Science, Culture and National Identity in Francoist Spain, 1939-1959, Januй I. Miret Mariciу, Presas I. Puig Albert
Автор: Januй I. Miret Mariciу, Presas I. Puig Albert Название: Science, Culture and National Identity in Francoist Spain, 1939-1959 ISBN: 3030586456 ISBN-13(EAN): 9783030586454 Издательство: Springer Цена: 18167.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Taking an interdisciplinary approach, the volume features insights into how scientific and cultural language and symbols were used to formulate national identity, through institutions, resource distribution and specific national policies.
Proceedings of the 5th International Conference of the UISPP Commission on Flint Mining in Pre- and Protohistoric Times (Paris 10-11 September 2012)
The Union Internationale des Sciences Pr - et Protohistoriques (UISPP) commission on "Flint Mining in Pre- and Protohistoric Times" was created at the 12th meeting of the European Association of Archaeologists (Cracow, Poland, 19th-24th September 2006). The aim was to perpetuate the tradition of organizing international symposia on flint, established by the Limburg Branch of the Dutch Geological Society in 1969 at Maastricht. The commission intends to maintain cooperation in archaeological research on siliceous rock mining (flint, chert, hornstone, radiolarite, jasper and obsidian), by presenting and discussing methods and results. Major fields of interest include the different stages of cha nes op ratoires of manufacture, specialisation of labour and circulation of raw materials, as well as the study of flint mining sites in relation to pre- and protohistoric settlement patterns. The objective of the commission is to promote these lines of research into flint mining and its methods, thus enabling a better understanding of the various phenomena and processes taking place in pre- and protohistoric times. This volume contains the papers of the Paris conference held on 10th-11th September 2012, together with some additional papers presented at Vienna 2010 and Florian polis 2011. A first set of contributions concerns the main topic of the conference, which was lithoth ques and reference collections. A further group of papers concerns the second conference theme: workshops, from excavation to cha nes op ratoires reconstruction.
Paradoxes of Stasis examines the literary and intellectual production of the Francoist period by focusing on Spanish writers following the Spanish Civil War: the regime’s supporters and its opponents, the victors and the vanquished.
Concentrating on the tropes of immobility and movement, Tatjana Gaji? analyzes the internal politics of the Francoist regime and concurrent cultural manifestations within a broad theoretical and historical framework in light of the Greek notion of stasis and its contemporary interpretations. In Paradoxes of Stasis, Gaji? argues that the combination of Francoism’s long duration and the uncertainty surrounding its ending generated an undercurrent of restlessness in the regime’s politics and culture. Engaging with a variety of genres—legal treatises, poetry, novels, essays, and memoir—Gaji? examines the different responses to the underlying tensions of the Francoist era in the context of the regime’s attempts at reform and consolidation and in relation to oppositional writers’ critiques of Francoism’s endurance.
By elucidating different manifestations of stasis in the politics, literature, and thought of the Francoist period, Paradoxes of Stasis reveals the contradictions of the era and offers new critical tools for understanding their relevance.
Автор: Moreda Rodriguez Eva Название: Music Criticism and Music Critics in Early Francoist Spain ISBN: 0190215860 ISBN-13(EAN): 9780190215866 Издательство: Oxford Academ Рейтинг: Цена: 18564.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The early years of the Franco regime saw the formation of a strong governmental propaganda apparatus. Through expansive press laws that solidified state control over public and private media outlets alike, the Franco government directly influenced what information was made available to the public. While music critics and journalists were by no means free from government control and direction, music criticism under the Franco regime did not adhere to any official party line on music. Indeed, music criticism often demonstrated a diversity of opinion and ideological belief that runs counter to many common assumptions about journalism under fascist regimes. In Music Criticism and Music Critics in Early Francoist Spain, Eva Moreda Rodrнguez presents a kaleidoscopic portrait of the diverse and often divergent writings of music critics in the early years of the Franco regime. Although she does not shy away from the thorny issues of propaganda and censorship, Moreda Rodrнguez considers other factors that shaped the journalistic discourse surrounding music. Political rivalries, ideological diversity within musical conservatism, as well as the explicit and implicit expectations of the Franco government all influenced the diverse landscape of music criticism. Moreover, the central issues that music critics were concerned with during Francoism's early years-modernist music, Spanish early music, traditional music, and music's role in organizing the state-had already been at the center of debates within the press for several decades. Carefully selecting contemporary writings by well-known music critics, Moreda Rodrнguez contextualizes music criticism written during the Franco regime within the broader intellectual history of Spain from the nineteenth century onwards. The first critical study of the musical press of Francoist Spain in the broader cultural and social fabric of the regime, Music Criticism and Music Critics in Early Francoist Spain is an essential resource for musicologists interested in 20th-century Spain, as well as Hispanists interested in the early Franco regime.
Автор: Rodriguez Название: Music and Exile in Francoist Spain ISBN: 1472450043 ISBN-13(EAN): 9781472450043 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Spanish Republican exile of 1939 impacted music as much as it did literature and academia, with well-known figures such as Adolfo Salazar and Roberto Gerhard forced to leave Spain. Exile is typically regarded as a discontinuity - an irreparable dissociation between the home country and the host country. Spanish exiled composers, however, were never totally cut off from the musical life of Francoist Spain (1939-1975), be it through private correspondence, public performances of their work, honorary appointments and invitations from Francoist institutions, or a physical return to Spanish soil.
Music and Exile in Francoist Spain analyses the connections of Spanish exiled composers with their homeland throughout 1939-1975. Taking the diversity and heterogeneity of the Spanish Republican exile as its starting point, the volume presents extended comparative case studies in order to broaden and advance current conceptions of, and debates surrounding, exile in musicology and Spanish studies. In doing so, it significantly furthers academic research on individual composers including Salvador Bacarisse, Julian Bautista, Roberto Gerhard, Rodolfo Halffter, Julian Orbon and Adolfo Salazar. As the first English-language monograph to explore the exiled composers from the perspectives of historiography, music criticism, performance and correspondence, Eva Moreda Rodriguez's vivid reconception of the role of place and nation in twentieth-century music history will be of particular interest for scholars of Spanish music, Spanish Republican history, and exile and displacement more broadly.
Описание: For centuries, Spain and the South have stood out as the exceptional ""other"" within U.S. and European nationalisms. During Franco's regime and the Jim Crow era both violently asserted a haunting brand of national ""selfhood."" Both areas shared a loss of splendor and a fraught relation with modernization, and they retained a sense of defeat. Brittany Powell Kennedy explores this paradox not simply to compare two apparently similar cultures but to reveal how we construct difference around this self/other dichotomy. She charts a transatlantic link between two cultures whose performances of ""otherness"" as assertions of ""selfhood"" enact and subvert their claims to exceptionality. Perhaps the greatest example of this transatlantic link remains the War of 1898, when the South tried to extract itself from but was implicated in U.S. imperial expansion and nation-building. Simultaneously, the South participated in the end of Spain as an imperial power.Given the War of 1898 as a climactic moment, Kennedy explores the writings of those who come directly after this period and who attempted to ""regenerate"" what was perceived as ""traditional"" in an agrarian past. That desire recurs over the century in novels from writers as diverse as William Faulkner, Camilo José Cela, Walker Percy, Eudora Welty, Federico García Lorca, and Ralph Ellison. As these writers wrestle with ideas of Spain and the South, they also engage questions of how national identity is affirmed and contested. Kennedy compares these cultures across the twentieth century to show the ways in which they express national authenticity. Thus she explores not only Francoism and Jim Crow, but varied attempts to define nationhood via exceptionalism, suggesting a model of performativity that relates to other ""exceptional"" geographies.
Автор: Anderson Peter Название: The Francoist Military Trials: Terror and Complicity,1939-1945 ISBN: 113886806X ISBN-13(EAN): 9781138868069 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Spain between 1936-1945, the Franco regime carried out one Europe's more brutal but less remembered programs of mass repression. Many were murdered by the regime's death squads, and in some areas Francoists also subjected up to 15% of the population to summary military trials. Here many suffered the death sentence or jail terms up to thirty years. Although historians have recognised the staggering scale of the trials, they have tended to overlook the mass participation that underpinned them. In contrast to the discussion in other European countries, little attention has been paid to the wide scale collusion in the killings and incarcerations in Spain.
Exploring mass complicity in the trials of hundreds of thousands of defeated Republicans following the end of the Spanish Civil War, The Francoist Military Trials probes local Francoists' accusations whereby victims were selected for prosecution in military courts. It also shows how insubstantial and hostile testimony formed the bedrock of 'investigations', secured convictions, and shaped the harsh sentencing practices of Franco's military judges. Using civil court records, it also documents how grassroots Francoists continued harassing Republicans for many years after they emerged from prison. Challenging the popularly prevalent view that the Franco regime imposed a police state upon a passive Spanish society, the evidence Anderson uncovers here illustrates that local state officials and members of the regime's support base together forged a powerful repressive system that allowed them to wage war on elements of their own society to a greater extent than perhaps even the Nazis managed against their own population.
Описание: In fascist Spain, Francoism – like German and Italian fascism – produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain’s centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain’s historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, cliched image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology. This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Bunuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative cliches.
Автор: Yarza, Alejandro (georgetown University) Название: Making and unmaking of francoist kitsch cinema ISBN: 0748699244 ISBN-13(EAN): 9780748699247 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Bunuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative cliches.
Автор: Richard Hemming; Franco Modigliani Название: The Determinants of National Saving and Wealth ISBN: 1349170305 ISBN-13(EAN): 9781349170302 Издательство: Springer Рейтинг: Цена: 25853.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Servaes Anna Название: Franco-American Identity, Community, and La Guiannee ISBN: 1628462108 ISBN-13(EAN): 9781628462104 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8151.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: French traditions in America do not live solely in Louisiana. Franco-American Identity, Community, and La Guiannée travels to Ste. Genevieve, Missouri, and Prairie du Rocher, Illinois, to mark the Franco-American traditions still practiced in both these Midwestern towns. This Franco-American cultural identity has continued for over 250 years, surviving language loss, extreme sociopolitical pressures, and the American Midwest's demands for conformity. Ethnic identity presents itself in many forms, including festivals and traditional celebrations, which take on an even more profound and visible role when language loss occurs. On New Year's Eve, the guionneurs, revelers who participate in the celebration, disguise themselves in eighteenth- and nineteenth-century costume and travel throughout their town, singing and wishing New Year's greetings to other members of the community. This celebration, like such others as Cajun Mardi Gras in Louisiana, Mumming in Ireland and Newfoundland, as well as the Carnaval de Binche, belongs to a category of begging quest festivals that have endured since the Medieval Age. These festivals may have also adapted or evolved from pre-Christian pagan rituals. Anna Servaes produces a historical context for both the development of French American culture as well as La Guiannée in order to understand contemporary identity. She analyzes the celebration, which affirms ethnic community, drawing upon theories by influential anthropologist Victor Turner. In addition, Servaes discusses cultural continuity and its relationship to language, revealing contemporary expressions of Franco-American identity.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
