Описание: This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits.
Автор: Christopher Rowe Название: Michael Haneke: The Intermedial Void ISBN: 0810134608 ISBN-13(EAN): 9780810134607 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 15048.00 р. Наличие на складе: Нет в наличии.
Описание: The two primary goals of this ambitious study are to provide a new framework in which to interpret the films of Michael Haneke, including Funny Games , Cach? , and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together. Christopher Rowe argues that Haneke’s practice of introducing nonfilmic media into his films is not simply an aspect of his interest in society’s oversaturation in various forms of media. Instead, the use of video, television, photography, literary voice, and other media must be understood as modes of expression that fundamentally oppose the film medium itself. The “intermedial void” is a product of the absolute incommensurability of these media forms as perceptual and affective phenomena. Close analysis of specific films shows how their relationship to noncinematic media transforms the nature of the film image, and of film spectatorship.
Автор: Toikkanen Название: The Intermedial Experience of Horror ISBN: 1137299088 ISBN-13(EAN): 9781137299086 Издательство: Springer Рейтинг: Цена: 11878.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is an exploration of the phenomenon of horror from an unusual angle. Focusing on reading specific examples of literature from Romanticism to Modernism, the study brings together the phenomenon of horror with the topical concepts of experience and intermediality and highlights the complex relations they present.
Описание: This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits.
Автор: Toikkanen J. Название: The Intermedial Experience of Horror: Suspended Failures ISBN: 1349452602 ISBN-13(EAN): 9781349452606 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is an exploration of the phenomenon of horror from an unusual angle. Focusing on reading specific examples of literature from Romanticism to Modernism, the study brings together the phenomenon of horror with the topical concepts of experience and intermediality and highlights the complex relations they present.
Описание: Initiating a transgeneric, intermedial and interdisciplinary approach to narrative unreliability, this volume is meant to enrich, modify and refine our understanding of (un)reliable narration by taking into account research in a variety of fields.
Описание: This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits.
Описание: Nominated for the TaPRA Early Career Research Prize 2018In this book, Jo Scott shares writing and documentation from her practice as research (PaR) project, which explored and analysed a mode of performance she developed, called live intermediality.
Описание: Die ReiheNarratologia publiziert innovative Monographien und Sammelbande zur modernen Erzahltheorie und zu ihrer fachgeschichtlichen Rekonstruktion aus allen philologischen Disziplinen. Sie stellt das erste narratologische Forum dieser Art in Deutschland dar. Neben literarischen Texten stehen u. a. auch das Alltagserzahlen, Wort-Bild-Texte, Erzahlen im Film und in den neuen Medien sowie das Erzahlen in Historiographie, Ethnologie, Medizin und Rechtswissenschaft im Fokus der Reihe. Die Publikationssprachen der Reihe sind Deutsch und Englisch. Alle Bande werden zweifach begutachtet.
Описание: This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits.
Описание: Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality,Liveness on Stageexplores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as ‘ephemerality’, ‘co-presence’, ‘unpredictability’, ‘interaction’ and ‘realistic representation’ and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.
Автор: Cara L. Lewis Название: Dynamic Form: How Intermediality Made Modernism ISBN: 150174917X ISBN-13(EAN): 9781501749179 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7392.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form--and even at times becomes a formalism itself--but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.
As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms--spatial form, pure form, and formlessness--and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.
--Michael Thurston, Smith College, author of The Underworld in the Twentieth-Century Poetry
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