Название: Horror Cinema (Bibliotheca Universalis) ISBN: 3836561859 ISBN-13(EAN): 9783836561853 Издательство: Taschen Рейтинг: Цена: 2657.00 р. Наличие на складе: Ожидается поступление.
Описание: Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. From serial killers to satanists, The Shining to Scream, some 600 pages explore the genre`s favorite themes, mythologies, and motifs, and get up close and trembling to 50 top horror masterworks from the 1920s to the 2000s.
Описание: David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema.
Each chapter begins by focusing upon one or more of three key Deleuzian themes +" image, history and thought +" before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics +" Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks +" Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.
Автор: Bingham Adam Название: Contemporary Japanese Cinema Since Hana-Bi ISBN: 0748683739 ISBN-13(EAN): 9780748683734 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Studies the significant developments in Japanese genre filmmaking since the turn of the millennium. This book includes detail the ways in which individual films have both drawn and departed from those films that have comprised the key works and trends in these generic categories. It features developments in filmmaking.
David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema.
Each chapter begins by focusing upon one or more of three key Deleuzian themes - image, history and thought - before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics - Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks - Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.
Описание: This text argues that in Japanese popular cinema the `tragic hero` narrative is an archetypal plot-structure upon which male genres, such as the war-retro and yakuza films are based.
Автор: Desser D. Название: A Companion to Japanese Cinema ISBN: 1118955323 ISBN-13(EAN): 9781118955321 Издательство: Wiley Цена: 23594.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Go beyond Kurosawa and discover an up-to-date and rigorous examination of historical and modern Japanese cinema
In A Companion to Japanese Cinema, distinguished cinematic researcher David Desser delivers insightful new material on a fascinating subject, ranging from the introduction and exploration of under-appreciated directors, like Uchida Tomu and Yoshimura Kozaburo, to an appreciation of the Golden Age of Japanese cinema from the point of view of little-known stars and genres of the 1950s.
This Companion includes new resources that deal in-depth with the issue of gender in Japanese cinema, including a sustained analysis of Kawase Naomi, arguably the most important female director in Japanese film history.
Readers will appreciate the astute material on the connections and relationships that tie together Japanese television and cinema, with implications for understanding the modern state of Japanese film. The Companion concludes with a discussion of the Japanese media's response to the 3/11 earthquake and tsunami that devastated the nation. The book also includes:
A thorough introduction to the History, Ideology, and Aesthetics of Japanese cinema, including discussions of Kyoto as the cinematic center of Japan and the Pure Film Movement and modern Japanese film style
An exploration of the background to the famous story of Taki no Shiraito and the significant and underappreciated contributions of directors Uchida Tomu, as well as Yoshimura Kozaburo
A rigorous comparison of old and new Japanese cinema, including treatments of Ainu in documentary films and modernity in film exhibition
Practical discussions of intermediality, including treatments of scriptwriting in the 1930s and the influence of film on Japanese television
Perfect for upper-level undergraduate and graduate students studying Japanese and Asian cinema, A Companion to Japanese Cinema is a must-read reference for anyone seeking an insightful and contemporary discussion of modern scholarship in Japanese cinema in the 20th and 21st centuries.
Автор: Kate Taylor-Jones Название: Divine Work, Japanese Colonial Cinema and its Legacy ISBN: 150130612X ISBN-13(EAN): 9781501306129 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "The Greater East Asian Film Sphere" (GEAFS) was a term that came into existence around 1941. Linked into the Japanese Imperialist idea of "the Greater East Asian Co-Prosperity Sphere," the GEAFS was part of a pan-Asianist moment that was at the heart of the Japanese theorization (and justification) of their Imperial narrative. Central to Kate Taylor-Jones’ Divine Work: Japanese Colonial Cinema and its Legacy are the key points of defining the GEAFS and analyzing how the GEAFS implemented and theorized its ideas by those in power from the late 1930s to the end of the Pacific War (1945). With discussions of films prior to the Pacific war, (Manchurian Girl (1933) and Karayuki-san (1937), Fisherman's Fire (1939)) to coverage of films made through post-war contexts (City of Sadness (1989) and Dou-san (1994)), Taylor-Jones invites exploration to not only explore the colonial period but also discuss how cinema in the region needs to be understood not only in terms of past colonial relationships, but also in relation to how the post-colonial has engaged with shifting political alliances, the opportunities for technological advancement and knowledge, the promise of larger consumer markets, and specific historical conditions of each decade.
In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.
A Study of the Weatherhead East Asian Institute, Columbia University
Автор: Laura Lee Название: Japanese Cinema Between Frames ISBN: 3319663720 ISBN-13(EAN): 9783319663722 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Japanese Cinema Between Frames is a bold examination of Japanese film aesthetics that reframes the nation`s cinema history, illuminating processes that have both contributed to the unique texture of Japanese films and yoked the nation`s cinema to the global sphere of film history.
Автор: Taylor-Jones Kate Название: Divine Work, Japanese Colonial Cinema and its Legacy ISBN: 1501349678 ISBN-13(EAN): 9781501349676 Издательство: Bloomsbury Academic Рейтинг: Цена: 5859.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: For many East Asian nations, cinema and Japanese Imperialism arrived within a few years of each other. Exploring topics such as landscape, gender, modernity and military recruitment, this study details how the respective national cinemas of Japan’s territories struggled under, but also engaged with, the Japanese Imperial structures. Japan was ostensibly committed to an ethos of pan-Asianism and this study explores how this sense of the transnational was conveyed cinematically across the occupied lands. Taylor-Jones traces how cinema in the region post-1945 needs to be understood not only in terms of past colonial relationships, but also in relation to how the post-colonial has engaged with shifting political alliances, the opportunities for technological advancement and knowledge, the promise of larger consumer markets, and specific historical conditions of each decade.
In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.
A Study of the Weatherhead East Asian Institute, Columbia University
Автор: Fujiki Hideaki, Phillips Alastair Название: The Japanese Cinema Book ISBN: 1844576787 ISBN-13(EAN): 9781844576784 Издательство: Bloomsbury Academic Рейтинг: Цена: 5859.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Japanese Cinema Book provides a new and comprehensive survey of one of the world’s most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date.Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film.With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon.The book’s innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions.The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches· * Institutions and Industry· * Film Style· * Genre· * Times and Spaces of Representation· * Social Contexts· * Flows and Interactions
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