Описание: Word Mingas is an encompassing study of oralitures--multilayered cultural knowledge shared through the power of orality--and written literatures by authors from Colombia and other regions in the hemisphere who self-identify as Indigenous. In consequential dialogue with the most recent theories of decoloniality and interculturality, the book weaves and compares two threads of literary critique Rocha Vivas names as oralitegraphies and mirrored visions. The study focuses on texts produced from the early 1990s to the present, and offers productive avenues to discuss, understand, and foster dialogue with the wide array of symbolic-literary systems of the original peoples. Rocha Vivas offers a valuable contribution to the much-needed dialogue on the basic rights of self-representation, self-determination, and the coexistence of multiple systems of representation and identity.
Автор: Evelyn Flores, Emelihter Kihleng Название: Indigenous Literatures from Micronesia ISBN: 0824877462 ISBN-13(EAN): 9780824877460 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4990.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: For the first time, poetry, short stories, critical and creative essays, chants, and excerpts of plays by Indigenous Micronesian authors have been brought together to form a resounding - and distinctly Micronesian - voice. This long-awaited anthology of contemporary indigenous literature will reshape Micronesia`s historical and literary landscape.
Автор: Gus Palmer Название: When Dream Bear Sings: Native Literatures of the Southern Plains ISBN: 0803284004 ISBN-13(EAN): 9780803284005 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9405.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Although the canon of nineteenth-century Native American writers represents rich literary expression, it derives generally from a New England perspective. Equally rich and rare poetry, songs, and storytelling were produced farther west by Indians residing on the Southern Plains. When Dream Bear Sings is a multidisciplinary, diversified, multicultural anthology that includes English translations accompanied by analytic and interpretive text outlines by leading scholars of eight major language groups of the Southern Plains: Iroquoian, Uto-Aztecan, Caddoan, Siouan, Algonquian, Kiowa-Tanoan, Athabaskan, and Tonkawa.
These indigenous language families represent Indian nations and tribal groups across the Southern Plains of the United States, many of whom were exiled from their homelands east of the Mississippi River to settlements in Kansas and Oklahoma by the Indian Removal Act of the 1830s. Although indigenous culture groups on the Southern Plains are complex and diverse, their character traits are easily identifiable in the stories of their oral traditions, and some of the most creative and unique expressions of the human experience in the Americas appear in this book. Gus Palmer Jr. brings together a volume that not only updates old narratives but also enhances knowledge of indigenous culture through a modern generation’s familiarity with new, evolving theories and methodologies regarding verbal art performance.
Автор: Justice Daniel Heath Название: Why Indigenous Literatures Matter ISBN: 1771121769 ISBN-13(EAN): 9781771121767 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2883.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, WhyIndigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions.
Описание: Latin America's Indigenous writers have long labored under the limits of colonialism, but in the late twentieth and twenty-first centuries, they have constructed a literary corpus that moves them beyond those parameters. Gloria E. Chacon considers the growing number of contemporary Indigenous writers who turn to Maya and Zapotec languages alongside Spanish translations of their work to challenge the tyranny of monolingualism and cultural homogeneity. Chacon argues that these Maya and Zapotec authors reconstruct an Indigenous literary tradition rooted in an Indigenous cosmolectics, a philosophy originally grounded in pre-Columbian sacred conceptions of the cosmos, time, and place, and now expressed in creative writings. More specifically, she attends to Maya and Zapotec literary and cultural forms by theorizing kab'awil as an Indigenous philosophy. Tackling the political and literary implications of this work, Chacon argues that Indigenous writers' use of familiar genres alongside Indigenous language, use of oral traditions, and new representations of selfhood and nation all create space for expressions of cultural and political autonomy.
Chacon recognizes that Indigenous writers draw from universal literary strategies but nevertheless argues that this literature is a vital center for reflecting on Indigenous ways of knowing and as a key artistic expression of decolonization.
Автор: David J. Costa Название: New Voices for Old Words: Algonquian Oral Literatures ISBN: 0803265484 ISBN-13(EAN): 9780803265486 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11286.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
New Voices for Old Words is a collection of previously unpublished Algonquian oral traditions featuring historical narratives, traditional stories, and legends that were gathered during the late nineteenth and early twentieth centuries. The collection presents them here in their original languages with new English-language translations. Accompanying essays explain the importance of the original texts and their relationships to the early researchers who gathered and, in some cases, actively influenced these texts.
Covering the northeast United States, eastern Canada, the Great Lakes region, and the Great Plains, the Algonquian languages represented in New Voices for Old Words include Gros Ventre, Peoria, Arapaho, Meskwaki, Munsee-Delaware, Potawatomi, and Sauk. All of these languages are either endangered or have lost their last speakers; for several of them no Native text has ever been published. This volume presents case studies in examining and applying such principles as ethnopoetics to the analysis of traditional texts in several languages of the Algic language family. These studies show how much valuable linguistic and folkloric information can be recovered from older texts, much of it information that is no longer obtainable from living sources. The result is a groundbreaking exploration of Algonquian oral traditions that are given a new voice for a new generation.
Описание: On the Other Side(s) of 150 explores the different literary, historical and cultural legacies of Canada's sesquicentennial celebrations. It asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed.Like a Cubist painting, this modality offers a critical strategy by which also to approach the volume as dismantling, reassembling, and re-enacting existing commemorative tropes; as offering multiple, conditional, and contingent viewpoints that unfold over time; and as generating a broader (although far from being comprehensive) range of counter-memorial performances. The chapters in this volume are thus provisional, interconnected, and adaptive: they offer critical assemblages by which to approach commemorative narratives or showcase lacunae therein; by which to return to and intervene in ongoing readings of the past from the present moment; and by which not necessarily to resolve, but rather to understand the troubled and troubling narratives of the present moment. Contributors propose that these preoccupations are not a means of turning away from present concerns, but rather a means of grappling with how the past informs or is shaped to inform them; and how such concerns are defined by immediate social contexts and networks.
Автор: Reder Deanna, Morra Linda M. Название: Learn, Teach, Challenge: Approaching Indigenous Literatures ISBN: 1771121858 ISBN-13(EAN): 9781771121859 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6520.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a collection of classic and newly commissioned essays about the study of Indigenous literatures in North America. The contributing scholars include some of the most venerable Indigenous theorists, among them Gerald Vizenor (Anishinaabe), Jeannette Armstrong (Okanagan), Craig Womack (Creek), Kimberley Blaeser (Anishinaabe), Emma LaRocque (M?tis), Daniel Heath Justice (Cherokee), Janice Acoose (Saulteaux), and Jo-Ann Episkenew (M?tis). Also included are settler scholars foundational to the field, including Helen Hoy, Margery Fee, and Renate Eigenbrod. Among the newer voices are both settler and Indigenous theorists such as Sam McKegney, Keavy Martin, and Niigaanwewidam Sinclair. The volume is organized into five subject areas: Position, the necessity of considering where you come from and who you are; Imagining Beyond Images and Myths, a history and critique of circulating images of Indigenousness; Debating Indigenous Literary Approaches; Contemporary Concerns, a consideration of relevant issues; and finally Classroom Considerations, pedagogical concerns particular to the field. Each section is introduced by an essay that orients the reader and provides ideological context. While anthologies of literary criticism have focused on specific issues related to this burgeoning field, this volume is the first to offer comprehensive perspectives on the subject.
John of Damascus is one of the most remarkable figures among the Church Fathers. The reception of his theological and philosophical works among the Orthodox Slavs in the Middle Ages has been comparatively well researched – unlike that of his homiletic works. This book is devoted to four Slavonic translations of three homilies of John of Damascus dedicated to the Mother of God. It offers the first comprehensive, complex study of the translations of John’s First and Third Homilies on the Dormition and his Homily on the Nativity of the Mother of God, preserved in South Slavic hagiographic and homiletic collections. The problems related to the textual tradition and translational peculiarities of these works have a central place in this study. It is supplemented with an edition of the Slavonic translations with parallel Greek text, as well as with a Slavonic-Greek and Greek-Slavonic list of content words.
Описание: Beginning with the Haitian Revolution, Scott Henkel lays out a literary history of direct democracy in the Americas. Much research considers direct democracy as a form oforganization fit for worker cooperatives or political movements. Henkel reinterprets it as a type of collective power, based on the massive slave revolt in Haiti. In the representations of slaves, women, and workers, Henkel traces a history of power through the literatures of the Americas during the long nineteenth century.Thinking about democracy as a type of power presents a challenge to common, often bureaucratic and limited interpretations of the term and opens an alternative archive, which Henkel argues includes C. L. R. James’s The Black Jacobins, Walt Whitman’s Democratic Vistas, Lucy Parsons’s speeches advocating for the eight-hour workday, B. Traven’s novels of the Mexican Revolution, and Marie Vieux Chauvet’s novella about Haitian dictatorship.Henkel asserts that each writer recognized this power and represented its physical manifestation as a swarm. This metaphor bears a complicated history, often describing a group, a movement, or a community. Indeed it conveys multiplicity and complexity, a collective power. This metaphor’s many uses illustrate Henkel’s main concerns, the problems of democracy, slavery, and labor,the dynamics of racial repression and resistance, and the issues of power which run throughout the Americas.
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