Описание: At the beginning of the Victorian period, most of England's population lived in the countryside; by its end, the balance had tipped towards living in urban and suburban spaces. In the context of this rapidly changing world, Rachel Worth explores the ways in which the clothing of the rural working classes was represented visually in paintings and photographs and by the literary sources of documentary, autobiography and fiction, as well as by the collection and conservation of garments of rural provenance by museums.
Worth explores the ways in which clothing and its representations throw light on wider social and cultural issues, as well as how 'traditional' styles of dress, like men's smock-frocks or women's sun-bonnets, came to be replaced by 'fashion'. Her compelling study adds breadth to the history of dress by considering it within its social and cultural contexts, and shows how clothing enriches our understanding of Victorian social history.
Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals.
Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.
Описание: "Fascinating and vivid." New Statesman"Thoroughlyresearched." The Spectator "Intriguing." BBC History Magazine"Vividly told." BBC History Revealed"A timely warning against persecution." Morning Star"Astute and thoughtful." History Today"An important work." All About History"Well-researched." The Tablet
On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives. As the result of these allegations, three women of Bideford came to be forever defined as witches. A Secretary of State brushed aside their case and condemned them to the gallows; to hang as the last group of women to be executed in England for the crime. Yet, the hatred of their neighbours endured. For Bideford, it was said, was a place of witches.
Though ‘pretty much worn away’ the belief in witchcraft still lingered on for more than a century after their deaths. In turn, ignored, reviled, and extinguished but never more than half-forgotten, it seems that the memory of these three women - and of their deeds and sufferings, both real and imagined – was transformed from canker to regret, and from regret into celebration in our own age. Indeed, their example was cited during the final Parliamentary debates, in 1951, that saw the last of the witchcraft acts repealed, and their names were chanted, as both inspiration and incantation, by the women beyond the wire at Greenham Common.
In this book, John Callow explores this remarkable reversal of fate, and the remarkable tale of the Bideford Witches.
Описание: How are the identities of women shaped by religious disciplinary processes in Magdalene laundries and how do women re-engage with their sense of self after leaving the institutions? Chloe K. Gott situates these questions within the current cultural climate in which the institutions now sit, considering how they fit into Ireland’s present as well as its past.This book represents the first significant secondary analysis to be conducted of 81 oral history interviews recorded as part of the Government of Ireland Collaborative Research project, ‘Magdalene Institutions: Recording an Archival and Oral History’, funded by the Irish Research Council. These were taken with women formerly incarcerated in these institutions, as well as others associated with this history.Grounded in qualitative analysis of this archive, the book is structured around the voices and words of survivors themselves. With a strong focus on how the experience of being incarcerated in a Magdalene laundry impacted on the gendered religious selves of the women, this book tracks the process of entering, working in and leaving a laundry, explored through the lens of epistemic injustice.
Автор: Davison Jane Название: Kate O`Brien and Spanish Literary Culture ISBN: 0815635354 ISBN-13(EAN): 9780815635352 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3129.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: One of the most important Irish novelists of the twentieth century, Kate O’Brien (1897–1974) was also a pioneer of women’s writing. In a career that spanned almost fifty years, nine novels, nine plays, two travelogues, and copious criticism, O’Brien rebelled against the narrow nationalism andrestrictive Catholicism prevalent in independent Ireland. In this highly original approach to O’Brien’s work, Davison traces the influence of three leading Spanish writers—Jacinto Benavente, Miguel deCervantes, and Teresa of Avila. O’Brien’s lifelong fascination with Spanish literature and culture offered an oblique way of resisting the Catholic and conservative imperatives of the Irish Free State. In a series of close comparative readings, Davison identifies the origin of O’Brien’s creative disinhibition and ultimately situates her within a tradition of dissident Irish women writers.
Описание: Previous studies of tombstones and inscriptions dedicated to divinities have focused on methods of assigning names in Roman society, the age at marriage and death of demographic populations across the Roman Empire, relations of kinship, marriage, amity and dependence among elite and sub-altern families and communities, and the performance of acts in accordance with traditional forms of belief and custom. The present volume wishes to ask what conclusions can be drawn from the corpus of private Latin inscriptions from Roman Italy about the identity, social condition and cultural activity of men and women participating in the process of epigraphic commemoration and dedication. In particular, this study hopes to demonstrate that women participated as significantly as men in the process in a variety of ways and contexts usually regarded as prominently or exclusively male, and in certain circumstances left behind the trace or residue of a uniquely female perspective on their world
Описание: At the turn of the twentieth century women played a key role in debates about the nature of the Irish nation. Examining women`s participation in nationalist and rural reform groups, this book is an important contribution to our understanding of Irish identity in the prelude to revolution and how it was shaped by women.
Описание: While the image of bourgeois Victorian women as 'angels in the house' isolated from the world in private domesticity has long been dismissed as an unrealistic ideal, women have remained marginalised in many recent accounts of the public culture of the middle class. Simon Morgan aims to redress the balance, by drawing on a variety of sources including private documents, he argues that women actually played an important role in the formation of the public identity of the Victorian middle class. Through their support for cultural and philanthropic associations and their engagement in political campaigns, women developed a nascent civic identity, which for some informed their later demands for political rights. "Middle Class Women and Victorian Public Culture" offers numerous insights for the reader into the public lives of women in this fascinating period.
Описание: "Meticulously researched, impressively documented, and engrossingly written, . . . [it] contributes to a long-overdue reconception of the New Economic Policy (NEP). . . ." —Choice " . . . a well-organized, sophisticated analysis of the difficulties involved in attempting to reconcile ideology with political, economic, and cultural realities.: —The Russian Review " . . . a highly persuasive, revealing, and well-documented account of early Bolshevik policy, practice, and language pertaining to the 'baba problem' and the unexpected ways female and male comrades responded to the party-state's tutelary role toward women." —Slavic Review "This is a rich and densely argued study that embeds the story of the zhenotdel in the context of the political struggles and institutional structures of this formative period of the Russian Revolution. Wood demonstrates clearly the dilemma of whether women party activists should serve the party or their constituents." —American Historical Review "Wood's convincing work is a welcome addition to the growing literature on the gender-role traditionalism the Communists reinstitutionalized with their revolution." —The Women's Review of Books How could the baba—traditionally, the "backward" Russian woman—be mobilized as a "comrade" in the construction of a new state and society? Drawing on recently opened archives, Elizabeth A. Wood explains why the Bolsheviks proved unable and ultimately unwilling to realize their ideological notions of a gender-neutral society. Focusing on the creation and activities of the zhenotdel, a special women's section within the Russian Communist Party, Wood reconstructs the ways in which notions of gender sameness and difference both facilitated and complicated Bolshevik efforts at state building during the Civil War and the New Economic Policy.
University commitments to diversity and inclusivity have yet to translate into support for women of color graduate students. Sexism, classism, homophobia, racial microaggressions, alienation, disillusionment, a lack of institutional and departmental support, limited help from family and partners, imposter syndrome, narrow reading lists—all remain commonplace. Indifference to the struggles of women of color in graduate school and widespread dismissal of their work further poisons an atmosphere that suffocates not only ambition but a person's quality of life.
In Degrees of Difference, women of color from diverse backgrounds give frank, unapologetic accounts of their battles—both internal and external—to navigate grad school and fulfill their ambitions. At the same time, the authors offer strategies for surviving the grind via stories of their own hard-won successes with self-care, building supportive communities, finding like-minded mentors, and resisting racism and unsupportive faculty and colleagues.
Contributors: Aeriel A. Ashlee, Denise A. Delgado, Nwadiogo I. Ejiogu, Delia Fern?ndez, Regina Emily Idoate, Karen J. Leong, Kimberly D. McKee, D?lice Mugabo, Carrie Sampson, Arianna Taboada, Jenny Heijun Wills, and Soha Youssef
For much of the 20th century, Catholics in Ireland spent significant amounts of time engaged in religious activities. This book documents their experience in Limerick city between the 1920s and 1960s, exploring the connections between that experience and the wider culture of an expanding and modernising urban environment.
Sile de Cleir discusses topics including ritual activities in many contexts: the church, the home, the school, the neighbourhood and the workplace. The supernatural belief underpinning these activities is also important, along with creative forms of resistance to the high levels of social control exercised by the clergy in this environment. De Cleir uses a combination of in-depth interviews and historical ethnographic sources to reconstruct the day-to-day religious experience of Limerick city people during the period studied. This material is enriched by ideas drawn from anthropological studies of religion, while perspectives from both history and ethnology also help to contextualise the discussion.
With its unique focus on everyday experience, and combination of a traditional worldview with the modernising city of Limerick - all set against the backdrop of a newly-independent Ireland - Popular Catholicism in 20th-century Ireland presents a fascinating new perspective on 20th-century Irish social and religious history.
Описание: This wide-ranging new analysis of national sentiment and national identity in fourteenth-century England places this important but sometimes controversial topic in the context of late medieval English political culture for the first time, using not only familiar literary sources but also previously neglected official records.
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