Описание: Reflexivity refers to those moments in fiction when the work suddenly calls attention to itself as a fictional construct. This study explores reflexivity from different viewpoints, reviewing the rise of modernism and the production process in such films as "Rear Window" and "Tom Jones".
Описание: Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.
Автор: Rushton Richard Название: The Reality of Film: Theories of Filmic Reality ISBN: 0719091373 ISBN-13(EAN): 9780719091377 Издательство: NBN International Рейтинг: Цена: 4222.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In formulating a notion of filmic reality, The Reality of Film offers a novel way of understanding our relationship to cinema. It argues that cinema need not be understood in terms of its capacities to refer to, reproduce or represent reality, but should be understood in terms of the kinds of realities it has the ability to create. -- .
Описание: Assesses classical and contemporary theories of cinematic realism
Explores classical and contemporary theories of cinematic realism to assess their overall key concepts and intellectual configurations
Explores classical theories of cinematic realism more deeply through an analysis of Lukacs/Bergson/time and Kracauer/Husserl/Space
Offers some conclusions on what the central key concepts and intellectual configuration of cinematic realism are; and on what consequences flow from this
The issue of cinematic realism is important because the issue of realism, of the relationship between representation and reality, is important. If some forms of representation are closer to reality - however defined - than others, then this may also be the case with forms of filmic representation. In this book, Ian Aitken links the issue of cinematic realism to important questions concerning human experience, analysing the close similarity between the film image and visual perception, and how different theories of realism have sought to uncover the way film's relation to reality can be understood.
Focusing on the writings of Georg Luk cs and Siegfried Kracauer, Cinematic Realism is a comprehensive exploration of cinematic realist theory.
Описание: Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.
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