venues and promoters, the economics of the live music industry, and the operations of the sector.


Roxy Live: Under Exposed: One Fan`s Unseen Concert Photos

Автор: Fiske, Jocelyn
Название: Roxy Live: Under Exposed: One Fan`s Unseen Concert Photos
ISBN: 1789099501 ISBN-13(EAN): 9781789099508
Издательство: Titan books ltd.
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Цена: 6202.00 р.
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Описание: 324 pages of never before seen Roxy Music photographs from one of the most high-profile Roxy Music fans celebrating the 50th anniversary of the band`s debut album. A perfect gift for fans of 80s bands, Roxy Music and music photography.

The Live Music Business: Management and Production of Concerts and Festivals

Автор: Reynolds Andy
Название: The Live Music Business: Management and Production of Concerts and Festivals
ISBN: 0367894912 ISBN-13(EAN): 9780367894917
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: The Live Music Business: Management and Production of Concerts and Festivals, Third Edition, shines a light on the enigmatic live music business, offering a wealth of inside advice and trade secrets to artists and bands looking to make a living in the industry.

The Who: Concert Memories from the Classic Years, 1964 to 1976

Автор: Edoardo Genzolini
Название: The Who: Concert Memories from the Classic Years, 1964 to 1976
ISBN: 0764364022 ISBN-13(EAN): 9780764364020
Издательство: Gazelle Book Services
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Цена: 11795.00 р.
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Описание: Most know that the legendary English rock band the Who performed concerts at ear-splitting volume, smashed their instruments, and became one of the world’s most influential groups. Their period from 1964 to 1976 saw the creation of such classic songs as “My Generation,” “Pinball Wizard,” and “Won’t Get Fooled Again,” as well as the Tommy, Who’s Next, and Quadrophenia albums. But how many know the stories of those fans affected by their music and live performances, or the angst and insecurities that drove bandleader Pete Townshend to new heights during this time? Who saw Pete Townshend handing his guitar from the stage to a grateful fan, and what happened next? Or who has seen photos of bassist John Entwistle being anything but the “Quiet One”? Or what happened backstage at Woodstock and the Monterey Pop Festival? This book offers what Pete Townshend himself describes as an “intriguing and extremely insightful take on the Who and myself.” The reader will be thrown into untold stories, hundreds of previously unpublished photographs, and uncirculated recordings clarifying the misinformation, myths, and legends. It’s a labor of love from a fan for fans that gives voice to a collective consciousness that might otherwise fall silent over time.

Mid-twentieth-century concert pianist

Автор: Hellaby, Julian
Название: Mid-twentieth-century concert pianist
ISBN: 147248486X ISBN-13(EAN): 9781472484864
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Julian Hellaby examines how British pianists active in the middle years of the last century started, built and sustained their careers. Hellaby examines the role of debut recitals, competitions, auditions, interviews, agents, broadcasts, recordings, music clubs, orchestral work, style, image, management and artist promotion within the UK.

The Arena Concert: Music, Media and Mass Entertainment

Автор: Benjamin Halligan, Kirsty Fairclough-Isaacs, Robe
Название: The Arena Concert: Music, Media and Mass Entertainment
ISBN: 162892554X ISBN-13(EAN): 9781628925548
Издательство: Bloomsbury Academic
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Цена: 22176.00 р.
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Описание: The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.

This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne. The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.

The arena concert becomes the "real time+? centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space. The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means.

Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century. This volume finds out why.

The Arena Concert: Music, Media and Mass Entertainment

Автор: Benjamin Halligan, Kirsty Fairclough-Isaacs, Robe
Название: The Arena Concert: Music, Media and Mass Entertainment
ISBN: 1628925558 ISBN-13(EAN): 9781628925555
Издательство: Bloomsbury Academic
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Цена: 4592.00 р.
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Описание:

The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.

This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne. The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.

The arena concert becomes the "real time" centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space. The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means.

Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century. This volume finds out why.

God and Gigs: Succeed as a Musician Without Sacrificing Your Faith

Автор: Paul Allen C.
Название: God and Gigs: Succeed as a Musician Without Sacrificing Your Faith
ISBN: 0997270306 ISBN-13(EAN): 9780997270303
Издательство: Неизвестно
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Цена: 2730.00 р.
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Описание:

Do you want to enjoy a career in music without compromising your faith?

If so, this book is for you. Here you'll discover the steps to become a successful musician who excels in every area of life, all while embracing your spiritual foundation.

Inside you'll find key concepts practiced by top music industry pros, who share in their own words how they handled the same struggles you face. These pros have worked with artists such as Julio Iglesias, Israel and New Breed, Timbaland, Brandy, Take 6, Flo Rida, Donnie McClurkin, Jon Secada, Tasha Cobbs, Martha Munizzi and many others.  

You'll learn how to:

  • Find more balance between career and family

  • Get inspired and create your best work ever

  • Embrace your calling as a musician

  • Use your unique influence to make a difference

You don't have to sacrifice your faith to find success in the music industry, and the proof is in these pages. But you have to take the first step.

Will you take on the challenge?

About the Author

Allen C.Paul has 20 years experience as a church staff musician, performing artist and teacher. He has performed with a variety of artists from pop, R&B and Christian genres, and currently serves as co-musical director at Metro Life Church in Miami, FL. His passion is helping people from all walks of life to confidently express their God-given creativity through the arts.

Cornell `77: The Music, the Myth, and the Magnificence of the Grateful Dead`s Concert at Barton Hall

Автор: Conners Peter
Название: Cornell `77: The Music, the Myth, and the Magnificence of the Grateful Dead`s Concert at Barton Hall
ISBN: 150170432X ISBN-13(EAN): 9781501704321
Издательство: Mare Nostrum (Eurospan)
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Цена: 2753.00 р.
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Описание:

On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.

Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings—referred to as "Betty Boards"—began to circulate among Deadheads, the reputation of the Cornell ’77 show grew exponentially. With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles.

Rooted in dozens of interviews—including a conversation with Betty Cantor-Jackson about her recording—and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell ’77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America’s most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, forty years later, Cornell ’77 is still considered a touchstone in the history of the band.

As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell ’77."

Researching Live Music: Gigs, Tours, Concerts and Festivals

Автор: Anderton Chris, Pisfil Sergio
Название: Researching Live Music: Gigs, Tours, Concerts and Festivals
ISBN: 0367405024 ISBN-13(EAN): 9780367405021
Издательство: Taylor&Francis
Рейтинг:
Цена: 22968.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Researching Live Music offers an important contribution to the emergent field of live music studies, a field which has, over the past ten years, seen a steady growth in publications that examine the history of live music venues and promoters, the economics of the live music industry, and the operations of the sector.


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