Weathering Shakespeare: Audiences and Open-air Performance, O`Malley Evelyn, Garrard Greg, Kerridge Richard
Автор: Silverstone Catherine Название: Shakespeare, Trauma and Contemporary Performance ISBN: 1138809128 ISBN-13(EAN): 9781138809123 Издательство: Taylor&Francis Рейтинг: Цена: 8573.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This study explores the relationship between performances of Shakespeare`s plays and the ways in which they engage with traumatic events and histories. It investigates the ethical and political implications of attempts to represent trauma in performance, and interrogates a range of narratives about Shakespeare, gender, sexuality, ethnicity, colonization and violence.
This exciting collection of original essays critically assesses the significance of locality in Shakespearean plays. Considering how Shakespeare and his contemporaries understood the ‘North’, it brings together diverse voices to define what the ‘North’ meant and means in relation to Shakespeare. The book also situates Shakespeare’s works alongside less canonical texts and media, as well as detailed case studies of new material from rich but rarely-used local, municipal and performance archives. It provides an opportunity to critically reflect on links and differences between the past and present, England and Scotland, the local and the global.
Автор: Matthew James Smith, Julia Reinhard Lupton Название: Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy ISBN: 1474435688 ISBN-13(EAN): 9781474435680 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Explores the drama of proximity and co-presence in Shakespeare's plays
Key Features
Brings together the rare pairing of philosophical ethics and performance studies in Shakespeare's plays
Engages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanuel Levinas
This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. On stage and in life, the face is always window and mirror, representation and presence. It examines the emotional and ethical surplus that appears between faces in the activity and performance of human encounter on stage. By transitioning from face as noun to verb - to face, outface, interface, efface, deface, sur-face - chapters reveal how Shakespeare's plays discover conflict, betrayal and deception as well as love, trust and forgiveness between faces and the bodies that bear them.
Описание: Guilty pleasures in one’s reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America’s cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood.In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations—from Trollope to Baldwin—of American culture’s lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction’s unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.
Автор: G. Steinberg Название: Philip Larkin and His Audiences ISBN: 1349315206 ISBN-13(EAN): 9781349315208 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Philip Larkin, one of England`s greatest and most popular twentieth-century poets, is nonetheless widely regarded as a misanthropic, provincial recluse. This volume re-examines that critical view and argues that Larkin`s poetry, far from demonstrating his misanthropy, highlights his profound awareness of and concern for readers.
Название: Arab tv-audiences ISBN: 3631656114 ISBN-13(EAN): 9783631656112 Издательство: Peter Lang Рейтинг: Цена: 6921.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Today the relations between Arab audiences and Arab media are characterised by pluralism and fragmentation. More than a thousand Arab satellite TV channels alongside other new media platforms are offering all kinds of programming. Religion has also found a vital place as a topic in mainstream media or in one of the approximately 135 religious satellite channels that broadcast guidance and entertainment with an Islamic frame of reference. How do Arab audiences make use of mediated religion in negotiations of identity and belonging? The empirical based case studies in this interdisciplinary volume explore audience-media relations with a focus on religious identity in different countries such as Egypt, Tunisia, Algeria, Morocco, Great Britain, Germany, Denmark, and the United States.
Название: Shakespeare`s audiences ISBN: 0367715481 ISBN-13(EAN): 9780367715489 Издательство: Taylor&Francis Рейтинг: Цена: 5970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The essays in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media.
Автор: Cawsey Kathy Название: Twentieth-Century Chaucer Criticism: Reading Audiences ISBN: 1409404781 ISBN-13(EAN): 9781409404781 Издательство: Taylor&Francis Рейтинг: Цена: 15312.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Shifting ideas about Geoffrey Chaucer`s audience have produced radically different readings of Chaucer`s work over the course of the past century. This title identifies the assumptions about Chaucer`s audience underpinning each critic`s work, arguing these ideas explain the diversity of interpretation in Chaucer criticism.
Описание: Guilty pleasures in one’s reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America’s cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood.In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations—from Trollope to Baldwin—of American culture’s lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction’s unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.
Название: Shakespeare`s audiences ISBN: 0367715465 ISBN-13(EAN): 9780367715465 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The essays in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media.
Описание: Through a close reading of Shakespeare's works, Nigel Wood argues for the power of Shakespeare's dramatic language to shape the consciousness of the audiences of his time and to play a role in the development of a public sphere in early modern England. He traces the verbal patterning and repetition of a range of keywords across plays, distinguishing between their accepted meaning and the potency of performance to introduce fluid nuances of meaning and significance. It takes seriously therefore the plays’ status as oral performances and the ways in which his language would have resonated with early modern audiences.
Beginning by establishing an approach to Shakespeare’s playtexts from the perspective of an audience witnessing a gradually unfolding action, Wood addresses the power of language to create episodes of shock or revelation. Uniting this with Habermas's sense of a Public Sphere, he explores the role of the theatre and early modern audiences in contributing to the Public Sphere by challenging pre-set conventions and ideologies. In chapters on the social, the state, notions of kind and gentility, the human and ceremony/ritual, crucial shades of meaning are uncovered with special reference to a wide range of plays: the Histories, including Coriolanus and Henry V; the Tragedies, such as Hamlet and Othello, and the Comedies, including Much Ado About Nothing and The Merchant of Venice. This is a unique exploration of how Shakespeare in dramatizing and so challenging conventions of language, thereby questioned static cultural assumptions about gender, class and racial difference. Deep-seated critical approaches to canonical texts are thereby questioned in the service of re-capturing their initial public validity.
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